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Cover page of "L'art de la poesie francoise et latine, avec une idee de la musique sous une nouvelle methode" by Pherotee de la Croix
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Allegory of Rhetoric (fresco)
Allegory of Literature and Reading, panel painted by Jean Mosnier (1600-1656). Beauregard Castle, Loir-et-Cher, France. Detail.
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The Pilgrim's Progress by John Bunyan
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The Pilgrim's Progress by John Bunyan
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The Pilgrim's Progress by John Bunyan
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The Pilgrim's Progress by John Bunyan
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The Pilgrim's Progress by John Bunyan
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The Pilgrim's Progress by John Bunyan
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The Pilgrim's Progress by John Bunyan
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The Pilgrim's Progress by John Bunyan
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The Roman de la Rose, manuscript from the 13th century.
Scene from John Bunyan's The Pilgrim's Progress: 'So I awoke, and behold it was a dream' (tempera on linen)
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The symbolic figure of the course of human history, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with watercolour over pencil and chalk)
Lycidas by John Milton
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John Bunyan, author of Pilgrim's Progress
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Illustration for 'the palace of art'. A couple embracing. A woman is playing an organ.
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Illustration for 'the palace of art'. A couple embracing. A woman is playing an organ.
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Scene from John Bunyan's The Pilgrim's Progress: 'And all the trumpets sounded for them on the other side' (tempera on linen)
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Allegory of Chastity (fresco)
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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Scene from John Bunyan's The Pilgrim's Progress: 'I dreamed, and behold...' (tempera on linen)
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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John Bunyan -  Pilgrim's Progress.19th century version
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'Piers Ploughman', by William Langland, 1873 (stained glass)
Scene from John Bunyan's The Pilgrim's Progress: Christian battles with Apollyon in the Valley of Humiliation (and other episodes) (oil on linen)
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The Lady's Magazine frontispiece 1780
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Frugoni in Arcadia, circa 1760, by Pietro Melchiorre Ferrari (1735-1787)
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Ben Abdallah - a
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Allegory of the Fortezza and grotesque (fresco)
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Nobel medal and citation of W.B. Yeats (photo)
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Nobel medal and citation of W.B. Yeats (photo)
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Christian, the Pilgrim of the title, meets Evangelist
Christian ahd Hopeful alarmed a the punishment of Turn-away.
Allegory (oil on canvas)
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Title-page of 'Oru Paratecyin Punyacaritramthe', the Tamil translation of Pilgrim’s Progress published at the Vepery Mission Press, Madras, 1793 (litho)
Tender Conscience crossing the river.
Il Penseroso by John Milton
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Scene from John Bunyan's The Pilgrim's Progress: Ignorance, Having Been Ferried over the River by Vain Hope, is Cast into Hell because he has not a Certificate (oil on linen)
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Mercy at the Gate
Add. 19587, f.58  Dante and Virgil encounter Lucifer; the Traitors; Dante and Virgil climbing on Lucifer's legs, from the 'Divine Comedy' by Dante Alghieri, c.1370 (vellum)
Pilgrim's Progress, allegory
The Devil, in hooded cloak to hide his horns and cloven hooves
Triumphus Mortis, or Allegory of Death, scythe-wielding skeleton embodying Death rides atop chariot driven by two oxen and tramples over humankind, scene inspired by Triumphs of Francesco Petrarca (1304-1374)
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Allegory of time as an old man holding an hourglass © Fototeca/Leemage
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Allegory of Heaven and Hell, illustration from Boat to Hell, by Gil Vicente (1465-1536)
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