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Salle des Imprimes de la bibliotheque Richelieu, Bibliotheque nationale, Palais Mazarin, 58 rue de Richelieu, Paris 2nd arrondissement. It was Napoleon III who entrusted Henri Labrouste with the reconstruction of the imperiale library, which the increase in collections made indispensable... We no longer knew where to put the books From 43,000 books in 1688, we had gone up to 800,000 books in 1851. Since 1996, the national bibliotheque de rue Richelieu has merged with the Bibliotheque nationale de France-Tolbiac. Construction between 1859 and 1867
Cafe de l'Aubette in Strasbourg, designed by Theo van Doesburg (photo)
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
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La Verriere of the building of Credit Lyonnais in Nancy (Meurthe and Moselle). Architect Felicien Cesar (1849-1930), construction 1902. Verriere of architects Jacques Gruber and Charles Gauville. In Nancy, Art Nouveau takes the name of Ecole de Nancy or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Sheraton Hotel Roissy in France. Architecture by Andree Putman, 1996. Photography 10/01/2006.
Serpentine Gallery a Hyde Park, London, England, Great Britain. Architecture of Toyo Ito, 2002. Photography 10/07/02
L'Olympia, 28 boulevard des Capucines, Paris 9th. The Olympia was completely restored and reopened in 1997. Photography 2002.
Meteor Ligne 14, Paris. photography 1997
La Casa Mila, La Pedrera, Passeig de Gracia in Barcelona (Spain). Architect Antoni Gaudi i Cornet (1852-1926), 1910.
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La Casa Mila, La Pedrera, Passeig de Gracia in Barcelona (Spain). Architect Antoni Gaudi i Cornet (1852-1926), 1910.
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The Cathedrale Notre Dame, Place du Parvis Notre Dame, Paris 4. Construction XIIIth, XIIIth, XIXth century, rehabilitation by Eugene Viollet-le-Duc.
Sheraton Hotel Roissy in France. Architecture by Andree Putman, 1996. Photography 10/01/2006.
Le Louxor, cinema, Paris, 2013 (photo)
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La Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe and Moslle). Architect Henri Sauvage (1873-1932), 1898-1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Le Louxor, cinema, Paris, 2013 (photo)
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Le Louxor, cinema, Paris, 2013 (photo)
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Sheraton Hotel Roissy in France. Architecture by Andree Putman, 1996. Photography 10/01/2006.
Painted wall, Jean Sebastien Bach, 53 rue Clisson in Paris 75013. Designer: Rieti, 1980.
Le Louxor, cinema, Paris, 2013 (photo)
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The Nordic Embassy in Berlin (Germany), 1997-1999 (photo)
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Parc Departemental de la Courneuve, Seine Saint Denis (Seine-Saint-Denis), Ile de France (Ile-De-France). Photography 01/08/02. Created in 1956, this park is structured around a large circular lawn (intended to receive large-scale festive initiatives) and is accompanied by the origin of undergrowth and glades. It has grown successively to now count nearly 400 hectares, models by varying rhythms of valleys, lakes, belvederes and vast panoramas. On this large area there are playgrounds, picnic areas, catering kiosks, bike rentals, pedalos, maneges, carriage rides... The Maison du Parc, located on the banks of the great lake, will inform you about all these activities
La Nationale 20, a Ville sous Bois (Essonne).
Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933) in 1904 and Jacques Philippon in 1924. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Book maker in Paris.
The peripherique boulevard in Paris. Photography 10/08/98
The Bundestag Palace in Berlin (Germany). Renovation 1999, by architect Sir Norman Foster. His construction after a Paul Wallot project was completed in December 1894. The Italian High Renaissance style building is topped by a dome, which is 75 metres above the ground. Dem Deutschen Volke (To the German People) was affixed during the First World War. On November 9, 1918, from a window in the palace, the democratic social politician Philipp Scheidemann announced the end of the Hohenzollern monarchy and proclaimed the Republic. The Sovietic army raised a red flag on April 30, 1945 when Berlin was captured at the end of World War II. The building was renovated between 1961 and 1973 by the Federal Republic of Germany without the dome. After the German reunification of 3 October 1990, the German Parliament (Bundestag) decided on 20 June 1991 to move the Federal Parliament and Government from Bonn to Berlin and to reinstate it in the Reichstag Palace. Symbol of the Reichstag, the dome is reconstructed from glass. Photography 01/10/99.
The plant wall of the Pershing Hall hotel in Paris 8. Architecture by Andree Putman, 2001.
The Design Museum in Holon in Israel Design Museum - Holon - Israel 2010
The tail of the lion at the Venice Biennale, St. Mark's Square, Venice, Italy, 1999 (photo)
Place des Droits de l'Homme and cathedral of Evry, Essonne, Ile-de-France (Ile de France), 10/10/97 (photo)
Kinemax at the Futuroscope in Poitiers. Architecture by Denis Laming, 1986-1998. Photography 10/05/93
Le Louxor, cinema, Paris, 2013 (photo)
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Le Louxor, cinema, Paris, 2013 (photo)
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The 17th June Street and the Brandenburg Gate (Architect Carl Gotthard Langhans, 1788-1791) in Berlin, Germany. Photography 15/101/99.
The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Architect House, 28 rue des Brices (architect Charles Masson, 1933) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Immeuble France Lanord, 71 avenue Foch (architect Emile Andre, 1904) La Villa Majorelle, 1 Rue Majorelle (architect Henri Sauvage, 1902) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
The building of Banque Renauld (BNP), 9 rue de Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1865-1953), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Detail of the grid of Villa Les Glycines, 5 rue des Brices in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) in 1904 and Jacques Philippon in 1924. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Architect house, 12 a 14 rue du Mal Gerard (architect Felicien Cesar, 1910) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Detail of the building Les Pins, 2 Rue Albin Haller in Nancy (Meurthe et Moselle). Architect Emile Andre (1871-1933), 1912. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Detail of the building Les Pins, 2 rue Albin Haller in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1912. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
The building of Banque Renauld (BNP) 9 rue Chanzy, architects Emile Andre and Patrice Charbonnier, 1910, in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
The building of Banque Renauld (BNP), 9 rue de Chanzy (Architects Emile Andre and Patrice Charbonnier, 1910) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Detail of the building Les Pins, 2 rue Albin Haller in Nancy (Meurthe and Moselle). Architect Emile Andre (1871-1933), 1912. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
The building of the Federation Nationale du Batiment, 7 rue Laperouse, Paris 16th arrondissement, photo taken in 1999 (photo)