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Piatti' 图片和/或视频结果 page 1 of 55

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Alfredo Piatti  playing
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ALFREDO PIATTI
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ALFREDO PIATTI
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Alfredo Piatti  playing
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Alfred Piatti with dog
Quartet with Neruda, Ries, Straus, Piatti.
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Futurist Synthesis of the War, by Boccioni, Carra, Marinetti, Piatti, and Russolo, 1914 (litho)
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Beef tartare
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Alfredo Piatti portrait with cello.
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Switzerland Celestino Piatti (b/w photo)
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Luigi Russolo and his assistant Piatti with the 'Intonarumori', from 'The Art of Noises' Manifesto, 1914 (b/w photo)
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Actor Kirk Douglas pictured at the press foyer in Zurich, Switzerland, in August of 1967 (b/w photo)
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The Affront (L'affronto), by Antonio Piatti, 1905, 20th Century, oil on canvas
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Portrait of Alfredo Piatti (1822-1901) italian composer and cellist
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Switzerland Udo Music Juergens, 1973 (b/w photo)
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“I due superpiedi quasi piatti” by Enzo Barboni, 1977 (film still)
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The Affront, 1905, painting by Antonio Piatti (1875-1962), oil on canvas, 54.5x81 cm. Italy, 20th century.
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Rome, St. Peter's Square, 2000. Jubilee merchandise: dish
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MARGHERITA HABSBURG-LOTHRINGEN AND BENEDIKT PIATTI LEAVE CHURCH, 1998-04-18 (photo)
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Self-portrait, 1884 - 1885
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Madonna with Child and Saints Gaetano from Thiene, Lawrence Giustiniani and Peter Orseolo (Madonna con il Bambino e i santi Gaetano da Thiene, Lorenzo Giustiniani e Pietro Orseolo), Santo Piatti
Archduchess Margherita Habsburg-Lothringen and Count Benrdikt Piatti leave Budapest's Mathias Church.., 1998-04-18 (photo)
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Madonna with Child and Saints Gaetano from Thiene, Lawrence Giustiniani and Peter Orseolo (Madonna con il Bambino e i santi Gaetano da Thiene, Lorenzo Giustiniani e Pietro Orseolo), Santo Piatti
Pietro Micca (Sagliano, 1677-Turin, 1706) sparking off explosion during siege of Turin in 1706, Painting by Giulio Piatti, oil on canvas, 200x175 cm
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Pneumatic rock-drilling machine created by Giovanni Battista Piatti and perfected by Germano Sommeiller (1815-1871), engraving Italy, 19th century
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Life and places of Giacomo Casanova in Venice
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Alfredo Piatti, Italian cellist, Henryk Wieniawski, Polish violinist, Heinrich Wilhelm Ernst, Moravian violinist (seated), & Joseph Joachim, Hungarian violinist
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Letter from Amilcare Ponchielli to Bortolo Piatti informing him that he has altered sheet music of La Savoiarda and that he will go to Venice where La Gioconda was to be performed, Barco, October 8, 1876
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Monument to Giuseppe Garibaldi (1807-1882), by sculptor Vincenzo Vela (1820-1891), Como, Italy, engraving from photograph by G Piatti from L'Illustrazione Italiana, year 16, no 24, June 16, 1889
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North Pulpit, Giovanni Antonio Piatti and Giovanni Antonio Amedeo 1479, The supplizio di Martha, Coming from the Ark of the Persian Martyrs recomposed by Luigi Voghera 1814, 17
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Pulpit Sud, Project Luigi Voghera 1813-17, Formelle coming from the Ark of the Persian Martyrs to the heirs of the Meli Family 1479, Giovanni Antonio Piatti and Giovanni Antonio Amedeo
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Pulpit North, Giovanni Antonio Piatti and Giovanni Antonio Amedeo 1479, Beheading by Mario Audiface and Abacone, Coming from the Ark of the Persian Martyrs recomposed by Luigi Voghera 1814, 17
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Madonna with Child and Saints Gaetano from Thiene, Lawrence Giustiniani and Peter Orseolo (Madonna con il Bambino e i santi Gaetano da Thiene, Lorenzo Giustiniani e Pietro Orseolo), Santo Piatti
A young franciscan friar in the Sanctuary of the Holy House shows the many beautiful majolica pots, some of them for pharmaceutical use, into an open shrine; the pottery treasure includes even some oriental pieces dragon shaped. Loreto (Italy), March 1955. (b/w photo)
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Pulpit Nord, Project Luigi Voghera 1813-17, Formelle coming from the Ark of the Persian Martyrs at the heirs of the Meli Family 1479, Giovanni Antonio Piatti and Giovanni Antonio Amedeo
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Pulpit North, Giovanni Antonio Piatti and Giovanni Antonio Amedeo 1479, The Persian Martyrs awaiting condemnation, Coming from the Ark of the Persian Martyrs recomposed by Luigi Voghera 1814, 17
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North Pulpit, Giovanni Antonio Piatti and Giovanni Antonio Amedeo 1479, Mario Audiface and Abacone subjected to the flagellation, Coming from the Ark Persian Martyrs, Recomposed by Luigi Voghera 1814, 17
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Pulpit North, Giovanni Antonio Piatti and Giovanni Antonio Amedeo 1479, The corpses of Mario Audiface and Abacone thrown at the stake, Coming from the Ark Persian Martyrs, Recomposed by Luigi Voghera 1814
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North Pulpit, Giovanni Antonio Piatti and Giovanni Antonio Amedeo 1479, The Persian Martyrs in front of Emperor Claudius, Coming from the Ark of the Persian Martyrs recomposed by Luigi Voghera 1814, 17
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Pulpit North, Giovanni Antonio Piatti and Giovanni Antonio Amedeo 1479, Mario Audiface and Abacone subjected to the cutting of hands, Coming from the Ark Persian Martyrs, Recomposed by Luigi Voghera 1814
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New York, 2008. Grand Central Oyster Bar and Restaurant at Grand Central Terminal: plate of seafood
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Scene of ancient Rome, 1901 (oil on canvas)
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Sicilian Vespers,  on the Easter of 1282 - oil on canvas, 19th century
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Raimondo dei Pazzi leaving his wife Bianca de' Medici to rally members of the conspiracy of the Pazzi, in 1478, 19th century (painting)
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Lovers at Porta Monforte, 1912 (oil on canvas)
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Stabat Mater -The Marys at Calvary, 1916 (oil on canvas)
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Portrait of Pietro Mascagni, first half of XX century (oil on canvas)
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Boy (Bambino), 1917 (oil on canvas)
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Composer Giuseppe Verdi
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Plato, 1478 (stone)
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GIOV. BATTISTA PAGGI
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Programme for Exeter Hall, London, 1852
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Archduchess Margherita Habsburg-Lothringen walks with her father Michael to Budapest's Mathias Churc.., 1998-04-18 (photo)
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MARGHERITA HABSBURG-LOTHRINGEN AND AND HER FATHER WALKS TO CHURCH, 1998-04-18 (photo)
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Otto von Habsburg waves ah he arrived to the Budapest's Mathias Church with his wife and son George .., 1998-04-18 (photo)
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OTTO VON HABSBURG WAVES AS HE ARRIVED AT BUDAPEST'S MATHIAS CHURCH, 1998-04-18 (photo)
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Dresser with dishes, dining room in Visconti San Vito castle, Somma Lombardo, Lombardy, Italy
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Dessert plates, Derby porcelain, United Kingdom, 19th century
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North Pulpit , 1479, Mario Audiface e Abacone subjected to the fire
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Gilt silver table service: sauceboat, plates and vegetable dish, 1796, Vienna, Austria, 18th century
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Henri Vieuxtemps playing in
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Blue contemporary, 1973
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Henri Vieuxtemps playing in
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Display plates with marine wildlife, first half 1950s
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Double bollard commode, transition style between Louis XV and Louis XVI, attributed to Jean-Francois Oeben (1721-1763), 86x143x71cm, France, 18th century
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Double overhang commode, transition style between Louis XV and Louis XVI, attributed to Jean-Francois Oeben (1721-1763), 86x143x71cm, France, 18th century, detail
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Assorted vegetable dishes
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Cembalo dell' Armeno - flat cymbals
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