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'Cole Thomas 1801 1848' Bilder und Clips Suchergebnisse page 1 of 4

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The architect's dream, painting by Thomas Cole (1801-1848)
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Kaaterskill Falls, c.1801-48 (pen and brown ink)
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Proposed Villa at Catskill, 1801-48 (pencil on paper)
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Layout for 'The Course of the Empire', 1833 (pen & brown ink over graphite pencil on off-white wove paper)
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Gnarled Tree Trunk, c.1826 (pen & brown ink over graphite pencil on cream wove paper)
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The Picnic, 1846 (oil on canvas)
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Plans for Basement, First and Second Floors of Proposed Villa at Catskill, 1801-48 (pencil on paper)
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Drawing of Proposed Villa at Catskill, c.1801-48 (graphite pencil on off-white wove paper)
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Maple, Balsam Fir, Pine, Shaggy Yellow Birch, White Birch, 1828 (graphite pencil on off-white wove paper)
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Floor Plan of the Second Floor of the Proposed Villa at Catskill, 1801-48 (pen, ink, pencil on paper)
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Panorama of the Oxbow on the Connecticut River as seen from Mount Holyoke, c.1833 (graphite pencil on wove paper)
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Schroon Mountain, Adirondacks, c.1837 (black & white chalk on grey wove paper)
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Horseshoe Falls, Niagara, Morning, c.1829 (pen & brown ink over graphite on off-white wove paper)
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Double Waterfall - Kaaterskill Falls, 1826 (charcoal, black & white crayon and graphite pencil on paper)
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The Past, 1838 (oil on canvas)
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River in the Catskills, 1843  (oil on canvas)
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Panorama of the Oxbow on the Connecticut River as seen from Mount Holyoke, c.1832 (pencil on paper)
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Hunter Standing in Cave near Rock and Waterfall, c.1828 (graphite pencil)
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The Last of the Mohicans, 1827, by Thomas Cole (1801-1848), oil on canvas, 64.5x89.1 cm
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Untitled (atmospheric study with notations) 1825 (pen & brown ink over graphite pencil on paper)
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Layout for 'The Course of Empire', 1833 (pen & ink over pencil on paper)
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Elijah at the Mouth of the Cave, c.1829 (pen & ink over graphite on paper)
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Untitled (pencil on paper)
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Hornby Lodge, 1839 (pencil on paper)
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Castle and River (oil on canvas)
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Artist's notations on rapids below Niagara Falls, 1829 (graphite pencil on paper)
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Side Elevation of Proposed Villa at Catskill, 19th century (pencil on paper)
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Lake of Dead Trees, Catskill, 1825 (graphite pencil on off-white paper)
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Untitled (pencil on paper)
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Front Elevation of Proposed Villa at Catskill, 19th century (pen and ink on paper)
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Landscape, 1832 (pencil on paper)
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The Present, 1838 (oil on canvas)
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Mist Over the Lower Country from the Catskill Mountains, between 1801 and 1848 (pen and brown ink over graphite pencil on off-white wove paper)
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Young Hickory, 1823 (graphite pencil on off-white wove paper)
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From the Top of Kaaterskill Falls, 1826 (graphite pencil on off-white wove paper)
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Daniel Boone, c.1825-1826 (pencil, pen, wash drawing)
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Colour Notes after Turner's Ulysses Deriding Polyphemus (pencil on paper)
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Chiaroscuro Notes after Turner's Ulysses Deriding Polyphemus (pencil on paper)
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Horatio Greenough, 1829-30 (pencil on paper)
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White Pine, c.1832 (pen & ink over pencil on paper)
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Untitled ('Extracts from The Art of Colouring), c.1825 (pen & ink on paper)
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Elevation of the Ohio State House, c.1838 (graphite pencil on beige wove paper)
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View of Schroon Mountain Looking North June 28, 1837, 1837 (graphite pencil on off-white wove paper)
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Elevation of the State House, Columbus, Ohio, c.1838 (graphite pencil on beige wove paper)
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Untitled (detail of a cliff with foliage) 1831 (pencil on paper)
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Schroon Mountain from Near the Head of Schroon Lake, 1837 (graphite pencil on off-white wove paper)
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A View of the Two Lakes and Mountain House, Catskill Mountains, Morning, 1844 (oil on canvas)
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Mount Holyoke, Massachusetts (graphite on tracing paper)
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Plant in the Colosseum; Architectural Fragment, 1832 (graphite pencil on off-white wove paper)
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House in Mount Desert, c.1844 (graphite heightened with white crayon on paper)
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Ulysses and his Companions Arriving in the Bay neat Polyphemus' Cave, c.1842 (pencil on paper)
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Nude Male with Bow and Arrow (chalks on paper)
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Temple of Vespasian, Called the Temple of Jupiter Tonans, Roman, Forum, c. 1831 (pen & ink over pencil on paper)
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Thomas Cole (1801-1848). The founding painter of the American "Hudson River School," of romantic landscape painting. Mathew Brady daguerreotype, c. 1846
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Beautiful Groups of Pines; Tints from Maples, New Hampshire, September 30th 1828 (w/c & graphite pencil on paper)
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In the Simmental, Switzerland, 1841 (pencil heightened with gouache on paper)
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Untitled, Study for Titan's Goblet, 1837 (pen & ink over pencil on paper)
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Kneeling Male Figure (oil on canvas)
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Hoosick or Saddle Mountain and Lake near Pittsfield, c.1832 (graphite pencil on off-white wove paper) (see also 3514873)
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General Brock's Monument, Queenston, Ontario, 1829 (graphite pencil on off-white wove paper)
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Untitled, 1841 (pencil on paper)
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Lake Yverdon or Neuchatel from the Hill Chaumont, Switzerland, 1841 (pencil heightened with gouache on paper)
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Sketch for 'Destruction', from the 'Course of Empire' series, c.1836 (pen & ink on paper)
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Acanthus Leaf from the Coliseum, c.1832 (pen & ink with plant specimen on paper)
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Panorama of Florence, 1831-32 (pencil on paper)
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Untitled ('Extracts from The Art of Colouring), c.1825 (pen & ink on paper)
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The Bridge of Fear, 1827 (graphite pencil & black crayon on off-white wove paper)
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Study for Expulsion from the Garden of Eden, 1828 (black wash, pen and black ink, and graphite on cream wove paper)
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Grand Plan of the Ohio State House, c.1838 (pencil on paper)
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Nude Seated Male Figure, c.1832 (pencil on paper)
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Adirondacks Iron Works, 1846 (graphite pencil on wove paper)
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Untitled ('Extracts from The Art of Colouring), c.1825 (pen & ink on paper)
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Landscape Sketch, 1841 (pen & black ink on cream wove paper)
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Composition Study of Three Shepherds, 1832-34 (pen & ink with chalk over pencil on paper
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