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Tosca by Giacomo Puccini - stage set
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Stage set of Caspar Neher (b/w photo)
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Stage set for Bacchus by Massenet
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Sketch for scenography for performance by Czech composer Vitezlav Novak (1870-1949), 20th century
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Night at the Ballet, 1984
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Elevation of the Theatre of the Salle de Spectacle, Chateaux de Chantilly, from the 'Atlas du Comte du Nord', 1784 (pen & ink and w/c on paper)
Model of set design representing studies on sheet 224 R of Leonardo da Vinci's Codex Arundel (1452-1519)
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Design for The Barber of Seville
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Performance of the "Valkyrie" at the Bayreuth Festival, 1907 (b/w photo)
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Scenography by Maler Militz for Fernando Cortez, by Gaspare Spontini, staged at Vienna State Opera in 1893
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Design for The Barber of Seville by Rossini
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Set design for Last Day of Pompeii, opera in three acts by Giovanni Pacini (1796-1867), 1825
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Theatre / opera audience
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Germany, Berlin, Set design for performance The Magic Flute, by Panos Aravantinos
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Set design for Excelsior Ballet, scene III, Ballet by Luigi Manzotti (1835-1905) with music by Romualdo Marenco (1841-1907), performance at La Scala Theatre from 1973-1974
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Terry Johnson 's play (photo)
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Darius Milhaud 's 'Le Boeuf Sur le Toit', 1921
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David Farr and Gísli (photo)
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Set design for Excelsior ball, by Luigi Manzotti (1835-1905)
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Curtains Red velvet with
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Set design sketch for Don Giovanni or the rake punish'd, Consortium, interior of court
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Bertolt Brecht 's play (photo)
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Wicked - Idina Menzel (photo)
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Wicked - Helen Dallimore (photo)
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Italy, Milan, set design for Nerone (Nero) by Pagliaghi
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Daddy Cool' at the Shaftesbury Theatre (photo)
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John Adams' opera 'Nixon (photo)
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Italy, Venice, Set design for the performance Cinderella, or Goodness Triumphant by Gioacchino Rossini, at the Teatro La Fenice, Venice
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Austria, Vienna, set design sketch for Don Giovanni or the rake punish'd, Act four, scene one
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Set design by Pirrotta for L'Arlesiana, scene III, 1952, opera by Francesco Cilea (1866-1950)
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Brian Friel 's 'Performances' (photo)
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Set design sketch for Don Giovanni or the rake punish'd
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Bertolt Brecht 's play (photo)
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'In Praise of Love'
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Set design depicting wood of Druids in opera La Norma, opera by Vincenzo Bellini (1801-1835), performed at Theatre Royal des Italiens, December 8, 1835, engraving
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Ambrose the Theatre Cat, 2007 (oil & tempera on panel)
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Scenography for Act IV of Semiramide by Gioacchino Rossini (1792-1868), engraving, 19th century
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Alban Berg - Wozzeck stage set by John Heartfield
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Set design by Adolfo Hohenstein (1854-1928) for premiere of Zanetto, opera by Pietro Mascagni (1863-1945)
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Italy, Venice, Set design for Norma by Vincenzo Bellini for performance at Teatro La Fenice in Venice
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Scenography for The Bartered Bride by Bedrich Smetana, watercolour on paper
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Michael Nyman and Michael (photo)
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Original set design sketch for second act of opera La boheme, by Ruggero Leoncavallo (1857-1919)
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Czech Republic, Prague, Set design for performance Don Giovanni by Wolfgang Amadeus Mozart at Prague National Theatre
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Set design for Elisa and Claudio, opera by Saverio Mercadante (1795-1870)
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Alban Berg - Wozzeck stage set by John Heartfield
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Werther
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Michael Nyman and Michael (photo)
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Original set design sketch for third act of opera La boheme, by Ruggero Leoncavallo (1857-1919)
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Stage Set Model for Woodland Scene, c.1915-16 (oil on panel)
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Leos Janacek set for premiere of The  Makropoulos Affair
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Performance of the "Der Ring des Nibelungen" at the Bayreuth Festival, 1936 (b/w photo)
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Life for the Tsar by Mikhail Glinka
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Andrew Fell 's 'Marc (photo)
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Andrew Fell 's 'Marc (photo)
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Czechoslovakia, Prague, Bedrich Smetana (1824–1884), Set design for The Bartered Bride (Prodana Nevesta)
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Set design for 'Nerone' (Nero), 1934 (oil on canvas)
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Scenography for The Wooden Prince by Bela Bartok, 20th century
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Scenography by Frantisek Kysela (1881-1941) for The Magic Flute by Wolfgang Amadeus Mozart, 1932, Prague National Theatre, 20th century
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Michael Nyman and Michael (photo)
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Set design for Jacobin, Opus 84, by Antonin Leopold Dvorak (Nelahozeves, 1841-Prague, 1904), Bohemian (Now Czech Republic) composer
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Set design by Pietro Bertoja (1828-1911) for Moses, opera by Gioachino Rossini (1792-1868), performed at Malibran Theatre in Venice, 1872
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Scenography for The Bartered Bride by Bedrich Smetana, watercolor on paper
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