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So the Treasure was Divided, 1905 (oil on canvas)
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The Flying Dutchman, published in Collier's Weekly, December 8, 1900 (oil on canvas)
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Why Seek Ye the Living Among the Dead?, 1905 (oil on canvas)
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Which Shall Be Captain?, 1908 (oil on canvas)
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Dead men tell no tales, 1899 (oil on canvas en grisaille)
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The Buccaneer Was a Picturesque Fellow, from 'The Fate of Treasure Town' by Howard Pyle, published in Harper's Monthly Magazine, December 1905 (oil on canvas)
Headpiece, The Flying Dutchman, from 'North Folk Legends of the Sea', published in Harper's Monthly Magazine, January 1902 (w/c on board)
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Extorting tribute from the citizens, or The sack of Carthagena, from 'The Fate of a Treasure Town' by Howard Pyle, published in Harper's Monthly Magazine, December 1905 (oil on canvas)
Kidd on the Deck of the 'Adventure Galley', from 'The True Captain Kidd' by John D. Champlin, published in Harper's Monthly Magazine, December 1902 (crayon on paper)
Fast Flew the Black Winged Horse, from 'The Garden Behind the Moon' by Howard Pyle, 1895 (oil on canvas)
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Truth in the Temple, from 'The Pilgrimage of Truth' by Howard Pyle, 1900 (oil on wood)
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Howard Pyle (1853-1911) in his late twenties, c.1880s (b/w photo)
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He Put the Glass to his Lips and Drank at one Gulp, from 'Dr. Jekyll and Mr. Hyde' by Robert Louis Stevenson (1850-94), American edition, published 1895 (oil on canvas)
I Began to Play, from 'Sinbad in Burrator' by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
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The Dancer, from 'Lola' by Perceval Gibbon (1879-1926), published in Harper's Monthly Magazine, January 1909 (oil on canvas)
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Poster for 'To Have and To Hold' by Mary Johnston, published 1900 (pen & ink on paper)
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Frontispiece for 'The Ghost of Captain Brand', by Howard Pyle, published 1896 (litho) (b/w photo)
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The Mermaid, 1910 (oil on canvas)
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I Saw him Pass his Sword through the Mate's Body, from 'Kidnapped', published in 'The Novels and Tales of Robert Louis Stevenson', 1895 (oil on canvas)
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Who are we that Heaven should make of the Old Sea a Fowling Net?, from 'The Second Chance' by James Branch Cabell (1879-1958), published in Harper's Monthly Magazine, October 1909 (oil on canvas)
I am the daughter of that unfortunate Captain Keitt!, from 'The Ruby of Kishmoor' by Howard Pyle, published in Harper's Monthly Magazine, August 1907 (oil on canvas)
The Little Gentleman with One Eye, from 'The Ruby of Kishmoor' by Howard Pyle, published in Harper's Monthly Magazine, August 1907 (oil on canvas)
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Vignette from 'A Puppet of Fate', 1899 (oil on paper)
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Sir Jack of Diamonds (oil on panel)
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Interior of Howard Pyle's Studio (oil on canvas)
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'If I Catch you Here Again You'll Need Someone to Sew You Up', from 'Sinbad in Burrator' by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
A Wolf Had Not Been Seen in Salem for Thirty Years, 1909 (oil on canvas)
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Tailpiece for 'The Mysterious Chest' by Howard Pyle, published in Harper's Monthly Magazine, December 1908 (pen & ink & w/c on paper)
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Island of Enchantment (oil on canvas)
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Untitled (Woman by a Window), 1911 (oil on canvas)
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Caxton at His Press, 1902 (oil on canvas) (b/w photo)
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Untitled, from 'Old Captain' by Myles Hemenway, published in Harper's New Monthly Magazine, December 1898 (oil on canvas)
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Her Captain was a Cuban, from 'The Cruise of the Caribee' by Thomas V. Briggs, published in Harper's Monthly Magazine, December 1907 (oil on paper)
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The Fishing of Thor and Hymir, from 'North Folk Legends of the Sea' by Howard Pyle, published in Harper's Monthly Magazine, January 1902 (w/c on paper)
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The Nation Makers, 1903 (oil on canvas)
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Frontispiece for 'Sinbad on Burrator' by Arthur Quiller-Couch (1863-1944), 1902 (oil on paper)
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Truth Leaves Her Heavenly Home and Truth before the King for "The Pilgrimage of Truth" by Eric Bogh in Harper's Monthly Magazine, December 1900 (oil on wood panel)
The Rush from the New York Stock Exchange on September 18, 1873, from 'A History of the Last Quarter Century' by E. Benjamin Andrews, published in Scribner's Magazine, July 1895 (oil on canvas)
He Lost his Hold and Fell, Taking Me with him, from 'The Grain Ship' by Morgan Robertson, published in Harper's Monthly Magazine, March 1909 (oil on canvas)
The Attack Upon the Chew House, from 'The Story of the Revolution' by Henry Cabot Lodge (1850-1924), published in Scribner's Magazine, June 1898 (oil on canvas)
Suddenly a Half Door Opened and there Stood a Little Man, from 'The Garden Behind the Moon', published 1895 (oil on board)
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We Started to Run Back to the Raft for our Lives, from 'Sinbad on Burrator' by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
David Sat Down on the Wooden Bench and Took Up a Big Blue Star, from 'The Garden Behind the Moon' by Howard Pyle, published 1895 (oil on board)
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The Fisherman and the Genie, illustration from The Arabian Nights: Their Best Known Tales edited by Kate Douglas Wiggin and Nora A. Smith, 1909 (colour litho)
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David Looked Up Into Hans Krout's Face, from 'The Garden Behind the Moon' by Howard Pyle, published 1895 (b/w photo)
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Breton Peasants at a Wayside Cross, from 'The Pardon of St. Anne d'Auray' by William Perry Northrup, published in Scribner's Magazine, September 1901 (oil on canvas)
Bringing Fire and Terror to the Rooftree and Bed, from 'The Birds of Cirencester' by Bret Harte (1836-1902), published in Scribner's Magazine, January 1898 (ink and gouache on paper)
So for a heart-beat she saw him, from 'The Fox Brush' by James Branch Cabell (1879-1958), published in Harper's Monthly Magazine, August 1905 (oil on canvas)
The Old Violin, 1894 (oil on canvas en grisaille)
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I Clutched at his Ankle, from 'Sinbad in Burrator' by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
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