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Italy, Milan, Set design sketch for Mefistopheles
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Darius Milhaud 's 'Le Boeuf Sur le Toit', 1921
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Set design for Excelsior ball, by Luigi Manzotti (1835-1905)
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Terry Johnson 's play (photo)
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John Adams' opera 'Nixon (photo)
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Wicked - Idina Menzel (photo)
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Italy, Milan, set design for Nerone (Nero) by Pagliaghi
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Set design for 'Nerone' (Nero), 1934 (oil on canvas)
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Scenography for The Wooden Prince by Bela Bartok, 20th century
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Scenography for Act IV of Semiramide by Gioacchino Rossini (1792-1868), engraving, 19th century
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Daddy Cool' at the Shaftesbury Theatre (photo)
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'In Praise of Love'
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Bertolt Brecht 's play (photo)
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Wicked - Helen Dallimore (photo)
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David Farr and Gísli (photo)
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'Dis-Orientations' - Ma Haili (photo)
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Brian Friel 's 'Performances' (photo)
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Set design for Dalibor, opera by Bedrich Smetana (1824-1884)
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Sketch for scenography for performance by Czech composer Vitezlav Novak (1870-1949), 20th century
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Ship, sketch for play Christopher Columbus, set design by Alfonso Trombetti, 20th century
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Set design by Alessandro Sanquirico (1777-1849) for Il Pirata (The Pirate), opera by Vincenzo Bellini (1801-1835)
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Set design by P Ricci for opera Andrea Chenier, by Umberto Giordano (1867-1948)
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Curtains Red velvet with
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Set design for Mysteries of Paris, by Eugene Scribe (1791-1861)
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Design for The Barber of Seville
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Bertolt Brecht 's play (photo)
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Set design by Carlo Ferrario (1833-1907) for Mefistofele (Mephistopheles), opera by Arrigo Boito (1842-1918), performed at Padua in 1881
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Michael Nyman and Michael (photo)
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Scenography by Maler Militz for Fernando Cortez, by Gaspare Spontini, staged at Vienna State Opera in 1893
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William Shakespeare 's play (photo)
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Scenography for The Bartered Bride by Bedrich Smetana, watercolor on paper
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William Shakespeare 's play (photo)
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Michael Nyman and Michael (photo)
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Set design by Alessandro Sanquirico (1777-1849) for opera Il pirata (The Pirate), 1827, by Vincenzo Bellini (1801-1835)
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Andrew Fell 's 'Marc (photo)
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Andrew Fell 's 'Marc (photo)
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Traviata by Giuseppe Verdi
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Set design for act I of La Boheme, opera by Ruggero Leoncavallo (1857-1919)
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Tosca by Giacomo Puccini - stage set
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'Tonight at 830' by
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Alexander Hanson, Nigel Anthony and Susan Wooldridge [in basket]in a scene from Tonight at 8.30 by Noel Coward at Chichester Festival Theatre July 2006 Directed by Lucy Bailey
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'Tonight at 830' by
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'Tonight at 830' by
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Dido and Aeneas, set design by Bibiena, 1712, by Henry Purcell (1659 - 1695), illustration
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'Tonight at 830' by
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'Tonight at 830' by
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'Tonight at 830' by
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'Tonight at 830' by
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Alexander Hanson, Josefina Gabrielle, Nigel Anthony and Susan Wooldridge [in basket]in a scene from Tonight at 8.30 by Noel Coward at Chichester Festival Theatre July 2006 Directed by Lucy Bailey
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Set design for Brandenburgers in Bohemia, opera by Bedrich Smetana (1824-1884)
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The Bee at the (photo)
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Sketch of set design for Devil's wall, 1882, by Bedrich Smetana (1824-1884)
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Set design for The two widows, opera by Bedrich Smetana (1824-1884)
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Des Keogh in The (photo)
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Curtains Red velvet with
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Bent by Martin Sherman (photo)
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Design for The Barber of Seville by Rossini
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A percussion set-up on stage
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Germany, Bayreuth, Set design for performance Parsifal by Richard Wagner
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Germany, Berlin, Set design for performance The Magic Flute, by Panos Aravantinos
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Interior of theatre in Josefstadt (Theater in der Josefstadt) in Vienna, print by Tranquillo Mollo (1767-1837)
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'In Praise of Love'
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'In Praise of Love'
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'In Praise of Love'
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'In Praise of Love'
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'In Praise of Love'
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Des Keogh in The (photo)
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Italy, Milan, Teatro alla Scala (La Scala Theater)
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Scene from opera Mitternachtliche Geisterzug, romantic show, by Margarethe Carl (1788-1861) Color print, 19th century
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Philip King 's play (photo)
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'In Praise of Love'
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'In Praise of Love'
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Theatre / opera audience
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'In Praise of Love'
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'In Praise of Love'
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'In Praise of Love'
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'Tonight at 830' by
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'In Praise of Love'
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Philip King 's play (photo)
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The Flowerbed at the (photo)
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Philip King 's play (photo)
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Set design by Alessandro Sanquirico (1777-1849) for La Norma, opera by Vincenzo Bellini, with Pollione (Domenico Donzelli), Norma (Giuditta Pasta) and Adalgisa (Giulia Grisi)
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