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Die Beiden Engel' 图片和/或视频结果 page 1 of 2

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[2, 无限[找到'Die Beiden Engel'的图片,162

The two angels of Humbert, late 12th century (sculpture)
The two angels of Humbert, late 12th century (sculpture)
The two angels of Humbert, late 12th century (sculpture)
The two angels of Humbert, late 12th century (sculpture)
The Annunciation, detail of the two angels, 1445 (oil on panel) (detail of 80047)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
[Whole folio] The Annunciation; the Virgin with the angel. The two patrons kneeling, each before a draped prie-dieu with open book. Border decoration of floral sprays.
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Purgatorio: The angel of Humility shows the two travellers the way to the second terrace of Purgatory.
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Vals. Ariege 09500 - Semi-rock church, dedicated to Saint Mary Fresco: detail of the two angels of Parousia - 12th century
French 19th century illustration of 'les deux chemins', the two paths of life.
A view of the town of Brescia with fields in front and a dedication below; a key on either side of the dedication; beneath are twelve seperate views of buildings in Brescia each printed from a seperate plate and etched 'Fso Battaglioli dis.; Fco Zucchi scolp'
Angels conducting the spirits of benefactors to the Heavenly Jerusalem, the portal of which is opened by St Peter for their reception. Both this image and the previous extend across the two pages. 

Two saints looking on a contest between St Peter and Satan for a soul at the Last Judgment, the books being opened, and on the right an evil spirit leading away a man and woman. 


The Jaws of Hell, with Satan thrusting down the man and woman, while the gate is being locked by the Archangel Michael. To the left of the two saints is written 'Ælgarus', perhaps AElfgar or AEthelgar, Abbot of New Minster (965), and afterwards Bishop of Selsey (980) and Archbishop of Canterbury (988).
The Body Snatchers
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Coronation of the Virgin. The two figures are seated on a plain stone bench. The Virgin has her hands clasped together, as Christ places the crown on her head. Above two kneeling angels, one playing a lute, the other a fiddle
Detail of the fishing Putti mosaic. One of the two aprers is emptying a basketball. 3rd - 4th century. Roman Villa of the Casale, Sicilia. UNESCO site.
Detail of the fishing putti mosaic. One of the two aprers is emptying a basketball. 3rd - 4th century. Roman Villa of the Casale, Sicilia. UNESCO site.
Allegory for the death of Ferdinand IV's two children, by Pompeo Batoni (1708-1787).
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Angel with the Superscription, 1668 (terracotta)
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Miniature of the Crucifixion of Christ between the two thieves, with the Virgin and John the Evangelist at his feet, with a full foliate border including two weeping angels and two dead people rising from their graves, at the beginning of None of the Passion
The Eternal Father and Saint Mark's Square, c.1543 (oil on canvas)
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But that too darkly I may not proceed, Francis and Poverty for these two lovers, Take thou henceforward in my speech diffuse, Canto XI, Paradise, Divine Comedy by Dante Alighieri (1265-1321), illuminated page from the Dante Estense manuscript, 1380-1390
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[Whole folio] The baptism of Christ, with an angel holding a robe, and the Holy Dove above; with angels in niches either side. Psalm 80, beginning with initial 'E', David playing bells. In the lower margin, a unicorn and lion fighting
The Virgin, crowned, with the Child, an angel on either side swinging a censer, two others in niches with tapers. Bas-de-page scene showing a mounted knight, wearing a fan-crested helm and ailettes, fighting a mounted Saracen with turban, scimitar and round shield
Angel with the Scroll, 1668 - 1669 (marble)
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The Tree made up of 7 clusters of circles with the names of the 7 Virtues and the 7 Subsidiaries. At the top, two angels stand next to 'Peace' and 'Piety' beside the head of Christ. At the base of the tree, Humility, the root of the virtues, is represented by the Annunciation. On either side, the personifications of the virtues with their attributes; Prudence with a dove; Justice holds a palm branch and scales; Fortitude a sword and shield; Temperance a chalice and cornucopia of fire
Angel with thurible (Angelo con turibolo), by Bernardino Luini, 1525-1530, 16th Century, fresco
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Angel with the Crown of Thorns, 1668 (terracotta)
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The Crucifixion (stone)
Angel with thurible (Angelo con turibolo), by Bernardino Luini, 1525-1530, 16th Century, fresco
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The Eternal Father and Saint Mark's Square, c.1543 (oil on canvas)
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Detail from Canosan polychrome pottery oinochoe, Apulia, c. early 3rd century BC (ceramic)
Composite Icon with the Virgin and Child Enthroned (egg tempera & gold leaf on panel)
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Annunciation to the shepherds
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The Golden Legend by Henry Wadsworth Longfellow
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Crucifixion, by Unknown Artist, 16th Century, fresco
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Mary Magdalene with Saint John the Baptist and ?an Angel
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Dormition of the Virgin
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Mosaic decoration of the counter-façade - Last Judgment (mosaic)
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Sepulchral Monument to Carlo Finelli, by Rinaldo Rinaldi, 1856 - 1857, 19th Century, marble
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Mary Magdalene (La Maddalena), by Bartolomeo Schedoni, 1587 - 1615, 16th - 17th Century, oil on canvas
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Mosaic decoration of the counter-façade - Last Judgment (mosaic)
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Left wing of a diptych depicting The Trinity in a quatrefoil (back), 14th century (carved ivory with traces of pigment and gilding)
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Mosaic decoration of the counter-façade - Last Judgment (mosaic)
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Knight of the mid-15th century, wearing a tunic with checkered over his armor and stockings, above him, two angels hold his coat of arms on both sides, including a sword with an engraved blade and a war hammer - According to the Dresden Engraving Museum, the Wurzburg Historical Society and the Munthoich Museum (Germany) - Chromoliich Museum Graphic , drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Heliodorus expelled from the Temple of Jerusalem, 1720-24 (oil on canvas)
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Tympanum of the Portal of St. Anne, Cathedral of Notre Dame, Paris, France (photo)
Emblem 13; Christ in doorway
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Design for a title page with two saints on pedestals and an imaginary Spanish coat of arms, 17th century (traces of black chalk, pen & brown ink, and brown wash, with brown ink framing lines, on laid paper, now laid down on Japanese tissue)
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Saint Matthew and Saint John, by Guariento di Arpo, 1335 - 1340, 14th Century, fresco
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Madonna with Child on the throne and two Saints (Madonna col Bambino in trono e due Santi), by Francesco Verla, 15th Century, oil on canvas, 182 x 140 cm
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The Passion of Jesus, 1365-1368 (fresco)
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Marble Street, High Angel View, facing North, Ephesus
Marble Street, High Angel View, facing North, Ephesus
Madonna with Child and Saints Vittore and Corona, by Mattia Bortoloni, c. 1730, 18th Century, oil on canvas
Crucifixion, by Giovanni Mazone, 1489 - 1490, 15th Century, board, 102,8 x 64,5 cm
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Triptych with the Madonna and Four Saints, Pietro di Giovanni also known as Lorenzo Monaco, 1410, 15th Century, tempera on board
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Madonna and Child Enthroned with Four Angels, c.1480 (tempera on board)
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