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Classic Motorbike Ducati 125 Bialbero Gran Premio. Trademark (photo)
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A Marker of Mark on The Market
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Gretton Hallmarks, c.1680 (metal)
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Example of the reverse side of Flat-chasing type decoration on a salver, 1736
Hallmark Sweptwing Electric guitar
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Silver cutlery handle with mark of the manufacture and 925 hallmark
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Insurance plaque or fire mark on village cottage (photo)
Cheese scoop by Smith and Fern, London, 1792
Two suited men weigh bars of gold on scales at the US Mint (photo)
Kilo bar of fine silver
Old insurance plaque or Fire mark fixed onto door (photo)
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Anodised aluminium punch mark 3 III, by Piero De Vecchi, 1950s
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Punch mark of silver tea service, 1956 (silver)
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Example of Acanthus leaf, early 19th century
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
Body fitting, a hall mark folk art of Pakistan, has turned its village lanes, city streets and long distance highways into a national gallery without walls, a free-form, kaleidoscopic exhibition in perpetual motion. The vast majority of Pakistans trucks, buses and motorized rickshaws are painted top to bottom with landscapes, portraits, calligraphic poetry, religious verses and wisecracking expressions of star-spangled banter. Only the big container freight trucks, the 18-wheeler rigs, escape decoration, looking naked by comparison. Karachi, Pakistan. 2005.  (photo)
A man selling trinkets for cabs, in Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one.  (photo)
II. WK, runic mark SA "Feldherrnhalle" 1944 (photo)
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Giant heavy-lidded eyes painted on side and back panels and pastel-colored scarves fluttering from cab windows are intended to ward off the evil eye. Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one.  (photo)
A driver sits with a friend in a fully furbished cab. A cubby at his side holds eight-track tapes. Karachi, Pakistan. 2005. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one.  (photo)
In one of the countless body fitting shops, a boy tends an inventory of hubcaps, reflective panels and dangling ornaments. Pakistani truck drivers may spend two year's wages customizing their Bedfords or Hinos, buying splendiferous vehicular makeovers that employ painters, carvers, metal chasers, weavers and bric-a-brac assemblage artists - some 50,000 of them in Karachi alone. Some of the decorations echo motifs that adorned pottery, textiles and oxcarts nine millennia ago, but to the owner-drivers, its business: 'More people will hire me if I have a beautifully painted truck,' says one. Karachi, Pakistan. 2005.  (photo)
Advertisement for a Cadillac, 1948 (colour litho)
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American Revolution, British officer's silver hilted sword
Inland port pass, 1826 (print)
President Cleveland as a pig farmer, 1885
Group of diamond jewels (photo)