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Portrait of saint Marie Madeleine
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Portrait of King Philip II of Spain (1527-1598). Medallion in calcedony, 16th century
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Deploration or Lament about the Dead Christ (painting)
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Le bapteme du Christ provenant de l'Armoire des vases sacres ou l'Armoire des ex-voto d'argent de l'Eglise Santissima Annunziata de Fra Angelico et ses eleves
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Crucifixion of Christ between the Virgin and Mary Magdalene (painting)
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Laurent de Medicis dit aussi Laurent le Magnifique, (Lorenzo il Magnifico, 1449-1492) recoit les ambassadeurs.  Fresque de Giorgio Vasari (1511-1574). Palazzo Vecchio, Florence. ©Battaglini/Leemage
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The Last Judgment (painting)
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Portrait of Galileo Galilei, 17th century (oil on canvas)
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The 'Carta della Catena' showing a panorama of Florence, 1490 (painting)
Le jugement dernier : detail d'une ronde faite par les anges au paradis, 1432-1435 (tempera sur bois)
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Cleopatra (69-30 BC) (charcoal on paper)
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The Sermon on the Mount, 1442 (fresco)
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The Holy Trinity, with the Virgin and Saint John and donors, 1427-28 (fresco)
The Last Judgment: Hell, 1432-1435 (tempera on wood)
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Detail of the altarpiece of Annalena: Portraits of Saint Peter the Martyr, Saint Cosimo (Come or Cosimo) and Saint Damien (tempera on wood)
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St Thomas Aquinas (fresco)
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Madonna of the Chair, 1513 (oil on wood)
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Detail from 'The Trinity', 1427-28 (fresco)
Fiorenza, Carta della Catena, 1490 (w/c on paper)
Dusk and Dawn from the Tomb of Lorenzo de Medici, designed 1521, carved 1524-34 (marble)
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Detail of the Annalena altarpiece. Tunic and clothing of Saint John the Evangelist, Saint Lawrence and Saint Francis (tempera on wood)
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Le baiser de Judas - fresque par Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), Museo di San Marco, cella 33 ©Battaglini/Leemage
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The Descent into Limbo, 1442 (fresco)
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The Chocolate Girl, copy after the original by Jean-Étienne Liotard (1702-89), 1920-42 (painted porcelain)
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Scenes of the life of Christ from the Cabinet of Sacred Vases or the Cabinet of the Ex-Voto of Silver of the Church Santissima Annunziata 1450-1453 (tempera on wood)
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Resurrection (oil on panel)
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St. Catherine of Siena (1347-80) (tempera on panel)
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Portrait of Savonarola (panel)
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Portraits of Duke Federico da Montefeltro (1422-82) and Battista Sforza, c.1465 (tempera on panel) (for details see 798, 799, 69441, 69442) (reverse of 95421)
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Head of Angel (black chalk on paper)
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Street sign for the district of Santa Maria Novella (polychrome stone)
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The Coronation of the Virgin (Painting on wood)
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Lorenzo Medici (1449-92) and Giuliano da Sangallo (fl.1443-1516) Inspecting the Model for the Villa at Poggia a Caiano by Benedetto di Michele Squilli (fl.1555-88) and Joannes Stradanus (b. Jan van der Straet and also known as Giovanni Stradano) (1523-1605) c.1560's (tapestry)
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Detail of Heaven from the Last Judgement
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View of the facade (photo)
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Interior of the Convent of San Marco, Florence (photo)
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Le bapteme du Christ par Saint Jean Baptiste - fresque par Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), Museo di San Marco, cella 24 ©Battaglini/Leemage
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The funeral of the Virgin. Predelle (Painting on wood) 1435
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The Last Judgment: Detail of Saints in Paradise (tempera on wood)
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Predelle avec le Christ en pieté et saints. Peinture de Gozzoli Benozzo (1420 - 1497) (detail)
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Bust of Quintilian (marble)
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Detail of the Christ Child from the Madonna delle Ombre (Madonna of the Shadows), 1450 (fresco)
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St. Thomas Aquinas Reading, c.1510-11 (fresco)
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David by Michelangelo Buonarroti (1475-1564), 1501-04 (marble) (detail of 4344)
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The Verification of the True Cross, The Victory of Heraclius and the Execution of Chosroes in 628 AD, from the Legend of the True Cross cycle, completed 1464 (fresco) (post-restoration)
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Fortitude (panel from the Six Virtues commissioned for the chamber for the Merchant's Guild Hall) 1470 (oil on panel)
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Tomb of Lorenzo de Medici, detail of Dawn (marble)
Interior view of the gallery with Michelangelo's 'Awakening Slave' and 'David' in the background (photo)
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Detail from the Last Supper
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The Crucifixion, c.1288-89 (tempera on panel)
Deposition from the Cross, detail of the Virgin Mary, 1436 (tempera & gold on panel)
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