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'Da Vinci Leonardo 1452 1519 Arbeit' Bilder und Clips Suchergebnisse page 1 of 43

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Vitruvian Man, c.1492 (pen & ink on paper)
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St. John the Baptist, 1513-16 (oil on canvas)
Landscape of Santa Maria della Neve: the landscape of the Arno Valley (pencil drawing, 1473)
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Portrait of a Musician, 1485-90 (tempera & oil on panel)
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Two profiles of men, an old man and a young man. The young man represents Gian Giacomo Caprotti known as Andrea Salai or Salaij (around 1480-1524), Leonardo's student and lover. Chalk drawing by Leonardo da Vinci (Leonardo da Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices)
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Self-portrait, c.1515-16 (red chalk on white paper)
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Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)
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Leonardo da Vinci painting the portrait of the Mona Lisa
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Head of a Young Woman with Tousled Hair or Leda (gouache on wood)
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Studies of proportions of face and eye (with notes), c. 1489-90 (metallic tip, pen and brown ink on paper)
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Study of Horsemen in Combat and Foot Soldiers, 1503 (pen & ink on paper)
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Three dancing figures and a study of a head (sepia & black ink on linen paper)
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Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)
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Studies of flowing water, with notes, c.1510-13 (pen & ink of black chalk on paper)
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Paris Manuscript E, fol. 22v and 23r: Sketch of the flight of birds, 1513-14 (pencil on paper)
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MS B fol.88v Testing the load tolerance of a wing, 1487-90 (pen and ink on paper)
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Portrait of Beatrice d'Este
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Vitruvian Man, 1490 (pen & ink on paper)
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Maiden's face (study for the face of the angel of the “Virgin of the Rocks”, c. 1483-1485 (metal tip and lumeggiature of whitewash on prepared paper)
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Virile head of profile crowned with laurel, c. 1506-10 (blood with contours recrossed in pen on white paper)
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A plan of Imola, 1502 (pen & ink, wash and chalk on paper)
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Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)
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Portrait of Leonardo, c.1505-10 (tempera on panel)
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Presumed Self-portrait of Leonardo da Vinci (Lucan portrait) - tempera on panel, 1490-1500
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Battle of Horsemen Study for the Battle of Anghiari (opposing the Milanese against the Florentines on 29/06/1440) Drawing in the pen of Leonardo da Vinci (Leonard de Vinci) (1452-1519) Sun. 14,7 x 15,5 cm Venice Gallerie dell'Accademia
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When They Were Young: Leonardo da Vinci
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Head of a Man in Profile, c.1506-8 (pencil and red chalk on paper)
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Bird Flight Code, c. 1505-06, paper manuscript, cc. 18, Cover III
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Cats, lions and a dragon, c.1513-16 (pen & ink with wash over blue chalk)
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Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 15 verso
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Paris Manuscript B, fol. 83v: Page of text and sketches for a flying machine, 1488-90 (pen and ink on paper)
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Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy)
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Portrait of Isabella d'Este, marchioness of Mantua, ca. 1500 (drawing on paper)
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Studies of assault tanks with scythes, c. 1485 (pen and brown ink with traces of metallic tip on paper)
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Three views of manly head with beard, c. 1502 (blood on paper)
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Vegetable interlacing, 1498 (tempera on wall)
Res 4720 The letter 'A', illustration for 'De Divina Proportione' by Luca Pacioli (1445-1517), 1509 (lithograph)
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Vertically Standing Bird's-winged Flying Machine, fol. 80r from Paris Manuscript B, 1488-90 (pen and ink on paper)
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La Gioconda Nude (gouache & black chalk on paper)
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A horse in profile, and from the front (metalpoint on paper)
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Torso of a Man in Profile, the Head Squared for Proportion, and Sketches of Two Horsemen, c.1490 and c.1504 (pen & ink and red chalk over metalpoint on paper
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A sheet of pictographs drawn over an architectural plan, c.1487 (pen & ink on paper)
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Study of Horsemen in Combat and Foot Soldiers, 1503 (pen and ink on paper)
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A comparison of the legs of a man and of a horse, c.1506-10 (pen & ink with red chalk on paper)
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