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[2, 无限[找到'Fruscio'的图片,36

Leaves beat, wings rustle, 2021 (etching and aquatint on paper)
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Christian Sinding-Rustle of Spring, Opus 31, No.3 for piano 1896
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The Great Train Robbers
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Cowboys
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The command post of the transport cableway, Blondin, on the construction site of the Hongrin reservoir in the canton of Vaud, taken on 18 April 1966 (b/w photo)
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Hunting with Lasso in South America, 1877 (engraving)
Waterfall falls over the cafeteria on Briksdalsbreen in Olden - Norway..., 1996 (photo)
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The Stag and the Vine (engraving)
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Briksdalsbreen glacier waterfall in - Norway..., 1996 (photo)
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Couple walking through a wooded area (print)
At Runnymede, at Runnymede / What moves the reeds at Runnymede?' So begins this poem by Rudyard Kipling (d. 1936), first published in 1911. 'The Reeds of Runnymede' was commissioned to accompany a children's history
of England, written by the Oxford academic, C. R. L. Fletcher (d. 1934), to which Kipling contributed twenty-three poems. The book
itself received a mixed reaction, on account of Fletcher's racial prejudices. For instance, Fletcher denigrated the native people of Australia as 'a
few miserable blacks, who could hardly use even bows and arrows', and he lamented the impact of the abolition of slavery on the prosperity
of the West Indies. A History of England was venerated by some, but it was condemned by the Manchester Guardian as a pernicious influence
on the minds of children, and the volume was banned in parts of the British Empire. Kipling's poem, seen here in the author's draft, is uncontentious. The author imagines that the reeds in the Runnymede water meadow
are witnesses to the meeting between King John and the barons, and he suggests that their rustling provides a warning to monarchs
who dare to disregard their subjects. Kipling's handwriting is crabbed, and some of his original words were altered when the poem was
being prepared for publication. For example, the opening lines of the manuscript version read, 'What moves the reeds at Runnymede',
reproduced in print as 'What say the reeds'. The penultimate stanza of the poem is rewritten extensively in the manuscript, with this being
Kipling's final draft: 
At Runnymede, at Runnymede,
Your rights were won at Runnymede!
No freeman shall be fined or bound,
Or dispossessed of freehold ground,
Except by lawful judgement found
And passed upon him by his peers!
Forget not, after all these years,
The charter signed at Runnymede.
WW2 - DAF women exercising in an armaments factory 1942 (photo)
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II. WK, Eastern Front, Nebelwerfer 1943 (photo)
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Pan and Syrinx (oil on panel)
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