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'Albion Band' Bilder und Clips Suchergebnisse page 1 of 2

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Sunday in Albion Street, Coventry, 1961 (oil on board)
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Band boxes. Tabarts juvenile library.
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Ashley Hutchings - portrait
Ashley Hutchings - portrait
View of Albemarle House, Hounslow.
A view of military school buildings; a yard in front; yound soldiers in uniform in a line; a military band to the left; figures watching the scene from the right-hand side.
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British folk musician Ashley Hutchings
British folk musician Ashley Hutchings
Liverpool in 1650'. 'Prince Rupert's head-quarters, Liverpool'.
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The general cemetry, Kensal Green.
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Entrance to the London cemetry, Highgate'. 1838.
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Meetings of the unemployed
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A map of England and Wales.
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Drawing of ruined Yorkshire country house in pen and ink. Album of drawings.
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Drawing of ruined Yorkshire country house in pen and ink. Album of drawings.
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Oxford [graphic]. Shepherd herding sheep on road toward Oxford, which is visible on the horizon lit by the glow of sunset.
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Professor Alexander Monro. Half-length seated portrait, full-face, of the Professor of Anatomy Alexander Monro (1773-1859), holding a leather-bound volume in his right hand.
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Illustration showing Caergwrle castle also known as Queen's Hope in scholarly texts, is located in the town of Caergwrle, in Flintshire, Wales. It was the final castle to be built by Welsh rulers before the loss of Welsh independence in 1283.
Conway Quay
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Professor James Miller. Three-quarter length standing portrait, looking downwards, his head resting in his right hand. Professor James Miller (1812-1864), Professor of Surgery at Edinburgh University 1842-64. His left hand grasps the large volume standing on the floor beside him.
John Henning and A. H. Ritchie, sculptors. Half-length portrait. The older man, John Henning (1771-1851), is seated, his arms resting on a leather-bound volume. Alexander Handyside Ritchie (1804-1870) stands behind his left shoulder, his left hand resting on the chair back, looking off to the right.
The Letter, Newhaven. 'Frae Jamie at the Sea'. Tableau group of three women, one seated reading a letter, her mother looking over her shoulder and another young woman standing to the right. Identified as Marion Finlay, Mrs Margaret (Dryburgh) Lyall and Mrs Grace (Finlay) Ramsay.
John Knox's House, Edingburgh. View looking along the High Street towards the house.
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Linlithgow is excelling'. Linlithgow Palace wall. Close view of niches and sculptural detail above the main entrance.
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The Martyr's Tomb,Grayfriars "” Edinburgh. View of the Martyr's Memorial and the McCulloch Monument, with a couple in conversation in the foreground. She is seated with her back to the camera, he leans over her addressing her.
Edmonstone's Tomb (Dennistoun Monument), Grayfriars, Edinburgh. Group of four figures posed in front of the monument: David Octavius Hill stands on the left, his nieces the Misses Watson are seated on the ledge in front of the monument, and an unknown man stands on the right.
Nasmyth's (Naismith's) Tomb, Grayfriars "” Edinburgh. View of the tomb, with two figures examing the monument: these have been identified as David Octavius Hill (1802-18700 seated on the ground pointing to a detail, with Thomas Duncan (1807-1845) standing to the right.
Roslin. View of a window in the upper storey of Roslin Chapel, with an unidentified man seated in the left foreground.
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St. Andrew's Castle.
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St. Mary's College, St. Andrews. General view, looking west across North Street towards the College Church of St Salvator.
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A port hole, Edinburgh Castle. Portrait of a sergeant and a private of the 92nd Gordon Highlanders posed beside a cannon in Edinburgh Castle.
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Edie Ochiltree (John Henning) and Miss Warden, Bonaly. Half-length portrait of John Henning (1771-1851) as the beggar Edie Ochiltree from Scott's 'The Antiquary' wearing a wide-brimmed hat and carrying a staff. Mrs Elizabeth Cleghorn as Miss Warden looks out at him through a barred window at the top left.
Master James Miller. Full-length portrait of James (Jimmy) Miller, standing in Scottish dress and looking directly towards the camera, a helmet on the chair behind him.
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Byrne "” The Irish Harper. Full-length portrait, in right profile, of the blind Irish harpist Patrick Byrne, seated playing the harp.
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Mr. & Mrs. James Stuart Wortley. Full-length study of Georgiana Elizabeth Stuart-Wortley (c. 1804-1884) seated in right profile, holding a book in her lap, her husband John Stuart Wortley (1801-1855) standing on the right, looking down towards her face.
P. S. Fraser Esq. and Dr. Burt. An intimate and relaxed half-length portrait of the the two men, both reading the same book. John MacDonald Burt (1811-1868) looks over and rests his hand on the left shoulder of Peter Scott Fraser.
Study of a boy. Full-length portrait of a young boy, identified as Master Grierson, son of the Rev. Dr. James Grierson. Standing in right profile against a doorway, a straw hat held in his right hand and a book in his left.
John Stevens R.S.A. Three-quarter length portrait of the painter John Stevens (c. 1793-1868), standing beside a bust mounted on a plinth.
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Mr. George Kemp, Architect of the Scott Monument, Edinburgh. Full-length standing portrait of George Meikle Kemp (1795-1844), leaning against a partially carved masonry block.
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Julieta, a study (Elizabeth Rigby, later Lady Elizabeth Eastlake). Full-length seated portrait, the sitter either sleeping or gazing downwards, wearing a large cross hanging from a necklace.
Study "” Circassian Armour or Affghans. Full-length standing portrait of two men, dressed in chain mail. Other copies of this image also supply the alternative titles. The dress bears no resemblance to Afghan costume.
Dr. Lane in an Indian dress. Full-length standing portrait of Dr Edward William or John Lane, in Indian dress and holding a jezail.
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A study [two sleeping girls]. Portrait of Sophia Finlay, with Harriet Farnie's head in her lap, posed as if asleep.
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Finlay of Colonsay. Three-quarter length seated portrait of the deerstalker Finlay, looking off to the left. The sitter wears a tartan tunic and holds a deerstalking telescope in his lap.
Mrs. Rigby. Full-length standing portrait, taken out of doors and looking directly towards the camera, of Elizabeth Rigby (1809-1893), later Lady Eastlake.
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Lady Eastlake. Three-quarter length seated portrait of Elizabeth Rigby (1809-1893), later Lady Eastlake, her head resting on her left hand and looking downwards.
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Revd. Dr. Welsh. alf-length seated portrait of the Rev. Dr. David Welsh (1793-1864), taken from a low angle and with the sitter looking off to the right. Welsh was Professor of Church History at Edinburgh University 1831-1843 and at the Free Church College 1844-45.
Revd. Dr. Duncan of Ruthwell, founder of Savings Banks. Full-length portrait of the Rev. Dr. Henry Duncan (1774-1846), seated out of doors and looking directly towards the camera.
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Full-length portrait of the artist David Roberts (1796-1864), posed in the open air in Greyfriars Churchyard and looking off to the left, clasping a book in front of him and with his top hat placed on the ground beside him.
A sleeping child. Daughter of A. S. Logan Esq. Full-length portrait of the sleeping Elizabeth Logan, lying facing the camera, a doll held in her right arm.
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Dr. George Bell, D. O. Hill R.S.A. hree-quarter length study, with Gerorge Bell (d. 1889) seated at table reading, and David Octavius Hill (1802-1870)standing behind him, his left arm round Bell's shoulder.
D. O. Hill Secretary and W. B. Johnstone Treasurer, Royal Scottish Academy. Full-length standing portrait of David Octavius Hill (1802-1870) and William Borthwick Johnstone (1804-1868), posed in a doorway.
Dr. George Bell, Miss Bell and Revd. Thomas Bell. Outdoor portrait group, with Rev. Thomas Blizzard Bell (1815-1866) seated at a table, Dr George Bell (d. 1889) and Alexina Bell (Lady Alexina Moncrieff, d. 1874) standing behind.
Dunbarton Presbytery, Free Church. Group of four men seated round a table, examining a paper. Identified as Rev. William Alexander (1808-1890), McMillan of Cardross, Rev. James Smith (or Goodsir) (1806-1852) and Rev. John Pollock (d.1855).
The Lady Ruthven. Full-length standing portrait of Lady Mary Hamilton Ruthven (1789-1855), with back turned to camera.
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The Gowan. 'As if a fly had tickled slumber'. Study of two girls (Margaret and Mary McCandlish), lying in each other's arms in a garden, Mary asleep, with Margaret in the act of tickling her neck with a daisy.
Miss Munro. Three-quarter length seated portrait of Justine Monro (later Gallie), looking down and slightly to the right, her left hand raised to her cheek.
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Mr. Alexander Bryson, Queen's Horologer. Three-quarter length seated portrait Robert Bryson (1778-1852), looking off to the left and holding an unidentified object (presumably a chronometer of some kind).
Rev. Jabes [sic, for Jabez] Bunting, D.D. Half-length seated portrait of the Rev. Dr. Jabez Bunting (1779-1858)
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Mrs. Jamieson. Three-quarter length standing portrait, in half-profile, looking intently off to the left, of the art historian Anna Brownell Jameson (1794-1860).
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Half-length seated portrait, in right profile, of the sculptor John Henning (1771-1851)
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Full-length standing portrait, striking a declamatory pose, of the artist Thomas Duncan (1807-1845), a stick held in his right hand, his left hand held against his waistcoat.
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Revd. Dr. John Brown. Three-quarter length seated portrait of the Rev. Dr. John Brown (1784-1858), seated at a table, looking off to the right, with a book held in his right hand.
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My sister Mary, Mrs. Watson. Half-length portrait, looking to the left and holding a book in her right hand, of David Octavius Hill's sister, Mary Watson.
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Thomas Duncan R.S.A. and his brother James. Half-length seated portrait of the two brothers, James looking down and to the left, his hands clasped in front of him, his brother Thomas (1807-1845) looking intently at the camera, his right arm around James's shoulders.
Half-length portrait of Robert Stephen Rintoul (1787-1858), seated at a table reading. Rintoul was, from 1828-58, the first editor of 'The Spectator'.
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Three-quarter length seated portrait of the sculptor Alexander Handyside Ritchie (1804-1870), looking off to the right.
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John Robertson and Hugh Miller. Three-quarter length portrait of the two writers, seated in profile opposite each other at a small table. John Robertson is posed in the act of writing, Hugh Miller (1802-1856) reading a letter or paper.
Mrs. Rigby. Full-length seated portrait, looking off to the left, of Elizabeth Rigby (1809-1893), later Lady Eastlake.
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David Octavius Hill. Head-and-shoulders left profile portrait of David Octavius Hill (1802-1870)
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Monument to Sir Walter Scott, Edinburgh. View across Prince's Street towards the Scott Monument, with Edinburgh Castle on the skyline beyond. The monument is here seen completed, although the statue has not yet been placed. A group of four youths stands in the foreground.
Dr Julius Wood. Three-quarter length seated portrait of the Rev. Dr. John Julius Wood (1800-1877), in half-profile facing right and holding a book in his lap to display the title: 'Scotch Church Malta 1843'..
Miss Munro and Misses Graham Binney. Three-quarter length portrait study of the three young ladies, their arms clasped round each other and looking off to the right.
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James Aytoun. Half-length seated portrait in left profile, seated at a table holding a quill pen.
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John Murray Esq. Half-length seated portrait, in three-quarter profile facing right of the publisher John Murray (1808-1892), looking down at the books on the table in front of him.
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Edinburgh Ale. James Ballantyne, Dr. George Bell and D. O. Hill R.S.A. Portrait group of the the three men at drink, James Ballantyne (1808-1877) and George Bell (d. 1889) seated at a table, with David Octavius Hill (1802-1870) standing behind and to the right.
Elizabeth Johnston, Newhaven. Full-length portrait of the fisherwoman Elizabeth Johnston, seated looking downwards with a pensive expression, her right arm resting on an arrangement of two wicker fish baskets.
A Love Reverie, Newhaven. Full-length seated portrait of a fisherwoman, with a wicker basket on the ground beside her. Identified as Jeanie Wilson.
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St Andrews Fisherfolk. Group of women and children seated in the street baiting lines. [Stevenson (1981), 'St Andrews 35' there titled: 'North Street, Fishergate, women and children baiting the lines'.]
Mr. Henning as Edie Ochiltree, a study at Bonaly. Half-length portrait of John Henning (1771-1851), asleep in the open air, wearing a sun hat and grasping a staff. He is dressed as Edie Ochiltree, the blue-gown beggar in Sir Walter Scott's 'The Antiquary'.
The House of Death [William Leighton Leitch]. Full-length portrait of William Leighton Leitch (1804-1883), dressed as one of the monks of Kennaquhair from Sir Walter Scott's 'The Abbot', standing in the doorway of a house.
Newhaven fisherwomen. Full-length portrait of the two women, carrying wicker fish baskets on their backs.
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Newhaven Fisherwomen. Waiting for the Boats. Group of Mrs Logan and two unidentified woman, pose with their wicker baskets.
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The Monks of Kennaquhair. W. B. Johnstone, W. L. Leitch, David Scott. Group of the three painters, William Borthwick Johnstone (1804-1868), William Leighton Leitch (1804-1883) and David Scott (1806-1849), dressed as monks and acting out a tableau from Walter Scott's 'The Abbot'.