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Intoxicated Lady at a Window, late 18th century (opaque w/c & gold on paper)
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Illustration from 'Miserable Miracle (La Mescaline)', Editions du Rocher, Monaco, 1956 (engraving)
Doctor anesthetizing a patient at the start of a surgery
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AS10 Vol.49 ff.1 4782 Indian Office Archive, 'Manners and Customs', one of four drawings depicting the manufacture and use of narcotics, by an Amritsar artist, Punjab, c.1870 (gouache on paper)
Illustration from 'Miserable Miracle (La Mescaline)', Editions du Rocher, Monaco, 1956 (engraving)
FORMER GANG MEMBER RECEIVES ANESTHESIA BEFORE UNDERGOING TATTOO
REMOVAL, 2003-09-03 (photo)
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FORMER GANG MEMBER RECEIVES ANESTHESIA BEFORE UNDERGOING TATTOO
REMOVAL, 2003-09-03 (photo)
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Illustration from 'Paix dans les brisements', Editions Flinker, Paris, 1959 (engraving) (see also 383123)
Illustration from 'Paix dans les brisements', Editions Flinker, Paris, 1959 (engraving) (see also 383122)
Illustration from 'Miserable Miracle (La Mescaline)', Editions du Rocher, Monaco, 1956 (engraving)
Opium, postcard, c.1920 (litho)
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Pope Francis thumbs up the faithful as he arrives for his weekly general audience in St. Peter's Square at the Vatican, 2019 (photo)
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Front cover illustration of 'Amours, delices et drogue' by Jean-Michel, 1955, Editions de l'Arabesque, Paris (colour litho)
Front cover illustration of 'L'Opium a Paris' by Delphi Fabrice (1877-1937) La Renaissance du Livre, Paris, 1907 (colour litho)
1910s: Woman faints while talking, man behind her looks stunned
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Buddha, front cover of 'Propos d'un Intoxique' by Jules Boissiere, 1896 (colour litho)
Circus elephants crossing the city with theyr trainers, the crows stunned, Venice, 1954 : Stunned Crowd
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Fishermen lay out dead fish that were stunned and speared., 2004 (photo)
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Rhyming words ending in the letter G. An illustration showing a pig riding a horse, and another drving a cart. The Golden primer.
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Artificial Paradises, 'Opium, Hashish, I prefer morphine', illustration from 'A Terre' (pencil on paper)
Illustration from 'La Nuit de Haschich et d'Opium' by Maurice Magre (1877-1941) 1929, Ernest Flammarion, Paris (colour woodcut)