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Particolare del volto della beata vergine Maria, affresco, XIII secolo (affresco)
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Affresco beata  Vergine Maria (sx) e Sant'Orsola (dx), XIV-XV secolo (affresco)
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Rome, Basilica of Saint John Lateran, fresco of pope Bonifacio VIII proclaiming the Holy Year of 1300 (attributed to Giotto)
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Poet laureate with red hat, 1490-92 (detached fresco mounted on canvas)
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Man with a Mace, c.1486 (detached fresco mounted on canvas)
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Man with a Two-Handed Sword, c.1486 (detached fresco mouted on canvas)
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"The triumph of Arianna", from Camerino dei Baccanali (fresco)
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Rome, Basilica of Saint John Lateran, fresco of pope Bonifacio VIII proclaiming the Holy Year of 1300 (attributed to Giotto)
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"Harvest", detail from the Camerino dei Baccanali (fresco)
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Epiphany, 1515 (fresco)
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Preparation of the plaster for a fresco painting (affresco). Drawing by Chevignard by Andrea Pozzo.
Bozzetto per affresco nella Casa Littoria di Bergamo, 1939
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Sibyl, 1520-21 (detached fresco mounted on canvas)
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The Last Judgement, 1596 (fresco)
Jesus among the Scribes, 1518 (fresco)
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Volta affrescata del vano  retroabsidale cripta cattedrale, XVIII secolo (affresco)
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Three young men, 1520-21 (detached fresco mounted on canvas)
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The Last Judgement, 1596 (fresco)
Three angels, 1520-21 (detached fresco mounted on canvas)
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Prophet, 1520-21 (detached fresco mounted on canvas)
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Solomon, 1520-21 (detached fresco mounted on canvas)
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Italia, Trentino Alto Adige, affresco Bressanone, Abbazia di Novacella, chiesa (photo)
Prophet, 1520-21 (detached fresco mounted on canvas)
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Massacre of Innocents, 1517 (fresco)
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Meeting of St. Anne and St. Joachim at the golden door, 1520-21 (detached fresco mounted on canvas)
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Jesus among the Scribes, 1518, detail (fresco)
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Nativity of the Virgin, 1520-21 (detached fresco mounted on canvas)
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Turnus soldiers attack the Trojan field, from Aeneid, Canto VII (fresco)
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View of the ceiling, Entrance Hall or Foyer, Teatro Grande, Brescia, Italy (photo)
The childhood of the Virgin Mary at the Temple, 1520-21 (detached fresco mounted on canvas)
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Frescoed hallway between the two courtyards, Rocca Albornoz, Spoleto, Umbria, Italy (photo)
View of the counter-facade, Church of Nunziatina, Todi, Umbria, Italy (photo)
Epiphany, 1515 (fresco)
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Hall of Fame of the Balbi Family: Allegory of the Fame and Allegorical Figures, detail, (fresco)
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The Circumcision, 1514-1515 (fresco)
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Praying angel between two kneeling musicians and cherubs, 1520-21 (detached fresco mounted on canvas)
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View of the interior with frescoes and the main altar, Church of Nunziatina, Todi, Umbria, Italy (photo)
Princely cortège with a landscape in the background and 
Turnus' death, from Aeneid, Canto XII (fresco)
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Angel, 1520-21 (detached fresco mounted on canvas)
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Ecce Homo, 1519 (fresco)
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Madonna and Child and Two Angels, 1509-12 (detached fresco mounted on canvas)
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The Crowning with Thorns, 1519 (fresco)
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View of the interior with frescoes and the main altar, Church of Nunziatina, Todi, Umbria, Italy (photo)
Presentation of Jesus in the Temple, 1515 (fresco)
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Presentation of Jesus in the Temple, 1515 (fresco)
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Nostradamus
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Naval Combat and Turnus soldiers attack the Trojan field, from Aeneid, Canto VII (fresco)
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Ecce Homo, 1519 (fresco)
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Spoleto (Perugia), Festival of Two Worlds 1999. Francis Menotti (born Francis Phelan) and his adoptive father Gian Carlo Menotti, composer and founder of the festival in the Spoleto Cathedral (frescos by Filippo Lippi)/Spoleto (Perugia), Festival dei due mondi 1999. Francis Menotti (nato Francis Phelan) with his padre adottivo Gian Carlo Menotti, composer and founder of the festival, nel Duomo di Spoleto (affreschi di Filippo Lippi) -
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Detail representing a battle, The Trojan Horse, Chamber of Troy (Sala di Troia), 1538 - 1539
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Annunciation, 1514-1515
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Flight into Egypt, 1517 (fresco)
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The Entrance Hall or Foyer, Teatro Grande, Brescia, Italy
Jesus falling under the Cross, 1520
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Venus prays Neptune to protect Aeneas' ships,from Aeneid Canto V, detail of 2384655 (fresco)
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Massacre of Innocents, 1517, detail (fresco)
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Duck hunting scene and  Turnus and his allies from Aeneid, Canto VII (fresco)
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Portrait of Giovanni Boccaccio (fresco)