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'Blaue Mäntel' Bilder und Clips Suchergebnisse page 1 of 2

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Bilder zu 'Blaue Mäntel' gefunden, 157

The hall, Blue coat school
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Blue coats-black crowd, 2007 (computer graphics)
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The Blue Hat; Le Chapeau Bleu, c.1925 (oil on canvas)
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Blue Waistcoat 1829
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Romania: red, yellow and blue national flag and coat of arms. 1936 (chromo)
Fashion plates of woman wearing magenta skirt, white and magenta blouse, and matching hat, and blue floral walking dress and blue jacket, with matching hat and parasol
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Portrait of Caroline Grafin Holnstein (1815-59), 1834 (oil on canvas)
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Women wearing pink and blue walking dresses with flounces, pleats and tassels, with matching coats, Madame Fladry designs, France, colored engraving from La Mode Illustree, No 34, August 23, 1874
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Brown Coat - Black Boots
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Sir Charles Lamb, Knight Marshal on horseback, followed by Marshalmen in scarlet coat, blue trousers and shako, in ranks of four in Queen Victoria's coronation parade
Italian merchants and a judicial notary, 14th century - The notary wears a violet and scarlet bonnet and cape - The left merchant wears a blue cape and hood, scarlet tunic with belt and purse - The right merchant wears a blue cape and hood, scarlet tunic with belt and purse - The right merchant in blue hat with black fur, brown tunic, leather belt and purse - From a manuscript in Siena Library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Women wearing light blue, blue, gray day dresses with a light striped fringed coat, Madame Delaunay designs, France, colored engraving from La Mode Illustree, No 36, September 6, 1874
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Knights fighting on foot, sword duel during a tournament. The one on the left wears a crimson tunic over his armor and has crimson, yellow and black feathers on his helm; the one on the right wears a blue tunic hemmed with gold and wears a red shield with a gold emblem; he has a very long crimson feather on his helm. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Zouave, or Berber Zwawa soldier, of Algeria with musket
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Portrait of Max John, 1921 (oil on canvas)
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Costume d'un homme de la noblesse italian, 14th century - Costume of an Italian nobleman, 14th century - He wears a blue bonnet, a red cape with white collar trimmed with ermine over a blue robe - From a miniature in a 14th century manuscript in Siena library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from” “Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861
Outside the Palais-Royal
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Knights weapons for racing with targets and for racing helm. The left knight carries blue stripes on his mount, with the image of a little boy with a spear, on a cloud. The one on the right has pink colours, decorated with the letter D, numerous birds and a golden cage. During the race, the knight turned his spear on a specific point on his opponent's chest, when the point was hit, a metal plate jumped into the air (the golden fragments above each knight on the illustration represent these plates). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Alberto I Canfrancesco della Scala (1291-1329), war name Cangrande della Scala, lord of Verona and mecene of Dante Alighieri (1265-1321) - Cangrande della Scala, lord of Verona, 14th center- He wears a blue cap, pink cape with hanging sleeves lined with fur, belted scarlet robe, gauntlets and holds a blue two-handed sword in scabbard - From his sarcophagus in the church of Santa Maria Antica, Verona - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Women wearing a blue jacket with gold embroidery, red skirt, and black dress with large red damask worsted wool cloak, Madame Breant-Castel designs, colored engraving from La Mode Illustree, No 2, January 9, 1870
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Old bath Flowerbed in Valparaiso (photo)
COSTUME: coat: pelisse, 1825, overall: 1380x520mm (silk, cotton, hand-stitched)
Large illuminated showcase. 1912 (painting)
Portrait of a Lady, Half Length, (oil on canvas)
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Beatrice of Burgundy (Beatrice de Bourgogne), Lady of Bourbon, 1257-1310. Dress of velvet, embroidered in gold, trimmed with ermine, crown with large ear pieces matching the dress. Wearing a coat of arms of France-Clermont (azure field, gold fleurs de liys) and Bourbon (gold field, red lion and blue shells). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Netherlandish Proverbs, c.1559 (oil on panel)
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Pug on a Leash, Burough Market, London (photo)
CAT AND FIDDLE
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English cavalry charging with lance, 12th century. He wears a steel helmet, blue cuirasset decorated with gold buttons, blue escutcheon with gold fleurs de liys, lance, gauntlets, thighs, greaves and spurs. The horse has a crimson velvet saddle and gold caparison. From a English manuscript in the Barberini library, Rome. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Political Prisoner; Politischer Strafling, 1921 (oil on canvas)
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Lola, 1911 (oil on canvas)
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LITTLE BO-PEEP
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SONG OF SIXPENCE / ANDRE
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THE QUEEN OF HEARTS
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SIMPLE SIMON / ANDRE
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Blue Jacket and Yellow Hat, 1961 (oil on canvas)
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Gioconda Mary Hulton (1887-1940) (oil on canvas)
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GEORGIE PORGIE / ANDRE
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Royal Naval uniform: pattern 1827-43, c.1827 (textile)
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Royal Naval uniform: pattern 1833, 1836 (wool, linen, velvet, brass)
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JACK AND JILL / ANDRE
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Old King Cole nursery rhyme
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Royal Naval uniform: pattern 1833, 1836 (wool, linen, velvet, brass)
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Royal Naval uniform: pattern 1833, 1836 (wool, linen, velvet, brass)
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Portrait of a gentleman (pastel drawing)
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India's Homage to the Tomb of the Unknown Warrior in Westminster Abbey, 1924. The painting depicts an incident which occurred on the occasion of the wedding of H.R.H. Duke of York on 26 April 1923, when a party of the King's Indian Orderly Officers were conducted to the grave of the Unknown Warrior in Westminster Abbey, where they were received by the Abbey authorities.
The King Emperor's four Sikh Indian Orderly Officers, Risaldar Jiwan Singh, I.D.S.M, Subadar Harnath Singh, M.C, I.O.M, Risaldar Rewat Singh, M.C, and Subadar-Major Bir Singh, M.C, standing by the grave of the Unknown Warrior. They are wearing white, blue and navy blue uniforms with red and gold kamarbands. Behind them on the left stand two Gentlemen-at-Arms in white-plumed helmets, red coats and blue trousers. On the right stand Canon Storr in scarlet, E.F. Knapp-Fisher, Receiver-General of the Abbey, in black with a white cravat, and a verger in black.