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[2, 无限[找到'Lichteffekte'的图片,34

Landscape, light effects (Watercolour, before 1825)
The fountain of Acqua Marica, Rome, animated by electric light effects
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Sound and light effects at a play of the Haenneschen theatre at Cologne, Germany 1930s (b/w photo)
Rites - a realisation (photo)
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[Self-Portrait with Christine and Yvonne Lerolle], probably 1895?96, Gelatin silver print, Image: 37.1 x 29.3 cm (14 5/8 x 11 9/16 in.), Photographs, Edgar Degas (French, Paris 1834?1917 Paris), While Degas was aware of photography from the beginning of his career, he did not take up the medium until 1895, when he embraced it with great enthusiasm. By then, the motifs in his paintings and pastels-dancers, women at their toilette, horses, and even his rare forays into landscape-were established, as were his untraditional viewpoints, lighting effects, and compositions; what was novel was his approach to his materials | usage worldwide
Saint Hilaire Chapel, Notre Dame de Bayeux Cathedral
Electrical Apparatus Large plasma ball, c 1990s
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Cupid and Psyche, c.1789 (oil on canvas)
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Electrical Apparatus Large plasma ball, c 1990s
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Electrical Apparatus Large plasma ball, c 1990s
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The Landing of Aeneas at Pallanteum, 1675 (oil on canvas)
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Japan: 'A Nap'. Shin-hanga woodblock print by Torii Kotondo (1900-1976), 1933
Revenge of Amidei, 1861 (oil on canvas)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
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Japan: 'Tipsy'. Shin-hanga woodblock print by Torii Kotondo (1900-1976), 1932
Japan: 'After a Visit to the Bathouse'. Shin-hanga woodblock print by Torii Kotondo (1900-1976), 1933
A Back Road, 1884 (oil on canvas)
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