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'Abbott And Holder' Bilder und Clips Suchergebnisse

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Abbott and Holder

Überblick über die Sammlung

To provide beautiful and interesting pictures affordable from income was the aim of Robert Abbott and Eric Holder’s partnership when they first dealt in 1936 during the Depression. For over seventy-five years it has remained our policy to stock pictures that are within the means of as broad a section of the population as possible. The equation between quality and price is a delicate one, and one that Abbott and Holder is constantly trying to balance. Most of our stock which includes work from 1750 to the present day is priced between £100 and £5000. Occasionally we put out a £50 and Under box ...
To provide beautiful and interesting pictures affordable from income was the aim of Robert Abbott and Eric Holder’s partnership when they first dealt in 1936 during the Depression. For over seventy-five years it has remained our policy to stock pictures that are within the means of as broad a section of the population as possible. The equation between quality and price is a delicate one, and one that Abbott and Holder is constantly trying to balance. Most of our stock which includes work from 1750 to the present day is priced between £100 and £5000. Occasionally we put out a £50 and Under box, direct descendant of the 1950s Five Shilling box.

The first of our Lists was issued in 1942 as a means of introducing and publicising new acquisitions and our dealing style really found its feet after World War II when Abbott and Holder bought a large Castelnau Road house. This acted both as home to Robert Abbott and gallery for the rapidly increasing stock so the informal, domestic display of pictures became established as our house style. In the days when supply outstripped demand and watercolours and drawings, now forming the core of distinguished collections, could be had for a few pounds, the house became something of a Mecca for enthusiasts. Customers were and are encouraged to take their time over decisions and to make as many visits as they need, getting to know us and the stock.

The Partnership remained a family matter with the founders nephew, John Abbott, joining Eric Holder from 1971-81 until Philip Athill, already an assistant having read Art History at the University of East Anglia, became a partner in 1984. We moved to the four floor Museum Street building in 1987 and added a Paper Conservation Studio to the business. On the retirement of John Abbott in 2001, Abbott and Holder became a Limited Company of which Philip Athill is Managing Director.


At Your Service (gouache)
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The Orchard (pencil & crayon)
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Woman at Kitchen Table (coloured woodcut)
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Self-portrait, 1919 (etching)
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Barbarians enter Rome (pencil, ink & watercolour on paper)
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Study for 'Spring in St Paul', St Paul de Vence, c.1925 (pencil on paper)
Modelling a split skirt: red, purple and black (pen, brush, ink & w/c on paper)
Looking down on Mecklenburgh Square, 1935 (w/c & gouache on paper)
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The Communication Trench to Beer Garden Dugout, between Ovillers and Beaumont Hamel, 1916 (w/c & gouache on paper)
Glorious Toulon, Ville de Matelots, 1974 (felt tip pen on paper)
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For 'Verlaine' (etching)
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Accident on the Cob, from '‘Persuasion'’ by Jane Austen (wood engraving) 2.25x4 inches.
'POW Dream', Marlag O, Westertimke, Lower Saxony, 1942-45 (gouache on paper)
Nude study, c.1925 (pen & ink on paper)
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Winter, 1944 (tempera on board)
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Village Garden, possibly Ravenel, Oise, c.1960 (oil on board)
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Langemark Church by moonlight, Flanders, 1917 (gouache on paper)
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'Le Grand Véfour', Palais Royal, Paris, c.1930 (pen & ink on paper)
A Short Stirling Bomber Under Fire at Night, 1940s (w/c & gouache)
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Appian Way I, c.1960 (pencil, crayon, watercolour & gouache on paper)
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The Beach at Scheveningen, 1932 (w/c & gouache on paper)
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Captain Belaye, c.1951 (gouache on paper)
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On the lettini (charcoal on paper)
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Ship with dazzle camouflage, possibly on the Clyde, 1919 (w/c)
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Taillebourg, Charente (mixed media)
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The Sporting Life (pen & ink on paper)
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R.S. Thomas, 1940 (red chalk on paper)
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An art nouveau design for fabric and/or wallpaper, c.1900 (w/c on paper)
Epping Forest in Autumn, c.1930 (gouache on paper)
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Bridgetown, Barbados: 'Pride and Industry' (pencil & watercolour on paper)
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The roofs of Collioure, c.1925 (pencil & watercolour on paper)
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The Church of Santi Domenico e Sisto, Rome (pencil & watercolour on paper)
‘The Plough Team, 1947 (pencil, watercolour & gouache on paper)
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In the Boxing Ring, c.1960 (pencil, ink, watercolour & crayon on paper)
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Life Model, Royal Academy School (oil on canvas)
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Saffron Walden Church V, 1975 (pencil, brush & watercolour on paper)
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An Evening Dress, c.1960 (pencil, watercolour & gouache on tan card)
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Man's Back and Reflection, 1980 (pencil on paper)
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The St Elias Range in Autumn, Mani, Greece, 1990 (oil on canvas)
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Emmanuel, c.1954 (oil on canvas)
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Rocky Landscape, Mani, 1982 (oil on canvas)
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Bobbie S. modelling a sashed dress: hair up, September 8, 1977 (pencil, pen, brush & ink on paper)
The Evening Dress, c.1955 (gouache & ink with fibre-tip pen on blue grey paper)
The Pink Dress, c.1955 (ink & gouache with fibre-tip pen on tan paper)
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The Yellow Suit, c.1955 (ink, w/c & gouache on tan paper)
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The Blue and White Dress, c.1955 (gouache with fibre-tip pen on tan paper)
The Polo Player, c.1955 (charcoal, ink & gouache on pink paper)
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