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Renaud Lavillenie
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Brest, Pont National ouvert, Croiseur Cuirasse Marseillaise
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Studieuse -  1830 (lithograph)
Zele -  1830 (lithograph)
Brest, Grand Pont ouvert, Edgar Quinet, Cuirasse, Marine Militaire
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Docilite - "1830 (lithograph)
V X Y Z ; Vanite, Xavier, Yves ou l'Enfant courageux, Zele -  1830 (lithograph)
"Kairo, Le Pont Du Nil Ouvert", vers les annees 1900-1920
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SUISSE ROLAND GRIMM ON GRAND OUVERT CLEARS FENCE, 1997-09-27 (photo)
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S - Serpent Soeur - Child Entertainment Alphabet c.1890 (Epinal print)
Muslim man reading the Noble Quran, Close-up, Hanoi, Vietnam, 2019 (photo)
Oeil ouvert, pupille et cils - Open eye of young woman showing green pupil and brown eyelashes-Photo by Laurie Noble
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Oeil ouvert, pupille et cils - Open eye of young woman showing hazel pupil and brown eyelashes-Photo by Laurie Noble
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Christ with Saint Constantine Timios Stavros tou Agiasmati church, Holy cross of Agiasmati 15th century Cyprus Painted churches UNESCO site Troodos, Cyprus
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"How to dance the Alemanna" Double page of "Le Gratie d'Amore" (Le Grazie d'Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604), treaty on dance
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Picardy 079 - Laon - Museum - “” Les Apotres”” (detail) - Master of the Hours of Rohan - Oil on oak of the 15th century
Tourreau de satin noir ouvert sur interieur de linon blanc plisse - chapeau en peau de soie noire avec garniture blanche.
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"Description of ballet for two" Double page of "Le Gratie d'Amore" (Le Grazie d'Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604), treaty on dance
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Brest, Grand Pont open, Warship Edgar Quinet
Fer a repasser electrique, (modele ouvert sur le reservoir d'eau et la resistance electrique interieure ), vers 1880 - Electric iron, c 1880
Loire Atlantique N* 133 - Nantes - Musee Dobree - “The Virgin and Child” - Painting of Flanders of the 15th century
Portrait de Denis Papin (1647-1712), scientifique francais, tenant un livre ouvert sur le schema de son inventeur, le "Digesteur", pour cuire les aliments
Picardy 080 - Laon - Museum - “” The Apotres”” (detail) - Master of the Hours of Rohan - oil painting on 15th century oak
Fer a repasser electrique, (modele ouvert sur le reservoir d'eau et la resistance electrique interieure ), vers 1880 -Early electric iron, c 1880
Double page of "Le Gratie d'Amore" (Le Grazie d'Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604), treaty on dance
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"How to dance the campanella" Double page of "Le Gratie d'Amore" (Le Grazie d'Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604), treaty on dance
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Loire Atlantique N* 132 - Nantes - Musee Dobree - “” The Virgin and Child” - Painting of Flanders - 15th s.
Allegorie de la philosophie, des arts et des sciences, 16e siecle: une figure feminine a trois tetes couronnees, tenant un livre ouvert et un sceptre
"How to dance a ballet for two" Double page of "Le Gratie d'Amore" (Le Grazie d'Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604), treaty on dance
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"How to dance the capriola" Double page of "Le Gratie d'Amore" (Le Grazie d'Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604), treaty on dance
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Woman in black satin sheath dress, black silk hat, 1912 (stencil)
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Fashionable woman at Tivoli Gardens, 1798 (handcoloured copperplate engraving)
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Cannes (France) le 23/05/2002 . Margherita Missoni au Gala ouvert au Restaurant Moulin de Mougins pour le compte du amfAR, Association du Cinéma qui lutte contre le Sida. © Paul Smith/Featureflash/Farabola/Leemage
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Cannes (France) le 23/05/2002 . Margherita Missoni au Gala ouvert au Restaurant Moulin de Mougins pour le compte du amfAR, Association du Cinéma qui lutte contre le Sida. © Paul Smith/Featureflash/Farabola/Leemage
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Poster, France, May 1968: education permanente (serigraph)
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Ms 648/404 fol.192v & 192r Two pages of the open manuscript, from the Roman des Chevaliers Galaad, Tristan et Lancelot (vellum)
'Heures de l'Usage de Rome' open at a page depicting the Death of the Virgin, printed by Philippe Pigouchet, 1498 (vellum)
Detail of the lid of an urn depicting a reclining man holding an open diptych (alabaster)
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Martin Scorsese  on set of bringing out the dead, 1999 (photo)
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Patricia Arquette, Bringing Out the Dead, 1999
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Patricia Arquette;Nicolas Cage, Bringing Out the Dead 1999
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Patricia Arquette;Nicolas Cage, Bringing Out the Dead 1999
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Patricia Arquette;Nicolas Cage, Bringing Out the Dead 1999
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John Goodman;Nicolas Cage, Bringing Out the Dead 1999
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Ving Rhames, Bringing Out the Dead, 1999
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Nicolas Cage, Bringing Out the Dead, 1999
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Nicolas Cage, Bringing Out the Dead, 1999
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Nicolas Cage, Bringing Out the Dead, 1999
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Patricia Arquette;Nicolas Cage, Bringing Out the Dead, 1999
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Nicolas Cage, Bringing Out the Dead, 1999
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On the set Martin Scorsese, 1999
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John Goodman;Nicolas Cage, Bringing Out the Dead 1999
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Patricia Arquette;Nicolas Cage, Bringing Out the Dead 1999
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Patricia Arquette;Nicolas Cage, Bringing Out the Dead 1999
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On the set Martin Scorsese and Nicolas Cage, 1999
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Ms. 28/1378 fol.63v The Angel Presents John with the Open Book, from 'Histoire Extraite de la Bible et Apocalypse' (vellum)
On the set Martin Scorsese , Patricia Arquette and Nicholas Cage, 1999
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