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Bridget Riley, 1964 (b/w photo)
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Orpheus, study 6, 1977 (gouache over graphite on paper)
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Winter Palace, 1981 (oil on linen)
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Bridget Riley, 1971 (b/w photo)
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Untitled (Winged Curve), 1966 (screenprint on paper)
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Bridget Riley, 1964 (b/w photo)
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Portrait of the British artist Bridget Riley, 1964 (b/w photo)
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Bridget Riley exhibition (b/w photo)
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Serpentine Print, 1999 (Schubert 39) (screenprint on wove paper)
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Start 2000 (screenprint on paper)
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Bridget Riley at table, 1972 (b/w photo)
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British artist Bridget Riley in front of her artwork “Arcadia 1, 2007", 22 June 2012 (photo)
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British artist Bridget Riley, Siegen, 22 June 2012 (photo)
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Abstract waves red, green and blue by Bridget Riley, born 1931
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British artist Bridget Riley poses with the Kaiser Ring (photo)
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Abstract-Vert. Stripes by Bridget Riley, born 1931
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Untitled (Circular Movement), 1962 (screenprint)
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British artist Bridget Riley in front of her artwork “Composition with Circles 8, 2012", 22nd June 2012 (photo)
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Shade, 1992 (Schubert 37) (screenprint on wove paper)
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British artist and 2012 winner of Rubens prize, Bridget Riley, poses for photographers at the Museum of Contemporary Art Siegen in front of her mural 'Quiver I', Germany, 11 April 2014 (photo)
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Nineteen Greys C, 1968 (screenprint on card)
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London born artist Bridget Riley is seen before the opening of her exhibition at the museum of contemporary art in Siegen, Germany, 22 June 2012 (photo)
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Fishing Rods and Water, n.d. (drawing)
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Firebird, 1971 (screenprint on paper)
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Analysis of Rise, Sheet 6, 1985 (pencil and gouache on paper)
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Bridget Riley with her painting “Byzantium” (1969), 1999 (photo)
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Untitled Screenprint (Blue) 1978 (screenprint)
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Cherry Autumn, 1983 (oil on linen)
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Bridget Riley in armchair, 1978 (b/w photo)
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British artist Bridget Riley in front of her artwork “Composition with Circles 8, 2012", Siegen, 22nd June 2012 (photo)
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The British artist Bridget Riley is standing in front of her artwork "Composition with Circles 8, 2012", Siegen, June 22nd, 2012 (photo)
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Untitled (screenprint)
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Broken Circle, 1963 (emulsion on board)
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Composition with Circles 1, 1998 (screenprint on paper)
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Frieze, 2000 (screenprint)
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Party II, 1974 (oil on canvas)
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Study for 'Entice 1, 1974', 1974 (gouache on paper)
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Bridget Riley, S.P.A.C.E. Studios, St. Katherine's Dock, London, 1969 (b/w photo)
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Zephyr, 1976 (acrylic on linen)
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KA IV, 1980 (Oil on linen)
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Woman at Tea-Table (coloured crayons & pastel on paper)
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Shadow Play, 1990 (oil on canvas)
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Certain Day, 1989 (oil on linen)
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Blue Diagonals on Ochre and Orange, 1971 (bodycolour & pencil on paper)
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Untitled (screenprint)
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Orient IV, 1970 (acrylic on canvas)
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Analysis of Rise, Sheet 2, 1985 (pencil and gouache on paper)
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Analysis of Rise, Sheet 7, 1985 (pencil and gouache on paper)
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Analysis of Rise, Sheet 5, 1985 (pencil and gouache on paper)
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Analysis of Rise, Sheet 3, 1985 (pencil and gouache on paper)
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Cartoon for MBS Elongated Triangle (Final Version) 1969
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Early Study for 'Arrest' Series, 1967 (pencil & bodycolour on paper)
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Analysis of Rise, Sheet 4, 1985 (pencil and gouache on paper)
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Chevron Using Red, Turquoise, Grey, 1967 (pencil & bodycolour on paper)
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Rise 1, 1968 (acrylic on cotton canvas)
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Analysis of Rise, Sheet 1, 1985 (pencil and gouache on paper)
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Colour Moves Ballet Rambert Cloth 1, 1983 (gouache)
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Shift, 1963 (emulsion on canvas)
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Colour Moves Ballet Rambert Cloth 2, 1983 (gouache)
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Mexican American War. Battle of Buena Vista, Feb. 23-24, 1847. 'Mississippi Rifles' by Ken Riley. Commanded by Colonel Jefferson Davis, US forces attack Mexican cavalry and infantry advancing on the Americans. At both the battle at Monterey and Buena Vista, the effective field officers of the outnumbered US Army made good use of their inexperienced volunteers (painting)