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Repetitive' 图片和/或视频结果 page 1 of 2

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[2, 无限[找到'Repetitive'的图片,130

Decorative endpaper from a nineteenth century book
Decorative endpaper from a nineteenth century book
Decorative endpaper from a nineteenth century book
Decorative endpaper from a nineteenth century book
Decorative endpaper from a nineteenth century book
Decorative endpaper from a nineteenth century book
Decorative endpaper from a nineteenth century book
Decorative endpaper from a nineteenth century book
Decorative endpaper from a nineteenth century book
Decorative endpaper from a nineteenth century book
Rub and Water, 2000 (acrylic on panel)
Score lit up repetitive
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Birds with border, 1997 (paper collage)
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MU0.000, 1961 (oil on canvas)
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Repetitive Architecture Structure Move (Motion Art)
Moire, c.1969-71 (oil on canvas)
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Man's robe, restyled as a Tibetan chuba, late Ming or early Qing Dynasty (silk, metal-wrapped, & peacock-feather-wrapped thread)
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Repetitive Architectural Structure, c.2015-2025(3D)
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Bosque #8, 1972 (graphite on paper)
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Printed Cotton, 1954 (textile)
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Length of velvet, first half of 16th century (silk cut & voided velvet with supplementary metal-wrapped patterning wefts)
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Real Alcazar, Ceramic tiles with repetitive pattern, Seville, Spain
Bedcover, c.1895 (silk plain weave, block-printed)
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Women working beside a conveyor belt carrying plates along a production line at the Wear Flint Glass Works, manufacturers of Pyrex in the UK, Wear Flint Glass Works, Alfred Street, Millfield, Sunderland, UK, 1961 (b/w photo)
Decorative end paper. Circa early 19th century
The Alhambra, Granada, Spain
Woman's head cloth or shoulder cloth (silk, metallic gold paper-wrapped silk thread & natural dyes)
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Man's semi-formal court robe (jifu), first quarter of the 18th century (silk satin-weave ground with silk, metallic gold thread & gilt paper)
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JOURNALISTS LOSE REPETITIVE STRAIN INJURY CLAIM, 1998-07-31 (photo)
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Patterned Paper, 2007/2008 (oil on canvas)
Man's semi-formal court robe (jifu), fourth quarter of the 18th century (silk satin-weave ground with gold-wrapped thread)
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Noh costume (karaori), early 19th century (silk twill with resist-dyed warps & supplementary silk and gilt-paper patterning wefts)
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Noh costume, late 17th to early 18th century (silk satin, embroidered with silk, with stenciled gold leaf)
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One face of a cushion cover, Crete, 18th or 19th century (linen & cotton plain weave, embroidered with silk)
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Face to Face, 1994 (oil on canvas) (pair of 173317)
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Panels from a bed tent, 18th or 19th century (linen plain weave, embroidered with silk)
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Noh costume (atsuita), late 17th to early 18th century (silk twill with supplementary silk & gilt-paper wefts)
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Quilt, 1830-–35 (wool plain weave, pieced, embroidered & quilted)
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Face to Face, 1994 (oil on canvas) (pair of 173316)
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Cover, late 17th to early 18th century (wool, silk, cotton, & linen interlocked and dovetailed tapestry)
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Inside the ruined and abandoned pre-Inca city built by the Chimu, c.1300 (photo)
Man's court sash, c.1700 (cotton plain weave, block-printed, hand-painted & mordant and resist-dyed, with metal-wrapped thread fringe)
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Man's court sash, 17th or early 18th century (silk twill with supplementary silk & metal-wrapped patterning wefts)
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Nude Descending a Staircase (No. 1) 1911 (oil on cardboard on panel)
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Los Angeles Series #3, 1981 (etching)
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Los Angeles Series #3, 1981 (etching)
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Maiolica plate decorated with an elaborate repetitive knot design framing profile heads on the border and a shield in the central plaque, Italian, made in Tuscany
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Mantle or shroud, c.1550 (wool & cotton interlocked tapestry with overstitched edging)
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Los Angeles Series #2, 1980 (etching)
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Los Angeles Series #1, 1981 (etching)
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Los Angeles Series #1, 1980 (etching)
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Portrait (Dulcinea) 1911 (oil on canvas)
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Mantle, 700-900 (wool plain weave with discontinuous warps & wefts, disassembled, tie-dyed, and reassembled)
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Encuentro, 1996 (aquatint)
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Shawl, mid-17th century (cashmere twill)
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Part of a long cover, early 17th century (linen plain weave, embroidered with silk & metallic threads)
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Fragment of a floor cover, late 17th or early 18th century (cotton plain weave, painted, mordant dyed & resist dyed)
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Little Urn (screen-printed cotton)
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Kiss Kiss Kiss, 1966 (oil on canvas)
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One of the walls inside the ruined pre-Inca city, partly restored, built by the Chimu, c.1300 (photo) (see 138720 for detail)
Bird design on one of the walls inside the ruined pre-Inca city, built by the Chimu, c.1300 (photo) (detail of 138722)