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RCA 77 pill microphone
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Neumann microphone
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RCA 77 pill microphone
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RCA 44 ribbon microphone
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La pinãta, 1953 (analog photography)
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Sifting Through Life, 2014 (analogue double exposure photograph)
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Neumann analogue microphone
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La pila de agua, 1949 (analog photography)
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Los diablos de Yare, 1951 (analog photography)
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Neumann microphone
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La bajada de Las Termópilas, 1949 (analog photography)
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Lourdes Armas, 1948 (analog photography)
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Neumann microphone
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RCA 44 ribbon microphone
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Outside In, 2015 (analogue double exposure photograph)
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Skywalk, 2014 (analogue triple exposure photograph)
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Change or Kali, 2014 (analogue double exposure photograph)
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Between Earth and Sky, 2013 (analogue double exposure photograph)
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Twilight Reflection, 2019 (analogue double exposure photograph)
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Neumann analogue microphone
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Secret Knowledge, 2015 (analogue double exposure photograph)
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Water Gem, 2014 (analogue double exposure photograph)
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A Blanket For The Trees, 2019 (analogue double exposure photograph)
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Golden Traces, 2019 (analogue triple exposure photograph)
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Pining Lovers, 2013 (analogue double exposure photograph)
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Moulins À Vent, 2014 (analogue double exposure photograph)
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Silver Piercing, 2014 (analogue triple exposure photograph)
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Watches, Wrist, Analogue 'The smallest watch in the world', 1929
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Gramophone and ebonite discs, 1850
Telephones, 1995 (video)
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Lotus: From Mud To Flower, 2014 (analogue triple exposure photograph)
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Snow and Birch Silver, 2019 (analogue double exposure photograph)
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Jump -- Fall Or Fly, 2013 (analogue triple exposure photograph)
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Breathe In Breathe Out or Symbiosis, 2015 (analogue double exposure photograph)
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Jesús Rafael Soto at the exhibition "Bewogen Beweging", 1961 (analog photography)
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When The Sun Embraces The Moon, 2019 (analogue triple exposure photograph)
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A view of Monte Pellegrino, Palermo, Sicily, Italy, August 2016 (photo)
A road of Palermo's Monte Pellegrino, Palermo, Sicily, Italy, July, 2016 (photo)
The Praetorian Fountain and the dome of San Giuseppe dei Teatini, Palermo, Sicily, Italy (photo)
We Need To Talk -- God, 2015 (analogue double exposure photograph)
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Marina and her Self(ies) n.22, 2019, analogue double exposure photograph
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Marina and her Self(ies) n.21, 2019, analogue double exposure photograph
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Marina and her Self(ies) n.5, 2019, analogue double exposure photograph
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Marina and her Self(ies) n.24, 2019, analogue double exposure photograph
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Electronic Music Studios VCS 3 analogue electronic synthesizer, 1970 (mixed media)
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Electronic Music Studios VCS 3 analogue electronic synthesizer, 1970 (mixed media)
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Marina and her Self(ies) n.6, 2019, analogue triple exposure photograph
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Marina and her Self(ies) n.2, 2019, analogue double exposure photograph
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Men Working On Analog Computer, United States, c.1951 (b/w photo)
Marina and her Self(ies) n.28, 2019, analogue double exposure photograph
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Marina and her Self(ies) n.12, 2019, analogue double exposure photograph
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Photographer (b/w photo)
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Carlos Cruz-Diez in his workshop "La Boucherie", Paris, France, 1993 (analog photo)
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Analematic sundial (by projecting the shadow of the gnomon) for latitude 51 degrees, c.1697 (copper and steel)
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Portrait photo of Archduchess Michaela von Habsburg with an analogue Yashica camera in the city, Germany Munich 1985
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Listening to the morning paper on a record player, 1883
Recording baby for the family archives, 1883
Mid-twentieth century academic listening to recordings in the sound library, 1883
Advertisement for a gramophone, 1897
In a record library, 1890
Nicolas Roeg discusses the editing in his 1980 film 'Bad Timing'
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Nicolas Roeg discusses Tony Lawson's editing process, mentioning a scene in his 1971 film Walkabout, and the developments of digital editing
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Nicolas Roeg talks about the writer Colin Wilson and the effect of digital editing on the artistic process
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Venice Lido, Venice Film Featival 1987. Italian director Peter Del Monte, at Festival to present his movie "Julia and Julia" the first feature shot using the Sony HDVS wideband analog High-definition video technique and then transferred to 35 mm film (photo)
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Venice Lido, Venice Film Featival 1987. Italian director Peter Del Monte, at Festival to present his movie "Julia and Julia" the first feature shot using the Sony HDVS wideband analog High-definition video technique and then transferred to 35 mm film (photo)
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Venice Lido, Venice Film Featival 1987. Italian director Peter Del Monte, at Festival to present his movie “” Julia and Julia””” the first feature shot using the Sony HDVS wideband analog High-definition video technique and then transferred to 35 mm film/Lido di Venezia, Mostra del Cinema di Venezia 1987. Il regista Peter Del Monte, alla Mostra per presentare il suo film “” Giulia e Giulia””””, il primo lungometraggio al mondo di fiction girato in elettronica ad alta definizione -
Venice Lido, Venice Film Featival 1987. Italian director Peter Del Monte, at Festival to present his movie “” Julia and Julia””” the first feature shot using the Sony HDVS wideband analog High-definition video technique and then transferred to 35 mm film/Lido di Venezia, Mostra del Cinema di Venezia 1987. Il regista Peter Del Monte, alla Mostra per presentare il suo film “” Giulia e Giulia””””, il primo lungometraggio al mondo di fiction girato in elettronica ad alta definizione -
Venice Lido, Venice Film Featival 1987. Italian director Peter Del Monte, at Festival to present his movie “” Julia and Julia””” the first feature shot using the Sony HDVS wideband analog High-definition video technique and then transferred to 35 mm film/Lido di Venezia, Mostra del Cinema di Venezia 1987. Il regista Peter Del Monte, alla Mostra per presentare il suo film “” Giulia e Giulia””””, il primo lungometraggio al mondo di fiction girato in elettronica ad alta definizione -
Mountain_147, 2023 (cyanotype)
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The celebration of the Swedish king's Gustaf VI Adolf, 1962 (b/w photo)
Amateur filming, 1940s (b/w photo)
Jo Privat, Paris Musette 92 Original Polaroid, France, 1992 (photo)
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Jo Privat, Paris Musette 92 Original Polaroid, France, 1992 (photo)
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