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Vaughan Library, Harrow School, Middlesex
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Schoolboys in Vaughan Library, Harrow School, Middlesex
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Ralph Vaughan Williams and Gustav Holst walking in the Malvern Hills, September 1921 (b/w photo)
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Portrait of John Vaughan (1793-1842) painted in 1838 by August Theodor Schoefft. Vaughan is seated on a chair with a banyan tree and mangroves in the background.
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Ralph Vaughan Williams and Gustav Holst walking in the Malvern Hills, September 1921 (b/w photo)
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Ralph Vaughan Williams walking in the Malvern Hills, September 1921 (b/w photo)
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Reverend Charles John Vaughan, DD, Dean of Llandaff and Master of the Temple, 1882.
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An embroidered binding, bearing on either cover a crest of a branch of the Gwynne-Vaughan family.
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The jurors who refused to convict William Penn in 1670 were fined and imprisoned for contempt of court because they returned a verdict with which the judge disagreed. One juror, Edward Bushell, refused to pay the fine and instead sued for a writ of habeas corpus which was received by the Court of Common Pleas, presided over by Sir John Vaughan (d. 1674). Portrayed here on the frontispiece of a collection of his most famous judgments, Vaughan ruled that the imprisonment of the jury in this case was contrary to the terms of Magna Carta, and so he declared it illegal for jurors to be punished for the verdicts which they had reached. His decision, in what became known as Bushell's Case, became a landmark ruling that ensured the future autonomy of English juries. It also had consequences for jurisprudence in North America, where Penn, inspired by the trial, incorporated Magna Carta into the laws of his new colony
Ralph Vaughan Williams and Gustav Holst walking in the Malvern Hills, September 1921 (b/w photo)
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Ralph Vaughan Williams and Gustav Holst walking in the Malvern Hills, September 1921 (b/w photo)
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At the theatre
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Ralph Vaughan Williams: The Lark Ascending, romance for violin and orchestra. Version for violin and piano, 1914-20 (pen & ink on paper)
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A man and woman in a waiting room
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A teacher holding an umbrella
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A woman polishing a boot
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'A billiard room in the quadrant'. A fight in a billiard room
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A woman walking in the snow
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'Chocolate and madeira'. A man having tea
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The duel
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Tuning fork said to have been given by Ludwig van Beethoven to the violinist George Augustus Polgreen Bridgetower; n.d. The fork resonates at c. 455.4 Hertz.

In a wooden box with walnut veneer, with a label in the hand of Gustav Holst pasted to the bottom.
Playing billiards- a man chalking his cue
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Tuning fork said to have been given by Ludwig van Beethoven to the violinist George Augustus Polgreen Bridgetower; n.d. The fork resonates at c. 455.4 Hertz.

In a wooden box with walnut veneer, with a label in the hand of Gustav Holst pasted to the bottom.
Tuning fork said to have been given by Ludwig van Beethoven to the violinist George Augustus Polgreen Bridgetower; n.d. The fork resonates at c. 455.4 Hertz.

In a wooden box with walnut veneer, with a label in the hand of Gustav Holst pasted to the bottom.
Mappe of the World, drawn in 1628.
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Illustration for Milton's Paradise Lost.
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Illustration for Milton's Paradise Lost.
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Abraham Cowley
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The Log Book, Seatoller, Easter 1895 (pen & ink on paper)
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A view of Sint Eustatius from the south-east, with a frigate and warships on the Caribbean Sea in the foreground. Tumbledown Dick Hill on the left, town in the middle and the Devil's Punch Bowl on the right in the background, and part of the island of Saba can be seen in the distance on the left
Procession of Bishops
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