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St. John the Baptist
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An ascetic
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St. Jerome in Penitence
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Reliquary of St. Alexius (marble and gilt bronze)
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The Thebaid, c.1410 (tempera on panel) (detail of 50353)
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Head of an ascetic, from Gandhara, Pakistan. AD 300-400 clay
On the way to the deer park Buddha met five ascetics (centre left); at the deer park he preached the first sermon.
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Harl. MS Roll Y6 roundel 5 Guthlac building a chapel at Crowland, from the Guthlac Roll, East Anglia, c.1210 (ink & pigments on vellum)
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St. Catherine of Siena (1347-80) (tempera on panel)
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St. Paul the Hermit being fed by the raven (oil on canvas)
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Hindu Fakir or holy man in India; 19th century
A Gathering of Dervishes, mid 17th century (ink & light colour wash on paper)
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Ms Royal 14 E. 11, f.338 The Hermit instructing the knight, from 'Chemin de Valliance and works in French verse and prose', c.1475 (vellum)
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St. Francis Receiving the Stigmata (tempera on panel) (see also 59263)
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The Rule of Community, Qumran (parchment)
Saints Anthony Abbot and Paul the Hermit, c.1520 (oil on panel)
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An ascetic devotee hangs from a spinning wheel attached with 'Charhak tree' on the occasion of Charak Puja at Shah Para village, Tangail, Bangladesh on April 15, 2006. Charhak Puja is observed on the last days of the Bangla month of Chaitra (April) called Chatitra Sangkranti. Farmers celebrate during this festival with the devotees singing and dancing without any care. The Charak Puja is well-known for the rites of piercing the body with nails, and swirling from a high pole. A 'charhak tree' is built on the occasion, consisting of a long pole atop which a wheel is fixed. An ascetic devotee is hung from this wheel with a hook. The wheel then spins around with him at high speed. Small nails, at times red hot ones, pierce all parts of his body including his tongue. The devotee thus spinning spreads prasad (handmade sweetmeats blessed with chants) among the curious spectators and onlookers. At the root of the celebration of Charhak Puja is a belief in spirits and the cult of rebirth. Its rites suggest ancient ritual of human sacrifice.  (photo)
Ascetic (photo)
Bhamarananda Raga, from Mankot, in the Punjab Hills, c.1700 (opaque w/c, gold & silver on paper)
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Dadupanthi' , a member of a sect of ascetics who worship Rama.
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Ascetic devotees hang from a spinning wheel attached with 'Charhak tree' on the occasion of Charak Puja at Shah Dhamrai, Dhaka, Bangladesh on April 15, 2006. Charhak Puja is observed on the last days of the Bangla month of Chaitra (April) called Chatitra Sangkranti. Farmers celebrate during this festival with the devotees singing and dancing without any care. The Charak Puja is well-known for the rites of piercing the body with nails, and swirling from a high pole. A 'charhak tree' is built on the occasion, consisting of a long pole atop which a wheel is fixed. An ascetic devotee is hung from this wheel with a hook. The wheel then spins around with him at high speed. Small nails, at times red hot ones, pierce all parts of his body including his tongue. The devotee thus spinning spreads prasad (handmade sweetmeats blessed with chants) among the curious spectators and onlookers. At the root of the celebration of Charhak Puja is a belief in spirits and the cult of rebirth. Its rites suggest ancient ritual of human sacrifice.  (photo)
Muslim fakir (Benava). Benava, a sect of Muslim fakirs.
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An ascetic devotee hangs from a spinning wheel attached with 'Charhak tree' on the occasion of Charak Puja at Shah Dhamrai, Dhaka, Bangladesh on April 15, 2006. Charhak Puja is observed on the last days of the Bangla month of Chaitra (April) called Chatitra Sangkranti. Farmers celebrate during this festival with the devotees singing and dancing without any care. The Charak Puja is well-known for the rites of piercing the body with nails, and swirling from a high pole. A 'charhak tree' is built on the occasion, consisting of a long pole atop which a wheel is fixed. An ascetic devotee is hung from this wheel with a hook. The wheel then spins around with him at high speed. Small nails, at times red hot ones, pierce all parts of his body including his tongue. The devotee thus spinning spreads prasad (handmade sweetmeats blessed with chants) among the curious spectators and onlookers. At the root of the celebration of Charhak Puja is a belief in spirits and the cult of rebirth. Its rites suggest ancient ritual of human sacrifice.  (photo)
A group of devotees singing and dancing during 'Charak Puja' festival at Dhamrai, Dhaka, Bangladesh on April 15, 2006. The festival is devoted to the deities Shiva and Sakti. Farmers celebrate during this festival with the devotees singing and dancing without any care. The Charak Puja is well-known for the rites of piercing the body with nails, and swirling from a high pole. A 'charhak tree' is built on the occasion, consisting of a long pole atop which a wheel is fixed. An ascetic devotee is hung from this wheel with a hook. The wheel then spins around with him at high speed. Small nails, at times red hot ones, pierce all parts of his body including his tongue. The devotee thus spinning spreads prasad (handmade sweetmeats blessed with chants) among the curious spectators and onlookers. At the root of the celebration of Charhak Puja is a belief in spirits and the cult of rebirth. Its rites suggest ancient ritual of human sacrifice.  (photo)
Sarabhanga' order of ascetics who did not believe in the ordinary ideas of pollution. Represented by a man drinking wine and feeding meat to a dog.
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Teliraja', a sect of ascetics who worship the Devi.
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Nanga', a naked ascetic. This particular one is associated with the 'Vairagis' and is armed with a spear, gun and tulwar.
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Kalikanthi'. Saiva ascetics who wear a black ('kal') necklace ('kantha').
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Suthrasahi, an order of Sikh ascetics.
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Khaki ascetic. A sect of Ramaite ascetics who smear themselves with ash and whose doctrines are based on those of Kabir.
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Dandi', a Saiva ascetic who possesses only a staff and a waterpot. Portrait of Mangal Das Ji of Jaipur.
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A portrait of Bhajan Das Bairagi, a member of the Vaisnava order of ascetics, usually followers of Ramananda.
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Insertion of hooks on the back for hanging from a spinning wheel attached with 'Charhak tree' on the occasion of Charak Puja at Dhamrai, Dhaka, Bangladesh on April 15, 2006. Bangladesh on April 2006. Charhak Puja is observed on the last days of the Bangla month of Chaitra (April) called Chatitra Sangkranti. Farmers celebrate during this festival with the devotees singing and dancing without any care. The Charak Puja is well-known for the rites of piercing the body with nails, and swirling from a high pole. A 'charhak tree' is built on the occasion, consisting of a long pole atop which a wheel is fixed. An ascetic devotee is hung from this wheel with a hook. The wheel then spins around with him at high speed. Small nails, at times red hot ones, pierce all parts of his body including his tongue. The devotee thus spinning spreads prasad (handmade sweetmeats blessed with chants) among the curious spectators and onlookers. At the root of the celebration of Charhak Puja is a belief in spirits and the cult of rebirth. Its rites suggest ancient ritual of human sacrifice.  (photo)
A follower of Nityananda who, together with Advaitanada, organised the Bengal Vaisnava movement after the death of Caitanya.
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St. Anthony and St. Paul, detail from the Isenheim Altarpiece, 1512-15 (oil on panel)
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A Fakir smoking
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Luis de Sarria called Fray Luis de Leon (engraving)
Portrait of Saddah Ram Charandasi Guru, a follower of Caran Das who founded an ascetic order of Rama worshippers at Delhi c.1730.
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A royal ascetic sits on a tiger-skin next to a fire, with offerings of fruit and vases of narcissus placed around. He has a gold crescent halo and wears a pale apricot robe blotched with blue and red, his sword slung at his side. Two youths have morchals on the right, and a group of girls with musical instruments approach from the left
Statue of ascetic Buddha, Pakistani art
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Kanphata yogi', a Saiva ascetic with large earrings and wearing the 'linga' round his neck, accompanied by his disciple ('chela').
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Icon of St Francis Receiving the Stigmata (egg tempera on panel)
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Vision of Saint Romuald, c.1631 (oil on canvas)
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Roger Crab, frontispiece to 'The English Hemite' (litho)
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