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The Southern Milky Way and south celestial pole - The Octant constellation houses the southern Celestial pole. See annotee image a - cst98 - 00005 to identify the different constellations present in the image. This part of the sky was mostly uncharted by Europeans until the 17th and 18th centuries, so many of the constellations in the southern (lower) half of the image are relatively modern constructions without mythlogical connotations. Octans, the Octant (a forerunner of the sextant) is an Enlightenment - period instrument whose outline was constructed on the sky by the vivid imagination of the Abbe Lacaille. The constellation is quite large but totally undistinguished. Its only notable feature is the South Celestial Pole, with is marked (within a degree or so) by the faint star s Octantis. Apus, the Bird of Paradise, first appeared in the star charts of the German astronomer Johann Bayer in 1603. It contains no named stars. Chameleon, a type of lizard. The stars here are even fainter than those in Apus. Mensa, the constellation was invented by de Lacaille to commemorate his sojourn at the Cape of Good Hope in the 1750s. The original name was Mons Mensa, Latin for Table Mountain. Its northern border crosses part of the Large Magellanic Cloud, possibly reminding Lacaille of the recurrent cloud over the mountain as seen from Cape Town. Musca, the Fly, is another undistinguished constellation that first appeared on Bayer's star charts in 1603
A page of Essays annotated by Montaigne
A page of Essays annotated by Montaigne
Panoramic view of the Yarouqui Plain, from 'Voyage a l'Equateur' by Charles Marie de la Condamine (1701-74) (engraving) (b/w photo)
A page of Essays annotated by Montaigne
Archaeopteryx lithographica fossil sketch from Richard Owen’s paper on 'Archaeopteryx', 1863 (pencil on paper)
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A male figure annotated with numbers
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Sketch map
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Speedwell, page 500-501 from 'The herball or Generall historie of plantes' by John Gerard, 1597 (ink & colour on vellum)
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View, plan and detail of house (ink & pencil on paper)
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Cottage, Baths and Lavatories - Painswick, for the Frederick Gyde Trustees, 14 March 1923 (ink on paper)
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An Annotated Aerial Picture of Burma, 1942 (b/w photo)
An Annotated Aerial Picture of Burma, 1942 (b/w photo)
Parliamentary Enquiry into the Affairs of the British Museum (1835-1836)
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An Annotated Aerial Picture of Burma, 1942 (b/w photo)
Pair of Cottages at Kelmscott for Miss May Morris, c.1915 (print and w/c on paper)
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An Annotated Aerial Picture of Burma, 1942 (b/w photo)
Additions to Cotswold Farm: south and front elevations, c.1925 (print and w/c on paper)
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Sketch of an evening ensemble with cape, coat, dress and sash (pencil on paper)
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Study for 'Saint Stephen Being Led to His Martyrdom', 1566 (pen & brown ink, grey wash and (later?) traces of red chalk on paper) (recto)
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Exodus, The Holy Bible, etc., 1611 (print)
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Cemetery of Uniforms and Liveries (No. 1) 1913 (pencil on tracing paper)
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Text from the 'Brāhmasphuṭasiddhānta', c.628 (ink on paper)
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Sloane MS 4002 f.31r Fossilised coral, 'Virginia: Papers on its natural history', by Rev. J. Banister: 1678-1680 (engraving)
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Add MS 78334 f.2 Plant specimen with explanation, from the 'Hortus Hyemalis', by John Evelyn, 1645 (ink on vellum)
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Baluba No. 5, 1961 (ballpoint pen on paper)
Ipomoea diversifolia
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Butterfly studies
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