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Darius Milhaud 's 'Le Boeuf Sur le Toit', 1921
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Wicked - Helen Dallimore (photo)
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Wicked - Idina Menzel (photo)
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Terry Johnson 's play (photo)
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Stage set from off-stage
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David Farr and Gísli (photo)
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Italy, Milan, Set design sketch for Mefistopheles
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John Adams' opera 'Nixon (photo)
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Italy, Milan, set design for Nerone (Nero) by Pagliaghi
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Design for The Barber of Seville
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Daddy Cool' at the Shaftesbury Theatre (photo)
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Bertolt Brecht 's play (photo)
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Set design for 'Rusalka' (pencil & wash on paper)
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Set design by Carlo Ferrario (1833-1907) for Mefistofele (Mephistopheles), opera by Arrigo Boito (1842-1918), performed at Padua in 1881
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Bertolt Brecht 's play (photo)
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Sketch for scenography for performance by Czech composer Vitezlav Novak (1870-1949), 20th century
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Theatre / opera audience
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'In Praise of Love'
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Brian Friel 's 'Performances' (photo)
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Curtains Red velvet with
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Design for The Barber of Seville by Rossini
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'Dis-Orientations' - Ma Haili (photo)
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Set design for Excelsior ball, by Luigi Manzotti (1835-1905)
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Darius Milhaud 's ballet 'Le Train Bleu' (b/w photo)
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Henrik Ibsen 's play Peer Gynt
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Monaco, Set design for Tristan and Isolde by Richard Wagner
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Stephen Sondheim and James (photo)
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Therese Raquin - play (photo)
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William Shakespeare 's play (photo)
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William Shakespeare 's play (photo)
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Set design sketch of Il Trionfo dell'Amore (The Triumph of Love), 1681, by Jean-Baptiste Lully (1632-1687), Engraving
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Austria, Vienna, Set design forThe Barber of Seville
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Set design for 'Nerone' (Nero), 1934 (oil on canvas)
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Set design for Elisa and Claudio, opera by Saverio Mercadante (1795-1870)
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Austria, Salzburg, set design for performance The Magic Flute, at Salzburg Festival
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Scenography for Act IV of Semiramide by Gioacchino Rossini (1792-1868), engraving, 19th century
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Tosca by Giacomo Puccini - stage set
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Scenography for The Wooden Prince by Bela Bartok, 20th century
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Kurt Julian Weill 's
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Germany, Berlin, Set design for performance The Magic Flute, by Panos Aravantinos
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Set design for 'L'Homme et son Désir' by Darius Milhaud (colour litho)
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'Tonight at 830' by
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The Bee at the (photo)
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Daddy Cool' at the Shaftesbury Theatre (photo)
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Daddy Cool' at the Shaftesbury Theatre (photo)
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Theatre stage set-up, Italy, 19th century
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Scenography for The Bartered Bride by Bedrich Smetana, watercolour on paper
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The Bee at the (photo)
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'Tonight at 830' by
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Jamie Harper 's (photo)
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'Daddy Cool' - Javine (photo)
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The Flowerbed at the (photo)
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'Daddy Cool' - Michelle (photo)
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The Bee at the (photo)
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The Bee at the (photo)
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Leos Janacek set for premiere of The  Makropoulos Affair
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'Tonight at 830' by
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Set design for Dalibor, opera by Bedrich Smetana (1824-1884)
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'In Praise of Love'
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'In Praise of Love'
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Bent by Martin Sherman (photo)
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'Tonight at 830' by
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'Tonight at 830' by
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'Tonight at 830' by
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Alexander Hanson, Josefina Gabrielle, Nigel Anthony and Susan Wooldridge [in basket]in a scene from Tonight at 8.30 by Noel Coward at Chichester Festival Theatre July 2006 Directed by Lucy Bailey
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'Tonight at 830' by
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Werther
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Brian Friel 's 'Performances' (photo)
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'The Alchemist' by Ben (photo)
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Rabindranath Tagore 's 'Red (photo)
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'Gaddafi : A Living
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Brian Friel 's 'Performances' (photo)
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'Tonight at 830' by
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Alexander Hanson, Nigel Anthony and Susan Wooldridge [in basket]in a scene from Tonight at 8.30 by Noel Coward at Chichester Festival Theatre July 2006 Directed by Lucy Bailey
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'Tonight at 830' by
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The Flowerbed at the (photo)
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Alexandre Benois
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'Tonight at 830' by
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'Daddy Cool' - Davie (photo)
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Edward Bond 's play (photo)
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Therese Raquin - play (photo)
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Alan Bennett 's Habeas (photo)
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Philip King 's play (photo)
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Roy Smiles 's play (photo)
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'Gaddafi : A Living
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