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'Cellule' Bilder und Clips Suchergebnisse page 1 of 33

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Cellule d'ADN (double helice, chromosome, cellule) - DNA including double helix, chromosome, cell-Photo by Adam Howard
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Two wealthy Families at strife, 2007 (oil on canvas)
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Nerve Cell showing Nissl's stain
Cellule Auriculaire, 1893 (litho on chine appliqué paper)
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Maquette d'une cellule cerebrale - Model of a brain cell
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The Wrong Man, 1956 (film still)
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Auricular Cell (Cellule auriculaire), 1894 (lithograph on China paper laid down)
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Sans remission ( American me ) de et avec Edward James Olmos, 1991
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Daphnis and Chloe or Pelleas and Melisande, 1968 (acrylic on canvas)
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Vietnam Hanoi Musee Prison (photo)
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Vatican 10/1958. Conclave pour l'election du nouveau Pape. Cellule destinee aux Cardinaux partipant au Conclave.
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Vietnam Hanoi Musee Prison (photo)
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Bellamy
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Cardinal Ugo Seguin de Billon. Fresco by Barisini Tommaso detto Tommaso da Modena (1325-1379) part of the cycle “” Fourteen illustrious members of the Dominican Order”””. Sala del Capitolo dei Domenicani, Seminario Vescovile. Treviso. Italy, 1352.
Vatican 10/1958. Conclave pour l'election du nouveau Pape (Jean XXIII), cellule pour les Cardinaux participant au Conclave. Photo Cozzi (b/w photo)
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Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 11 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La crucifixion avec Saint Dominique. Inscription ""INRI"" sur la croix. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 16 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La transfiguration du Christ (detail) . Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 6 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La descente dans les limbes. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 29  du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La crucifixion avec Saint Dominique. Inscription ""INRI"" sur la croix. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 19 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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Le couronnement de la vierge (detail). Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 9 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La deploration du Christ. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 2 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La crucifixion avec Saint Dominique. Inscription ""INRI"" sur la croix. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 18 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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Noli me tangere. Jesus Christ ressucite refuse d'etre touche par Sainte Marie Madeleine. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 1 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La crucifixion avec la Vierge Marie. Inscription ""INRI"" sur la croix. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 22 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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Madone a l'enfant avec Saint Francois et Saint Zenobie. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 11 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La presentation du Christ au temple. Saint Pierre, martyr, et la religieuse dominicaine Villana, observe la scene biblique. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 10 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La crucifixion avec Saint Dominique. Inscription ""INRI"" sur la croix. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 20 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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L'annonciation. Saint Pierre martyr se tient derriere l'archange Gabriel faisant l'annonce a la vierge Marie. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 3 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La crucifixion avec Saint Dominique. Inscription ""INRI"" sur la croix. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 17 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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The Descent into Limbo, 1442 (fresco) - Detail de : La descente dans les limbes. Fresque de Guido da Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 29  du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La presentation du Christ au temple (detail). Saint Pierre, martyr, et la religieuse dominicaine Villana, observe la scene biblique. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 10 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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Crucifixion et lapidation de Saint Cosme (Come ou Cosimo) et Saint Damien. Predelle du retable d'Annalena. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1434. Cellule 38 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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""Le Christ ressuscite et les saintes femmes au tombeau"" La Resurrection et les Saintes femmes (Maries) au Sepulcre, Cellule 8. 1438/1445. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455). Museo di San Marco, Florence. ©Battaglini/Leemage
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La transfiguration du Christ . Les visages de Moise et Elie sont representes en fond. En dessous on voit la Vierge et Saint Dominique. Puis au sol, 3 des apotres. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 6 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La presentation du Christ au temple (detail) : joseph tient la corbeille de pain pour communier. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 10 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La crucifixion avec Saint Dominique, la Vierge Marie et Sainte Marie Madeleine. Inscription ""INRI"" sur la croix. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 25 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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La crucifixion du Christ avec la Vierge Marie, Saint Jean l'Evangeliste, Saint Jerome, Saint Dominique. Inscription ""INRI"" sur la croix. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. Cellule 4 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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Le couronnement de la vierge . De g. a dr. :  Saint Thomas, Saint Benoit de Nursie, Saint Dominique, Saint Francois, Saint Pierre martyr et Saint Marc. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455), 1442. 179 cm x 151 cm. Cellule 9 du Couvent de San Marco, Florence (Museo di San Marco, Firenze). ©Battaglini/Leemage
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Crucifixion, the lance holder, c.1438-45 (fresco)
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St. Jerome in his Cell and the Dream of St. Jerome, c.1450 (oil on panel)
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Crucifixion, c.1438-45 (fresco)
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Crucifixion, 1438-45 (fresco)
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Christ on the cross between the two thieves, c.1438-45 (fresco)
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Photoelectricity Selenium photocell
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The Resurrection of Christ and the Pious Women at the Sepulchre, c.1438-1446 (fresco)
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The Adoration of the Magi, 1442 (fresco)
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Untitled (Blood Cell Series), 1941 (serigraph)
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Untitled, 1954 (pastel & w/c on paper)
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St. Augustine in his cell, 1490 (tempera on panel)
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Potato: Cells
Liver cells
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Henrietta Lacks (1920-1951) afro American woman, affected by cervical cancer, her cells were the first to be cultured and used in medical research (HeLa cells)
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Human cell
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Slide showing cluster of a single celled organism called cyanobacteria
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Plant cells
Wreath to Pleasure, No. 1, 1992-93 (photo)
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1960s: Illustration of cells.
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Purkinje cells.Same morphological values as heart cells. 1905 (engraving)
1940s: Cells under microscope
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1960s: Illustration of cells.
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1960s: Illustration of cells.
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Skeletal muscle cells
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