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Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (detail of 78482)
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The children of King Christian II of Denmark, Norway and Sweden (1481-1559); John, Christina and Dorothea
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Through the Window, 1981 (oil on board)
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Still Life, 1675 (oil on canvas)
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Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (for detail see 78488)
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Door with Lanterns, c.1880 (oil on canvas)
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The Theatre (photo)
A door flanked by two guards, from the Tomb of the Augurs, 5th century BC (mural painting)
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Sala dei Giganti, view of two walls showing the destruction of the rebellious giants by Jupiter's thunderbolts, 1536 (fresco) (for detail see 78483-86)
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Lorenzo amongst the artists (fresco)
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Trompe l'oeil garden from the Villa of Livia, 40-20 BC (fresco)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting a display of sections of armour in a curtained cupboard, designed by Baccio Pontelli (d.1492), 15th century (wood)
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Add 35214 f.67 Flowers and butterfly, from a Book of Hours, Paris, 1515-20 (vellum)
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Sala dei Cavalli, detail showing a portrait of a chestnut horse from the stables of Ludovico Gonzaga III of Mantua, its cheek branded with a 'G', 1528 (fresco)
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Interior view of the house with frescoes dating from 25 BC - AD 25 (fresco)
Detail of the cyclops, from the destruction of the giants by Jupiter's thunderbolts, Sala dei Giganti, 1536 (fresco)
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The Triumph of Christianity, in the Room of Constantine, Raphael Rooms, c.1585 (fresco)
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Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (detail of 78482)
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Konstruction fuer edle Frauen (relief)
The main salon, detail of decoration depicting the Villa d'Este and a man in a doorway, 1550 (freco)
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Sala dei Cavalli, detail showing a portrait of a chestnut horse from the stables of Ludovico Gonzaga III of Mantua, 1528 (fresco)
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The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panelling depicting open cupboards and niches designed by Baccio Pontelli (d.1492) displaying above the portraits of illustrious men painted by Pedro Berruguete (d.1503) and Juste Gand (1435-80) (photo)
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Trompe l'oeil garden from the Villa of Livia, 40-20 BC (fresco)
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Lorenzo de' Medici (1449-92) surrounded by artists, admiring Michelangelo's 'Faun' (fresco)
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The Prophet Isaiah, Sistene Chapel Ceiling (fresco)
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Program Design, 1951 (w/c on paper)
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The main salon, designed by Pirro Ligorio (c.1500-83) for Cardinal Ippolito II d'Este (1509-72) and decorated with frescos by Livio Agresti (c.1508-1580) 1550 (photo)
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The Clay Pipe, 1890s (oil on canvas)
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A Philosopher
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Frieze with putti (fresco)
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Frieze with Putti (fresco)
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Sala dei Cavalli, detail showing a portrait of 'Morel Favorito', a horse from the stables of Ludovico Gonzaga III of Mantua, 1528 (fresco)
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Frescos in the Tablinium, House of Livia, 1st century AD (photo)
The Painted Hall, Chatsworth House, Derbyshire (photo)
Porta del Popolo, 1995 (casein on panel)
Doughnuts (mixed media)
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Sala dei Cavalli, detail showing a portrait of 'Dario', a horse from the stables of Ludovico Gonzaga III of Mantua, 1528 (fresco)
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Self Portrait, 1646 (Painting)
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The Grand Staircase (photo)
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Central vault of the Church of Saint Ignatius of Loyola (Chiesa di Sant'Ignazio di Loyola) in Rome, a mural representing the apotheosis of Saint Ignatius of Loyola, founder of the company of Jesus, canonized in 1622 and the allegory of Jesuit missionary work, The dome en trompe l'oeil, carried out in 1685 Andrea Pozzo (1642-1709), Art of the Contre reforme, Italian religious architecture in Baroque style dating from the 17th century. Photography, KIM Youngtae, Rome, Lazio, Italy.