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Jean Vallee, 1970 (photo)
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Passer Domesticus - Common House Sparrow, engraved by H. C. Richter (colour litho)
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Central vault depicting a golden cross in a star strewn sky with the attributes of the apostles, 5th century (mosaic)
An Urn on a Plinth, garlanded with Flowers (oil on canvas)
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View of dark night sky scattered with stars.
Fox sparrow
Partially fusion-crusted stone
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Polluted and rubbish-strewn stream running through residential city area, 
Pokhara, Nepal (photo)
QUEEN ELIZABETH DOTS THE EYE OF THE DRAGON DURING CHINESE CEREMONY, 1997-06-29 (photo)
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Gold bottle studded with rubies, emeralds and diamonds, Goldsmith art, Ottoman civilization, second half 16th century
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Illustration of debris-strewn battlefield in the Crimean War. The Sebastopol battle in the 19th century.
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Writing desk set in gold studded with rubies and emeralds. Ottoman art, second half of 16th century.
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RAVINE STREWN WITH DEBRIS FOLLOWING TORRENTIAL RAINS IN NORTHERN INDIA, 2003-07-17 (photo)
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RAVINE STREWN WITH DEBRIS FOLLOWING TORRENTIAL RAINS IN NORTHERN INDIA, 2003-07-17 (photo)
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Lotus flowering in polluted rubbish-strewn lake
Mandore Gardens, Mandore,
Jodhpur, Rajasthan, India (photo)
RAVINE STREWN WITH DEBRIS FOLLOWING TORRENTIAL RAINS IN NORTHERN INDIA, 2003-07-17 (photo)
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Mexico, Gulf Coast, Tanaxpillo Island, tourists in a boat looking at group of Macaques dotted around the island's shore.
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Gold Quran box studded with rubies and emeralds, 1588, which belonged to Sultan Murad III (1546-1595), Goldsmith art, Ottoman civilization, 16th century, detail
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View looking up the boulder-strewn stream towards a footbridge on which stand two European figures, c.1869 (b/w photo)
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Israeli soldiers stand by as Jewish settlers look at the damage to an Israeli school bus peppered wi.., 2000 (photo)
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An Israeli soldier passes an armed Jewish settler at the damage to an Israeli passenger bus peppered.., 2000-11-20 (photo)
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View of the Earth 4,000 million years ago, with the thin crust scarred by meteorite craters and dotted with pools of molten rock (mixed media on paper)
Strange rust-red rock formations at the Garden of the Gods, a ruddy lunar landscape dotted with boulders made of compacted sand, 10 km northwest of Lana'i City.
Floor dotted with fragments of white marble, Punic city of Kerkouane (Unesco World Heritage List, 1985), Tunisia, Punic civilization, 5th-3rd century BC, Detail
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Tiergarten Park and the boulevard leading to the Brandenburg Gate after World War 2. The landscape is filled with bomb craters from the war. Berlin, Germany. c. 1945-46.
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Vietnam War. US Marine walks through a punji-staked gully. Punji stake booby traps were made out of wood or bamboo, and placed in the ground to injure soldiers on patrol. Jan. 28, 1966
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Portuguese PM Anibal Cavaco Silva with Thai PM Prem Tinsulanonda, strolling on a rose-strewn red carpet in Bangkok, 1987-04-20 (photo)
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Land littered with the stumps of trees in what would become the lumber town of Davis, West Virginia. Called a 'stump town' in its early years, it thrived as a lumber center from 1885-1925
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Add. 11695, f.126  Book of Revelation, chapter 8, 2-5. Seven angels with trumpets before the throne of God set inside the eternal circle sprinkled with stars, from The Silos Apocalypse, 1109
Khan Jahan Bahadur is dressed in green and rides a chestnut stallion caparisoned with a jewelled bridle and illuminated saddle and saddle-cloth; a lance rests in a holder attached to the saddle. The green sky has gold and coloured cloud-streaks
United States 1940s: A young child walks in an open field and then stops as a person appears from the right. The individual stands next to them, looking down at one another in an outdoor setting with trees and grass.
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The Laying of the Cable: John and Jonathan Joining Hands, 1858. A Crude But Engaging Picture, Celebrating the Goodwill Between Great Britain and the United States Generated by the Successful Completion of the Atlantic Telegraph Cable Between Newfoundland and Valentia Bay (Ireland). Laid by the American Steamer "Niagara" and British Steamer "Agamemnon" (which Appear in the Background of the Print), the Cable Transmitted Its First Message on August 17, 1858. The Artist Shows Brother Jonathan (Left) Shaking Hands with John Bull. The Two Figures Stand on Opposite Shores, Set against a Stormy, Lightning-Streaked Sky Over a Choppy Sea. "Brother Jonathan: "Glad to Grasp Your Hand, Uncle John! I Almost Feel Like Calling You Father, and Will If You Improve Upon Acquaintance! May the Feeling of Friendship . . . Be Like the Electric Current which Now Unites Our Lands, and Links Our Destiny with Yours! May Our Hearts Always Beat Together; and with One Pulse--One Purpose, of Peace and Good-Will, We Yet Shall See All Nations Speaking Our Language, Blessed with Our Liberty, and Led by that Spirit of Love and Justice which Leads to the Only True Happiness and Glory of Nations!" John Bull: "Happy to See and Greet You, Jonathan! You Feel Like 'Bone of My Bone and Flesh of My Flesh!' You Have Grown to Be a Tall and Sturdy Man--Quite As Big As Your Father! Great Times These, My Boy! We Won'T Think of Quarreling Any More. I Have Grown Too Wise for that; and I Hope We Will Both Agree to Let by-Gones Be by-Gones! Henceforth We Treat Each Other As Equals, and Only Strive which Shall Do Most in Making 'All the World and the Rest of Mankind' (As One of Your Good Old Presidents Once Said) Realize 'How Good and Pleasant a Thing It is for Brethren to Dwell Together in Unity.'"
Passerella iliaca, Fox Sparrow, Plate 108 from John James Audubon's Birds of America, original double elephant folio, 1831-34 (hand-coloured aquatint)
Molothrus ater, Passerella iliaca, Carpodacus mexicanus, Passerina amoena, Plate 424 from John James Audubon's Birds of America, original double elephant folio, 1827-30 (hand-coloured aquatint)
A morai in Atooi. A depiction of a burial place shows a small rock-strewn field surrounded by low stone walls. In the right foreground is a thatch longhouse or "mana". In the middle background is the tall open-work oracle tower or "lananu'u". There is a serrated post in the centre, and a platform supported by two poles.
Human monster: negro woman pie (black half, white half), 19th century (illustration)
United States 1960s: A dark, shadowy shape descends vertically through a light-colored field. The object moves downward in an elongated form that narrows and expands as it descends, appearing to move through a hazy or grainy environment. The background remains static with small speckles throughout the frame as it moves downward toward a dark base area.
Squatter camp facilities, 1935 (b/w photo)
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Landscape with cotton cabins for sharecroppers in Washington County, Mississippi, 1937 (b/w photo)
Courcelette 1916
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Characters under the snow, Japan - Japanese print 19th century (print)
Funeral car, Havana, Cuba (b/w photo)
Overgrown, 2023 (acrylic on canvas)
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Sunrise in Shamrock 01, 2022 (photo)
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Meadow Bloom, 2020 (photo)
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Off The Path, 2023 (acrylic on canvas)
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Pass of Bramante, 1817
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Cactus and Pink Bungalow, Twentynine Palms, 2005 (oil on canvas)
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St George's Hall, Windsor Castle, Pre-restoration (photo)
World War I Dead
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A village under the snow, Japan, 1862 (print)
Jean Vallee, 1970 (photo)
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Simplon Road between Baveno & Gravellona, 1817
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I Am Enough (Lion), 2021 (oil on canvas)
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Jean Vallee, 1970 (photo)
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Jean Vallee, 1970 (photo)
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CROWD AT THE DERBY/1930
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Jean Vallee, 1970 (photo)
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