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Jeanne D'albret' 图片和/或视频结果 page 1 of 1

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Jeanne III d'Albret (1528-72) Queen of Navarre, 1570 (oil on panel)
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Jeanne d'Albret, Queen of Navarre and mother of Henri IV
Antoine, King of Navarre (Antoine de Bourbon, 1518-1562), and Jeanne III, Queen of Navarre (Jeanne d'Albret, 1528-1555). From a miniature painting. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Silk embroidery depicting Jeanne d'Albret, Queen of Navarre, as Venus, France, 17th century
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French vintage clothes XVI century Charles kingdom IX, King of France
Jeanne d'Albret (1528-1572) queen of Navarre, mother of French king Henri IV, engraving
Jeanne d'Albret (1528-1572) queen of Navarre, mother of French king Henri IV, engraving
A Block for the Wigs or, the New State Whirligig, Gillray, James, 1756-1815, Artist, Engraving 1783, a Carousel on which Sit Government Ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the Center of the Carousel Platform is a Pillar Topped by a Bust of King George III, a Wig and Union Jack Suspended Over the Bust. In the Background Two Robbers Lower a Large Bundle from the Window of a Building. An Inscription above the Cartoon Reads Poor John Bull's House Plunder'D at Noon Day.
The Great South Sea Caterpillar, Transform'D Into a Bath Butterfly, Gillray, James, 1756-1815, Artist, [London], 1795, the Metamorphosis of Sir Joseph Banks from a Caterpillar to a Butterfly Upon His Investiture with the Order of the Bath As a Result of His South Sea Expedition. Draped with the Ribbon, and Wearing the Jewel, of Bath, He Rises, Chrysalis Shaped, from the Mudflats on Butterfly Wings Emblazoned with Sea Creatures Towards a Radiant Sun Enclosing a Crown.
Gloria Mundi, or the Devil Addressing the Sun  Pare. Lost, Book IV, Gillray, James, 1756-1815, Artist, London, Engraving 1782, En Sanguine Engraving Showing Charles James Fox Standing on a Roulette Wheel Perched Atop a Globe Showing England and Continental Europe, the Implication is that His Penniless State, Indicated by Turned-Out Pockets, is Due to Gambling He Looks Over His Left Shoulder Up at a Bust of Shelburne Who, Like the Sun, is Beaming Radiantly. Like Edmund Burke, Fox Resigned His Position As Foreign Secretary in Protest at the Appointment of Shelburne Following Rockingham's Death.
End of the Irish Invasion or  the Destruction of the French Armada, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, French Warships Being Tossed About During a Storm Blown Up by Pitt, Dundas, Grenville and Windham, Whose Heads Appear from the Clouds. Charles Fox is the Figurehead on Le Revolutionaire which is Floundering with Broken Mast. The Revolutionary Jolly Boat is Being Swamped, Throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall Overboard.
Comfort of a Bed of Roses, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1806,  Charles Fox, in Bed with His Wife, Having a Nightmare. To the Right, Napoleon Jumps to the Bed from a Cannon with the Words Pour Subjugeur Le Monde Inscribed on the Muzzle; behind Him Are Seen Pikes and a Banner with the Words Horrors of Invasion. William  Pitt, As a Shade, Floats Near the Bed, Admonishing Fox to Awake. An Eagle with the Collar Labeled Prussia Looms Over Fox's Head. From Under the Bed Grow Thorny Rose Branches and Death Crawls Out from Under the Covers. A Bulldog with Its Collar Inscribed John Bull Lunges at Napoleon.
Advantages of Wearing Muslin Dresses!, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1802, a Fat Lady, Sitting with a Man and Woman at a Tea Table, Reacts in Horror As a Hot Poker from the Fire Falls on Her Dress and Sets It on Fire. The Man Sits Helplessly While the Second Woman Upsets the Table in Her Alarm. A Butler, Entering the Room, Drops a Plate of Muffins, and a Cat Scampers Away from the Fire. A Painting of Mt. Vesuvius Hangs Over the Fireplace.
A Peep at Christies or Tally Ho, and  His Nimeney-Pimmeney Taking the Morning Lounge, Gillray, James, 1756-1815, Engraving 1796, Miss Farren and Lord Derby Walk Together Inspecting Pictures. She, Very Thin and Tall, Looks Over His Head Through a Glass at a Picture in the Second Row of Zenocrates Andphryne. He Looks at the Picture Immediately below, the Death, a Huntsman Holding Up a Fox to the Hounds. Lord Derby, Much Caricatured, Very Short and Obese, Wears Riding-Dress with Spurred Boots and Holds a Whip. Miss Farren Wears No Hat, a Dress Hanging from the Shoulders and Trailing Her, Short Sleeves and Gloves. Both Hold an Open Catalogue.
A Kick at the Broad Bottoms! I.E. Emancipation of All the Talents, Gillray, James, 1756-1815, Engraver, [London], 1807, King George III, His Face Hidden by a Pillar, Grabs the Pigtail of Lord Grenville, and Holds His Scepter As If Ready to Strike Grenville. Members of the Government, Including Howick, Holding a Torn Copy of the Catholic Bill, Ellenborough, Buckingham, Temple, Windham, Moira, Sidmouth and Sheridan, Rush from the Room, Falling on Each Other in the Process. Petty and Erskine Are Sprawled on the Floor. The King Stands in Front of His Throne Next to which is a Bible and a Crown.
A Cognocenti Contemplating Ye Beauties of Ye Antique, Gillray, James, 1756-1815, Engraver, [London]: H. Humphrey, 1801, an Elderly Sir William Hamilton Inspecting His Antiquities, All of which Refer to His Wife, Lady Emma Hamilton and Her Lover, Lord Horatio Nelson. In the Background Hang Four Pictures on the Wall: Cleopatra, a Picture of Lady Hamilton with Her Breasts Exposed, Holding a Gin Bottle; Mark Anthony, Lord Nelson with a Sea Battle in Background: An Erupting Volcano; and a Portrait of Hamilton, Facing Away from the Other Paintings.
The Orangerie  or  the Dutch Cupid Reposing after the Fatigues of Planting, Gillray, James, 1756-1815, Engraver, London, Engraving 1796, William V, Prince of Orange, As a Fat, Naked Cupid, Reclining on a Platform of Grass and Flowers and Leaning on a Bag of Money Marked 24,000,000 Ducats. In the Foreground Are a Number of Orange Plants with Each Orange Bearing the Likeness of the Prince. In the Background, As If in a Dream, Are Many Heavily Pregnant Women: A Milkmaid, a Fishmonger, a House Maid, and Many Farm Women.
Taming of the Shrew, Katharine and Petruchio, the Modern Quixotte, or, What You Will, Gillray, James, 1756-1815, Engraving 1791, Catherine II, Faint and Shying Away from William Pitt, Who Appears As Petruchio, and Don Quixote on Horseback (a Lean and Scarred George III Whose Authority Has Been Usurped by Pitt), Seated behind Pitt Are the King of Prussia and a Figure Representing Holland As Sancho Panza, Selim III Kneels to Kiss the Horse's Tail; a Gaunt Figure Representing the Old Order in France and Leopold II Render Assistence to Catherine by Preventing Her from Falling to the Ground.
Design for the New Gallery of Busts and Pictures, and So Far Will I Trust Thee Gentle Kate, Henry 4th, Part 1st , Gillray, James, 1756-1815, Engraving 1792, Interior View of a Portrait Gallery with Busts of Demosthenes and Cicero, Both Frowning, and Between Them a Bust of Charles J. Fox; Hanging on the Wall above Are Two Prints Showing Catherine II of Russia, in One, Titled Justice, She is About to Stab a Sultan, in the Other, Moderation, She is Facing a Map of Moldavia, Bessarabia, and Wallachia, which She Embraces with Outspread Arms; Hanging above the Bust of Fox is a Crowned Circle Inscribed Conjugal Love. A Cure for the Haemerroidical Cholic Within which is a Rope Noose.
ANTOINE DE VENDOME
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ANTOINE DE BOURBON
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Visiting the Sick, Gillray, James, 1756-1815, Engraving 1806, Charles Fox Sitting in an Armchair, Obviously Ill. On One Side of Him is Mrs. Fitzherbert, Dressed As an Abbess and Holding a Rosary; on the Other Side is a Bishop in Robes and Mitre. In Front of Fox, the Prince of Wales Holds His Handkerchief to His Face. Sheridan, Standing behind the Bishop, Admonishes the Bishop to Understand that Catholic Emancipation is Not Possible. Howick, Petty, Windham and Moira Are All Distressed; Grenville and Sidmouth Are Leaving the Room Hoping Fox Will Expire. Mrs. Fox Faints in a Chair and is Attended by Lord Derby.
HENRI IV BORN
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HENRI IV, HIS BIRTH
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Louis Charles de Bourbon (1555-57) Comte de Marle, 1555 (red chalk & pencil on paper)
Baby cot of Henri IV (turtle shell with silver edges) (photo)
Portrait of Jeanne III of Navarre
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