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Abbot Hall Art Gallery' 图片和/或视频结果

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Abbot Hall Art Gallery

系列概览

This beautiful Georgian house on the edge of England’s Lake District, contains a diverse collection of pictures, sculpture and furniture. Their particularly impressive collection of watercolours contains work by all the English greats including Turner, Constable and Cotman.


[2, 无限[找到来自'Abbot Hall Art Gallery'的绘画、照片及艺术作品,共4,293件]

Passage of Mount St. Gotthard from the Devil's Bridge, 1804 (w/c on paper)
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The Great Picture, 1646 (oil on canvas)
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Study of rocks and ferns in a wood at Crossmount, Perthshire, 1843 (w/c on paper)
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Ullswater Head, Cumberland (oil on canvas)
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The artist's brother James, holding a candle, 1761 (oil on canvas)
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The Gower Family, c.1776-77 (oil on canvas)
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Thomas Braithwaite of Ambleside (d.1607) making his Will (oil on board)
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Backbarrow Cotton Mill (oil on canvas)
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Major Gilpin Shearing a Sheep, 1808 (w/c on paper)
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A Quiet Moment (pen and ink on paper)
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Three men with a Sledge in the Snow, 1910-12 (gouache on paper)
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The Quill-Winder (w/c on paper)
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View from my window at Mornex where I stayed a year, 1862 (w/c on paper)
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The Market Place, Norwich, taken from Mr Cooper's, 1807 (pencil & watercolour on paper)
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Dorothy Wordsworth (1771-1855) in a Wheelchair, 1842 (ink on paper)
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Dawn Coniston, 1873 (w/c on paper)
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Lady Ann Clifford, Countess of Dorset and Pembroke (d.1675) (oil on canvas)
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A view of a woman walking down a road carrying two buckets, fells in the background, 1930s-60s (b/w photo)
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Chamonix, Mt Blanc (w/c on paper)
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The Four Friends (oil on canvas)
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The Falls of Lodore (w/c on paper)
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Spinning, Reading and Writing, 17th February 1807 (pen and ink wash on paper)
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A view looking over a hillside of grazing sheep towards the front façade of Hill Top Farm, the home of Beatrix Potter, 1930s-60s (b/w photo)
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Sheep grazing in field in front of Cartmel Priory, 1930s-60s (b/w photo)
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Windermere, 1821 (w/c on paper) (post-restoration)
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View of Bellinzona (charcoal and w/c wash on paper)
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John Postlethwaite (oil on canvas)
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Group at Brathay (w/c on paper)
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Calder Abbey (oil on canvas)
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Arthur Ransome in Cairo, 1930 (pencil on paper)
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Still life with tulips, 1925 (oil on canvas)
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A Man Reading, c.1804-30 (pen & ink on paper)
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A Father Reading to his Children (pen and ink wash on paper)
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Rocks and vegetation at Chamouni, 1854 (gouache on paper)
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Two women reading by lamplight, 1804 (pen and ink on paper)
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YMCA Flag, Thank You, Ambleside, 1947 (mixed media)
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A Mother Sewing (pen and ink on paper)
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Study for the Death of General Wolfe at Quebec, 1762-63 (oil on canvas)
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Flight, 1945 (construction & oil on wood)
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Rochers de Lanfon, Lake Annecy, c.1860 (gouache and w/c on paper)
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Belle Isle, Windermere, in a Calm, 1786 (oil on canvas)
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Brighton Beach, Sussex, 1844 (w/c on paper)
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A view of the stone circle 'Long Meg and her daughters' (Long Meg not visible in image), 1930s-60s (b/w photo)
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Group of cyclists heading up a road followed by cars, lake and fells in background, 1930s-60s (b/w photo)
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A view of a man fishing on a lake surrouded by fells, in the foreground are sheep and lambs, 1930s-60s (b/w photo)
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Edinburgh, 1809 (pen and ink on paper)
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The Board Game (pen and ink wash on paper)
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Lily of the Valley Island, Lake Windermere, Lake District, Cumbria, 1827 (w/c on paper)
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Two girls walk in the snow towards the camera at Kirkstone Summit, 1930s-60s (b/w photo)
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Morris dancers at Morecambe, 1930s-60s (b/w photo)
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View from Grange Bridge, Borrowdale (w/c on paper)
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Reading (pen and ink on paper) (detail of 14933)
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Mother and Child (pen and ink on paper)
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Family Life (pen and ink wash on paper)
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JYM VII (oil on panel)
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The High Sheriff of Lancashire Crossing Morecambe Sands (w/c, pen and ink on paper)
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Three Women in a Georgian Interior, 24th May 1823 (pen and ink on paper)
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Party at Dublin, 1809 (pen and ink on paper)
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Mier Bitte, 1946 (collage)
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Jessy and three children, 1815 (w/c on paper)
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A view of a person's hand writing 'There is only one', 1930s-60s (b/w photo)
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Hill Top with field in foreground and mountains in distance, 1930s-60s (b/w photo)
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A view of a man walking along a path (possibly a Roman Road), beneath a cliff face, 1930s-60s (b/w photo)
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Woman standing next to a bicycle on the pavement of road looking at view of Elterwater village and Langdale Fells, 1930s-60s (b/w photo)
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Brathay Hall, 1808 (w/c on paper)
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The Bowderstone Borrowdale (pen & ink on paper)
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Reclining Nude, 1970 (oil on canvas)
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Reading (ink on paper)
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Jessie at an easel, 1827 (w/c on paper)
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Social Interior at Brathay Hall, depicting Jessy Harden, Rev. Owen Lloyd and H. Almack, c.1827 (ink and wash on paper)
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Coniston (w/c on paper)
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Cards and Chess, 1815 (pen and ink on paper)
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Family at the Hearth (ink on paper)
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Two Gentlemen Drinking by the Fire (pen and ink on paper)
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An Evening Reading, 17th February 1812 (pen and ink wash on paper)
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Two men selling guinea pigs, one with an organ grinder, 1824 (pen and ink wash on paper)
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Correspondence (pen and ink on paper)
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A view of two sculpted figures on pediments in the Italian styled gardens of Yew Tree Farm at Reagill, which was known locally as 'The Image Garden', 1930s-60s (b/w photo)
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A view of a farmer herding cows down a lane possibly towards a farm, woman to right of image, 1930s-60s (b/w photo)
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View of statues and sculptures, 1930s-60s (b/w photo)
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Man and woman sitting at a table, 1805 (pen & ink on paper)
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Charles & Sophia Lloyd, 1804 (pen & ink on paper)
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The Concert, 25th September 1805 (pen and ink on paper)
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Otterhounds and handler looking towards camera, 1930s-60s (b/w photo)
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A woman stands next to a tree with her back to the camera looking out towards Yew Tree Farm, 1930s-60s (b/w photo)
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Torrid Zone / Region, 1958 (oil on canvas)
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A view of a child at the edge of a stream and buildings in a village, including R, 1930s-60s (b/w photo)
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A view of Nab Cottage at Rydal dating to 1702, there is a heavy covering of snow surrounding it, 1930s-60s (b/w photo)
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A view of two men standing next to a fast flowing river, fells with a dusting of snow in the background, 1930s-60s (b/w photo)
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A view of horse riders (possibly part of a hunt) outside the Castle Hotel, church; architecture; religious; ecclesiastical; in the background, 1930s-60s (b/w photo)
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