'Con Grande Voglia' Bilder und Clips Suchergebnisse page 1 of 1

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Bilder zu 'Con Grande Voglia' gefunden, 24

Classic Motorbike Autoglider, Scooter, Trademark (photo)

Classic Motorbike Autoglider, Scooter, Trademark (photo)

GRL5613927

Classic Motorbike Autoglider, Scooter (photo)

Classic Motorbike Autoglider, Scooter (photo)

GRL5613925

Classic Motorbike Autoglider, Scooter (photo)

Classic Motorbike Autoglider, Scooter (photo)

GRL5613926

Classic Motorbike Autoglider, Scooter (photo)

Classic Motorbike Autoglider, Scooter (photo)

GRL5613929

Margaret Truman smiling, Italy, 1955 (b/w photo)

Margaret Truman smiling, Italy, 1955 (b/w photo)

Mario De Biasi

MEP3063275

Gianna Maria Canale with pigeons, Italy, 1955 (b/w photo)

Gianna Maria Canale with pigeons, Italy, 1955 (b/w photo)

Mario De Biasi

MEP3063601

An actress signing autographs to the sailors, Italy, 1955 (b/w photo)

An actress signing autographs to the sailors, Italy, 1955 (b/w photo)

Mario De Biasi

MEP3063602

A man looking longingly at a jelly-fish.

A man looking longingly at a jelly-fish.

UIG3733708

London Street Arab, shoeless and in rags, looking longingly at the sweets in a confectioner's window. From Le Voleur Paris 1883. Wood engraving.

London Street Arab, shoeless and in rags, looking longingly at the sweets in a confectioner's window. From Le Voleur Paris 1883. Wood engraving.

UIG533905

Fancy Meeting You by George Ranstead

Fancy Meeting You by George Ranstead

EPL6945083

A Temporary Misunderstanding, which all ended in Smoke (engraving)

A Temporary Misunderstanding, which all ended in Smoke (engraving)

English School, (19th century)

LIP1047342

The botanist Charles Barnes poses next to a cactus. 1908 (sepia photo)

The botanist Charles Barnes poses next to a cactus. 1908 (sepia photo)

American Photographer, (20th century)

DGC746766

Ono poniatno, chto pogret'sia kazhdomu khochetsia, tol'ko zachem'
zhe...tae...gur'boi-to? [It's understandable that you each want to warm yourself for a while, but why..in a crowd?]' — Ono poniatno, chto pogret'sia kazhdomu khochetsia, tol'ko zachem' zhe...tae...gur'boi-to? [It's understandable that you each want to warm yourself for a while, but why..in a crowd?]'

Ono poniatno, chto pogret'sia kazhdomu khochetsia, tol'ko zachem' zhe...tae...gur'boi-to? [It's understandable that you each want to warm yourself for a while, but why..in a crowd?]'

BL3266308

'Burning his fingers'. Bolshevist (posing for the triumph of freedom). "I don't think I feel like carrying on much longer. I believe this cursed thing must have been made in Germany".

'Burning his fingers'. Bolshevist (posing for the triumph of freedom). "I don't think I feel like carrying on much longer. I believe this cursed thing must have been made in Germany".

BL3303428

Oslo 1954-03: Filmball at the Grand Hotel. In the middle of the snow slap and Mondays, Oslo gets the frivolous whim to want to play Hollywood for an evening and one night …, 1954 (photo)

Oslo 1954-03: Filmball at the Grand Hotel. In the middle of the snow slap and Mondays, Oslo gets the frivolous whim to want to play Hollywood for an evening and one night …, 1954 (photo)

Sverre A. Børretzen

NTB8700053

Ironic role-reversal. Sumi, who works under Fatima's control in the brothel appears disgruntled. Her displeasure is accepted with submissiveness and an eagerness to appease by Fatima. In the interpersonal relationship of these two women who occupy different positions in the domestic hierarchy, Fatima's need for and rejection of Sumi is as great as Sumi's for her. Theirs is a strangely parasitic relationship, one feeding off and destroying the other under the guise of clinging feminine helplessness. Kolkata, India, March 14, 2006. (photo)

Ironic role-reversal. Sumi, who works under Fatima's control in the brothel appears disgruntled. Her displeasure is accepted with submissiveness and an eagerness to appease by Fatima. In the interpersonal relationship of these two women who occupy different positions in the domestic hierarchy, Fatima's need for and rejection of Sumi is as great as Sumi's for her. Theirs is a strangely parasitic relationship, one feeding off and destroying the other under the guise of clinging feminine helplessness. Kolkata, India, March 14, 2006. (photo)

UIG796428

The Laying of the Cable: John and Jonathan Joining Hands, 1858. A Crude But Engaging Picture, Celebrating the Goodwill Between Great Britain and the United States Generated by the Successful Completion of the Atlantic Telegraph Cable Between Newfoundland and Valentia Bay (Ireland). Laid by the American Steamer "Niagara" and British Steamer "Agamemnon" (which Appear in the Background of the Print), the Cable Transmitted Its First Message on August 17, 1858. The Artist Shows Brother Jonathan (Left) Shaking Hands with John Bull. The Two Figures Stand on Opposite Shores, Set against a Stormy, Lightning-Streaked Sky Over a Choppy Sea. "Brother Jonathan: "Glad to Grasp Your Hand, Uncle John! I Almost Feel Like Calling You Father, and Will If You Improve Upon Acquaintance! May the Feeling of Friendship . . . Be Like the Electric Current which Now Unites Our Lands, and Links Our Destiny with Yours! May Our Hearts Always Beat Together; and with One Pulse--One Purpose, of Peace and Good-Will, We Yet Shall See All Nations Speaking Our Language, Blessed with Our Liberty, and Led by that Spirit of Love and Justice which Leads to the Only True Happiness and Glory of Nations!" John Bull: "Happy to See and Greet You, Jonathan! You Feel Like 'Bone of My Bone and Flesh of My Flesh!' You Have Grown to Be a Tall and Sturdy Man--Quite As Big As Your Father! Great Times These, My Boy! We Won'T Think of Quarreling Any More. I Have Grown Too Wise for that; and I Hope We Will Both Agree to Let by-Gones Be by-Gones! Henceforth We Treat Each Other As Equals, and Only Strive which Shall Do Most in Making 'All the World and the Rest of Mankind' (As One of Your Good Old Presidents Once Said) Realize 'How Good and Pleasant a Thing It is for Brethren to Dwell Together in Unity.'" — The Laying of the Cable: John and Jonathan Joining Hands, 1858. A Crude But Engaging Picture, Celebrating the Goodwill Between Great Britain and the United States Generated by the Successful Completion of the Atlantic Telegraph Cable Between Newfoundland and Valentia Bay (Ireland). Laid by the American Steamer "Niagara" and British Steamer "Agamemnon" (which Appear in the Background of the Print), the Cable Transmitted Its First Message on August 17, 1858. The Artist Shows Brother Jonathan (Left) Shaking Hands with John Bull. The Two Figures Stand on Opposite Shores, Set against a Stormy, Lightning-Streaked Sky Over a Choppy Sea. "Brother Jonathan: "Glad to Grasp Your Hand, Uncle John! I Almost Feel Like Calling You Father, and Will If You Improve Upon Acquaintance! May the Feeling of Friendship . . . Be Like the Electric Current which Now Unites Our Lands, and Links Our Destiny with Yours! May Our Hearts Always Beat Together; and with One Pulse--One Purpose, of Peace and Good-Will, We

The Laying of the Cable: John and Jonathan Joining Hands, 1858. A Crude But Engaging Picture, Celebrating the Goodwill Between Great Britain and the United States Generated by the Successful Completion of the Atlantic Telegraph Cable Between Newfoundland and Valentia Bay (Ireland). Laid by the American Steamer "Niagara" and British Steamer "Agamemnon" (which Appear in the Background of the Print), the Cable Transmitted Its First Message on August 17, 1858. The Artist Shows Brother Jonathan (Left) Shaking Hands with John Bull. The Two Figures Stand on Opposite Shores, Set against a Stormy, Lightning-Streaked Sky Over a Choppy Sea. "Brother Jonathan: "Glad to Grasp Your Hand, Uncle John! I Almost Feel Like Calling You Father, and Will If You Improve Upon Acquaintance! May the Feeling of Friendship . . . Be Like the Electric Current which Now Unites Our Lands, and Links Our Destiny with Yours! May Our Hearts Always Beat Together; and with One Pulse--One Purpose, of Peace and Good-Will, We

LZT1013530

ALA EDIN AYAD LOOKS AT HIS NEWBORN SON ALA IN THE AIDA REFUGEE CAMP
NEAR BETHLEHEM, 2003-11-25 (photo) — ALA EDIN AYAD LOOKS AT HIS NEWBORN SON ALA IN THE AIDA REFUGEE CAMP NEAR BETHLEHEM, 2003-11-25 (photo)

ALA EDIN AYAD LOOKS AT HIS NEWBORN SON ALA IN THE AIDA REFUGEE CAMP NEAR BETHLEHEM, 2003-11-25 (photo)

Magnus Johansson

REU7763203

ALA EDIN AYAD KISSES HIS NEWBORN SON ALA IN THE AIDA REFUGEE CAMP
NEAR BETHLEHEM, 2003-11-25 (photo) — ALA EDIN AYAD KISSES HIS NEWBORN SON ALA IN THE AIDA REFUGEE CAMP NEAR BETHLEHEM, 2003-11-25 (photo)

ALA EDIN AYAD KISSES HIS NEWBORN SON ALA IN THE AIDA REFUGEE CAMP NEAR BETHLEHEM, 2003-11-25 (photo)

Magnus Johansson

REU8020170

Satirical cartoon, He Would if he Could!!

Satirical cartoon, He Would if he Could!!

EPL6909189

Woman from Camerun reassuring her son while waiting for the beginning of the General Audience, Vatican, 2010 (photo)

Woman from Camerun reassuring her son while waiting for the beginning of the General Audience, Vatican, 2010 (photo)

Grzegorz Galazka

MEP3270134

Oslo 19540904. At Edvard Munch's Ekely near Skøyen, art is still created …, 1954 (photo)

Oslo 19540904. At Edvard Munch's Ekely near Skøyen, art is still created …, 1954 (photo)

Aage Storløkken

NTB8680171

Oslo, 19540904. At Edvard Munch's Ekely near Skøyen, art is still created ..., 1954 (photo)

Oslo, 19540904. At Edvard Munch's Ekely near Skøyen, art is still created ..., 1954 (photo)

Aage Storløkken

NTB8605989

Oslo 19540904. At Edvard Munch's Ekely near Skøyen, art is still created …, 1954 (photo)

Oslo 19540904. At Edvard Munch's Ekely near Skøyen, art is still created …, 1954 (photo)

Aage Storløkken

NTB8618255

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