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'De Noter' Bilder und Clips Suchergebnisse page 1 of 7

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Bilder zu 'De Noter' gefunden, 608

Jane Austen often went into a corner to jot down snatches of conversation (litho)
 
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Jane Austen often went into a corner to jot down snatches of conversation (litho)

English School, (20th century)

LAL2816902

Jane Austen often went into a corner to jot down snatches of conversation (litho)

English School, (20th century)

LAL2816902

Sitophilus granarius
 
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Sitophilus granarius

NHM1453290

Sitophilus granarius

NHM1453290

Chatham swimming bath (note water shoot in centre) [Port Blair, Andaman Islands]
 
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  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Chatham swimming bath (note water shoot in centre) [Port Blair, Andaman Islands]

BL3299827

Chatham swimming bath (note water shoot in centre) [Port Blair, Andaman Islands]

BL3299827

Zonation of the ocean. Note that in the littoral zone the water is at the high-tide mark.
 
Zonation of the ocean. Note that in the littoral zone the water is at the high-tide mark.

UIG558294

Zonation of the ocean. Note that in the littoral zone the water is at the high-tide mark.

UIG558294

19820427 The transport strike is still as locked. Mediation man Odd Nørstebø had to note on Tuesday …, 1982 (photo)
 
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19820427 The transport strike is still as locked. Mediation man Odd Nørstebø had to note on Tuesday …, 1982 (photo)

Henrik Laurvik

NTB8699502

19820427 The transport strike is still as locked. Mediation man Odd Nørstebø had to note on Tuesday …, 1982 (photo)

Henrik Laurvik

NTB8699502

Ardoisieres de Bagneres de Bigorre (Hautes Pyrenees) around 1900. Of note is the presence of women at work in harsh conditions.
 
Ardoisieres de Bagneres de Bigorre (Hautes Pyrenees) around 1900. Of note is the presence of women at work in harsh conditions.

Patrice Cartier

PCT4263285

Ardoisieres de Bagneres de Bigorre (Hautes Pyrenees) around 1900. Of note is the presence of women at work in harsh conditions.

Patrice Cartier

PCT4263285

United States, 1940s: Scientist seated at a desk peering into a microscope, then jotting down a note on a pad of paper
 
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United States, 1940s: Scientist seated at a desk peering into a microscope, then jotting down a note on a pad of paper

AVE6321411

United States, 1940s: Scientist seated at a desk peering into a microscope, then jotting down a note on a pad of paper

AVE6321411

China: A Dian village scene on top of a cowrie container (note the two large Dong Son drums on the left), Shanghai Museum, Shanghai
 
China: A Dian village scene on top of a cowrie container (note the two large Dong Son drums on the left), Shanghai Museum, Shanghai

David Henley

PFH1184751

China: A Dian village scene on top of a cowrie container (note the two large Dong Son drums on the left), Shanghai Museum, Shanghai

David Henley

PFH1184751

India: Apsara (celestial nymphs), note especially the slim apsara in diaphanous shift scratching her shoulder, Kandariya Mahadev Temple, Khajuraho, Madhya Pradesh State
 
India: Apsara (celestial nymphs), note especially the slim apsara in diaphanous shift scratching her shoulder, Kandariya Mahadev Temple, Khajuraho, Madhya Pradesh State

David Henley

PFH1180608

India: Apsara (celestial nymphs), note especially the slim apsara in diaphanous shift scratching her shoulder, Kandariya Mahadev Temple, Khajuraho, Madhya Pradesh State

David Henley

PFH1180608

Milhorat terrace, bar - restaurant, with many consumers. Note, announcement on the front, the “” breakfast from a franc fifty””! Anonymous photography, circa 1900.
 
Milhorat terrace, bar - restaurant, with many consumers. Note, announcement on the front, the “” breakfast from a franc fifty””! Anonymous photography, circa 1900.

Patrice Cartier

PCT4260811

Milhorat terrace, bar - restaurant, with many consumers. Note, announcement on the front, the “” breakfast from a franc fifty””! Anonymous photography, circa 1900.

Patrice Cartier

PCT4260811

Sacha Distel Warmly Applauded At The Premiere Of Her Show At L'Olympia, February 27, 1970. Note The Presence, In The Assistance Of Bourvil And His Wife. (b/w photo)
 
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Sacha Distel Warmly Applauded At The Premiere Of Her Show At L'Olympia, February 27, 1970. Note The Presence, In The Assistance Of Bourvil And His Wife. (b/w photo)

XRA1676838

Sacha Distel Warmly Applauded At The Premiere Of Her Show At L'Olympia, February 27, 1970. Note The Presence, In The Assistance Of Bourvil And His Wife. (b/w photo)

XRA1676838

The locomotive, a steam thresher, was in action around 1910-1920. Note many soldiers present in the photo for this agricultural scene. The machine is branded Ransomes, Sims & Jefferies Ld.
 
The locomotive, a steam thresher, was in action around 1910-1920. Note many soldiers present in the photo for this agricultural scene. The machine is branded Ransomes, Sims & Jefferies Ld.

Patrice Cartier

PCT4263183

The locomotive, a steam thresher, was in action around 1910-1920. Note many soldiers present in the photo for this agricultural scene. The machine is branded Ransomes, Sims & Jefferies Ld.

Patrice Cartier

PCT4263183

Two anti-census activists, costumed as helpers of the national population census, seem to be taking down the details of Harmut Perschau, top candidate of the Christian Dem Party in Hamburg state elections, 1987-05-16 (photo)
 
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Two anti-census activists, costumed as helpers of the national population census, seem to be taking down the details of Harmut Perschau, top candidate of the Christian Dem Party in Hamburg state elections, 1987-05-16 (photo)

Urban, Michael

REU11969079

Two anti-census activists, costumed as helpers of the national population census, seem to be taking down the details of Harmut Perschau, top candidate of the Christian Dem Party in Hamburg state elections, 1987-05-16 (photo)

Urban, Michael

REU11969079

"Bathing Place, Morning Dresses." Two ladies out on a windy morning for a walk. They have on bonnets, and one woman wears a shawl over her morning dress. These ladies are at a fashionable seaside resort; note the bathing huts / machines in the bottom left corner of the image.
 
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"Bathing Place, Morning Dresses." Two ladies out on a windy morning for a walk. They have on bonnets, and one woman wears a shawl over her morning dress. These ladies are at a fashionable seaside resort; note the bathing huts / machines in the bottom left corner of the image.

BL3294780

"Bathing Place, Morning Dresses." Two ladies out on a windy morning for a walk. They have on bonnets, and one woman wears a shawl over her morning dress. These ladies are at a fashionable seaside resort; note the bathing huts / machines in the bottom left corner of the image.

BL3294780

Kerry Lane Wiley an AMerican computer lecturer, consults his lawyer Shafee Abdullah during a recessin the trial which begins august 1st. Please note the poor quality of the picture as it was shot through a glass window, 1990-08-01 (photo)
 
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Kerry Lane Wiley an AMerican computer lecturer, consults his lawyer Shafee Abdullah during a recessin the trial which begins august 1st. Please note the poor quality of the picture as it was shot through a glass window, 1990-08-01 (photo)

Chai, Goh

REU11942065

Kerry Lane Wiley an AMerican computer lecturer, consults his lawyer Shafee Abdullah during a recessin the trial which begins august 1st. Please note the poor quality of the picture as it was shot through a glass window, 1990-08-01 (photo)

Chai, Goh

REU11942065

Image from a 1957 promotional pad of the DS 19 Citroen sedan with front-wheel drive and hydropneumatic suspension, bodywork designed by Italian designer Flaminio Bertoni. Presented at the Paris Auto Show in 1956, the DS had made a sensation, notably with its reinforced polyester roof that marked the entry of plastic materials into the car body. Note between the 2 sketches the design of the double chevron, emblem (logo) of the brand created by Andre Citroen.
 
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Image from a 1957 promotional pad of the DS 19 Citroen sedan with front-wheel drive and hydropneumatic suspension, bodywork designed by Italian designer Flaminio Bertoni. Presented at the Paris Auto Show in 1956, the DS had made a sensation, notably with its reinforced polyester roof that marked the entry of plastic materials into the car body. Note between the 2 sketches the design of the double chevron, emblem (logo) of the brand created by Andre Citroen.

Patrice Cartier

PCT4267898

Image from a 1957 promotional pad of the DS 19 Citroen sedan with front-wheel drive and hydropneumatic suspension, bodywork designed by Italian designer Flaminio Bertoni. Presented at the Paris Auto Show in 1956, the DS had made a sensation, notably with its reinforced polyester roof that marked the entry of plastic materials into the car body. Note between the 2 sketches the design of the double chevron, emblem (logo) of the brand created by Andre Citroen.

Patrice Cartier

PCT4267898

General Charles Francis Adams Jr. (1835-1915) was the grandson of John Quincy Adams and son of Charles F. Adams. After the Civil war he became a railroad executive. Note the African American standing in the background, probably a freedman employed as the officers' servant. 1864
 
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General Charles Francis Adams Jr. (1835-1915) was the grandson of John Quincy Adams and son of Charles F. Adams. After the Civil war he became a railroad executive. Note the African American standing in the background, probably a freedman employed as the officers' servant. 1864

EVB2935111

General Charles Francis Adams Jr. (1835-1915) was the grandson of John Quincy Adams and son of Charles F. Adams. After the Civil war he became a railroad executive. Note the African American standing in the background, probably a freedman employed as the officers' servant. 1864

EVB2935111

Geminide Shooting Stars Rain, Geminid Meteors in 2019 (p[hoto)
 
Geminide Shooting Stars Rain, Geminid Meteors in 2019 (p[hoto)

Laurent Laveder

PIX4599178

Geminide Shooting Stars Rain, Geminid Meteors in 2019 (p[hoto)

Laurent Laveder

PIX4599178

page with engraving of a history book published by Ernest Lavisse at Armand Colin in 1929: a school in Algeria. If the text attempts to prove the equality of small French metropolis and small Arabs by saying “Arabs are good schoolchildren, they learn as well as little French, they do such good homework... France wants the little Arabs to be as well educated as the little Frenchmen, this proves that our France is good for the peoples it has submitted.” It should be noted that the image shows an obvious segregation: on one side the “French”, on the other the Arabs. No melange!
 
page with engraving of a history book published by Ernest Lavisse at Armand Colin in 1929: a school in Algeria. If the text attempts to prove the equality of small French metropolis and small Arabs by saying “Arabs are good schoolchildren, they learn as well as little French, they do such good homework... France wants the little Arabs to be as well educated as the little Frenchmen, this proves that our France is good for the peoples it has submitted.” It should be noted that the image shows an obvious segregation: on one side the “French”, on the other the Arabs. No melange!

Patrice Cartier

PCT4264149

page with engraving of a history book published by Ernest Lavisse at Armand Colin in 1929: a school in Algeria. If the text attempts to prove the equality of small French metropolis and small Arabs by saying “Arabs are good schoolchildren, they learn as well as little French, they do such good homework... France wants the little Arabs to be as well educated as the little Frenchmen, this proves that our France is good for the peoples it has submitted.” It should be noted that the image shows an obvious segregation: on one side the “French”, on the other the Arabs. No melange!

Patrice Cartier

PCT4264149

Andromaque: engraving (1883) by Meaulle after a painting by Georges Rochegrosse (1859-1938). In the hands of the Greek soldiers, Andromaque tries to hold his son Astyanax, taken away by a Thracian hoplite who will hand him over to Odysseus (Ulysses). The latter waits for Hector's son at the top of the stairs, to precipitate him from the top of the ramparts. At the beginning of the staircase, the Svastika (gammee cross), a symbol discovered shortly before by the archeologist Heinrich Schliemann (1822-1890) on the walls of the ancient city of Troy.
 
Andromaque: engraving (1883) by Meaulle after a painting by Georges Rochegrosse (1859-1938). In the hands of the Greek soldiers, Andromaque tries to hold his son Astyanax, taken away by a Thracian hoplite who will hand him over to Odysseus (Ulysses). The latter waits for Hector's son at the top of the stairs, to precipitate him from the top of the ramparts. At the beginning of the staircase, the Svastika (gammee cross), a symbol discovered shortly before by the archeologist Heinrich Schliemann (1822-1890) on the walls of the ancient city of Troy.

Meaulle, Fortune Louis (1844-1901)

Cartier, Patrice

PCT4270576

Andromaque: engraving (1883) by Meaulle after a painting by Georges Rochegrosse (1859-1938). In the hands of the Greek soldiers, Andromaque tries to hold his son Astyanax, taken away by a Thracian hoplite who will hand him over to Odysseus (Ulysses). The latter waits for Hector's son at the top of the stairs, to precipitate him from the top of the ramparts. At the beginning of the staircase, the Svastika (gammee cross), a symbol discovered shortly before by the archeologist Heinrich Schliemann (1822-1890) on the walls of the ancient city of Troy.

Meaulle, Fortune Louis (1844-1901)

Cartier, Patrice

PCT4270576

Muslims leaving Narbonne returned to the Franks. In 759, after seven years of blockade, the town of Narbonne, where the Arab forces had taken refuge after the submission of Gothia (Narbonnese province), was taken by the army of Pepin le Brief. Not rescued by the Muslims of Spain, the cities of Roussillon also surrendered. The Muslims were expelled from Gaul and the Franks dominated the Pyrenees, the Muslim governor of Catalonia recognized himself as a vassal of Pepin. Engraving and excerpt of the text of “L'Histoire de France populaire depuis les temps plus récules” by Henri Martin, late 19th century. Of note is the mosquee dome and the minaret overlooking the city walls.
 
Muslims leaving Narbonne returned to the Franks. In 759, after seven years of blockade, the town of Narbonne, where the Arab forces had taken refuge after the submission of Gothia (Narbonnese province), was taken by the army of Pepin le Brief. Not rescued by the Muslims of Spain, the cities of Roussillon also surrendered. The Muslims were expelled from Gaul and the Franks dominated the Pyrenees, the Muslim governor of Catalonia recognized himself as a vassal of Pepin. Engraving and excerpt of the text of “L'Histoire de France populaire depuis les temps plus récules” by Henri Martin, late 19th century. Of note is the mosquee dome and the minaret overlooking the city walls.

Patrice Cartier

PCT4271976

Muslims leaving Narbonne returned to the Franks. In 759, after seven years of blockade, the town of Narbonne, where the Arab forces had taken refuge after the submission of Gothia (Narbonnese province), was taken by the army of Pepin le Brief. Not rescued by the Muslims of Spain, the cities of Roussillon also surrendered. The Muslims were expelled from Gaul and the Franks dominated the Pyrenees, the Muslim governor of Catalonia recognized himself as a vassal of Pepin. Engraving and excerpt of the text of “L'Histoire de France populaire depuis les temps plus récules” by Henri Martin, late 19th century. Of note is the mosquee dome and the minaret overlooking the city walls.

Patrice Cartier

PCT4271976

POP STAR MICHAEL JACKSON MEETS A SOUTH KOREAN AT MUJU SKI RESORT, 1997-11-20 (photo)
 
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POP STAR MICHAEL JACKSON MEETS A SOUTH KOREAN AT MUJU SKI RESORT, 1997-11-20 (photo)

Str Old

REU7903223

POP STAR MICHAEL JACKSON MEETS A SOUTH KOREAN AT MUJU SKI RESORT, 1997-11-20 (photo)

Str Old

REU7903223

Springtime, 1853 (oil on canvas) (detail) (see also 162087)
 
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Springtime, 1853 (oil on canvas) (detail) (see also 162087)

Linnell, James Thomas (1826-1905)

WHT162088

Springtime, 1853 (oil on canvas) (detail) (see also 162087)

Linnell, James Thomas (1826-1905)

WHT162088

EARL SPENCER ARRIVES AT THE CAPE TOWN HIGH COURT, 1997-11-26 (photo)
 
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EARL SPENCER ARRIVES AT THE CAPE TOWN HIGH COURT, 1997-11-26 (photo)

Peter Andrews

REU7889408

EARL SPENCER ARRIVES AT THE CAPE TOWN HIGH COURT, 1997-11-26 (photo)

Peter Andrews

REU7889408

MARTA SANCHEZ VISITS VENEZUELA TO PROMOTE HER NEW PRODUCTION, 1997-05-06 (photo)
 
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MARTA SANCHEZ VISITS VENEZUELA TO PROMOTE HER NEW PRODUCTION, 1997-05-06 (photo)

Str Old

REU7997540

MARTA SANCHEZ VISITS VENEZUELA TO PROMOTE HER NEW PRODUCTION, 1997-05-06 (photo)

Str Old

REU7997540

This German map of Liverpool dates back to the Second World War. It is one of a series of maps used by German bomber pilots in their night-time missions over Britain. Only the most obvious features are included on the map: towns, railway lines, major roads, woodland etc. The map's bright colours helped the pilots to pick out details at night - remember pilots would have had to read the maps in dark aeroplanes. German bombing map of Liverpool, 1941 Note the areas marked in red and yellow. These were the target areas for the mission. Dock areas such as Portsmouth and Southampton were regular targets for the German Airforce, and were heavily bombed during the course of the war. On this map, the yellow circle surrounding the area just outside Oldham, is marked with the words 'Achtung. Deutsches Gefangenenlager in Oldham-Leeds'. This alerted the bomber pilots to a prisoner of war camp which was holding German soldiers - obviously an area that was to be avoided during the mission.
 
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This German map of Liverpool dates back to the Second World War. It is one of a series of maps used by German bomber pilots in their night-time missions over Britain. Only the most obvious features are included on the map: towns, railway lines, major roads, woodland etc. The map's bright colours helped the pilots to pick out details at night - remember pilots would have had to read the maps in dark aeroplanes. German bombing map of Liverpool, 1941 Note the areas marked in red and yellow. These were the target areas for the mission. Dock areas such as Portsmouth and Southampton were regular targets for the German Airforce, and were heavily bombed during the course of the war. On this map, the yellow circle surrounding the area just outside Oldham, is marked with the words 'Achtung. Deutsches Gefangenenlager in Oldham-Leeds'. This alerted the bomber pilots to a prisoner of war camp which was holding German soldiers - obviously an area that was to be avoided during the mission.

BL3287876

This German map of Liverpool dates back to the Second World War. It is one of a series of maps used by German bomber pilots in their night-time missions over Britain. Only the most obvious features are included on the map: towns, railway lines, major roads, woodland etc. The map's bright colours helped the pilots to pick out details at night - remember pilots would have had to read the maps in dark aeroplanes. German bombing map of Liverpool, 1941 Note the areas marked in red and yellow. These were the target areas for the mission. Dock areas such as Portsmouth and Southampton were regular targets for the German Airforce, and were heavily bombed during the course of the war. On this map, the yellow circle surrounding the area just outside Oldham, is marked with the words 'Achtung. Deutsches Gefangenenlager in Oldham-Leeds'. This alerted the bomber pilots to a prisoner of war camp which was holding German soldiers - obviously an area that was to be avoided during the mission.

BL3287876

BRITISH TROOPER FINNEY HONOURED WITH THE GEORGE CROSS POSES BEFORE A NEWS CONFERENCE IN LONDON, 2003-10-30 (photo)
 
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BRITISH TROOPER FINNEY HONOURED WITH THE GEORGE CROSS POSES BEFORE A NEWS CONFERENCE IN LONDON, 2003-10-30 (photo)

Matt Dunham

REU7942735

BRITISH TROOPER FINNEY HONOURED WITH THE GEORGE CROSS POSES BEFORE A NEWS CONFERENCE IN LONDON, 2003-10-30 (photo)

Matt Dunham

REU7942735

BRITISH TROOPER FINNEY HONOURED WITH THE GEORGE CROSS LISTENS DURING A NEWS CONFERENCE IN LONDON, 2003-10-30 (photo)
 
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BRITISH TROOPER FINNEY HONOURED WITH THE GEORGE CROSS LISTENS DURING A NEWS CONFERENCE IN LONDON, 2003-10-30 (photo)

Matt Dunham

REU7925184

BRITISH TROOPER FINNEY HONOURED WITH THE GEORGE CROSS LISTENS DURING A NEWS CONFERENCE IN LONDON, 2003-10-30 (photo)

Matt Dunham

REU7925184

Rainbow - Rainbow - Rainbow - Arc - en - ciel observed in Brittany on 2 May 2005. 23 minutes before the sun sets, a contrasting rainbow appears in the east. It is very high (the lower the Sun, the higher the bow). Note at the level of the “feet” of the rainbow the difference in luminosite between the interior of the rainbow (under the main arch) and the band between the main arch and the secondary arch (lower and higher). This dark band is called Alexander's Band. It should also be noted that blue is almost absent from the rainbow, because the Sun is setting, therefore orange, betrays a blue light faults that can be seen at the level of the rainbow. May 2, 2005. 23 minutes before the sunset, a contrasted rainbow appear toward the East. It's a tall rainbow, because the Sun is low. Notice the difference of luminosity at the “” feet”” of the rainbow between the inside of the rainbow (under the main arc) and the band located between the main and secondary arcs (fainter and higher). This darker band is called the Alexander's dark band. Notice too that the blue tints are missing in the rainbow, because the sun is setting, so is orange, which means that its blue tints are absent
 
Rainbow - Rainbow - Rainbow - Arc - en - ciel observed in Brittany on 2 May 2005. 23 minutes before the sun sets, a contrasting rainbow appears in the east. It is very high (the lower the Sun, the higher the bow). Note at the level of the “feet” of the rainbow the difference in luminosite between the interior of the rainbow (under the main arch) and the band between the main arch and the secondary arch (lower and higher). This dark band is called Alexander's Band. It should also be noted that blue is almost absent from the rainbow, because the Sun is setting, therefore orange, betrays a blue light faults that can be seen at the level of the rainbow. May 2, 2005. 23 minutes before the sunset, a contrasted rainbow appear toward the East. It's a tall rainbow, because the Sun is low. Notice the difference of luminosity at the “” feet”” of the rainbow between the inside of the rainbow (under the main arc) and the band located between the main and secondary arcs (fainter and higher). This da

Laurent Laveder

PIX4671117

Rainbow - Rainbow - Rainbow - Arc - en - ciel observed in Brittany on 2 May 2005. 23 minutes before the sun sets, a contrasting rainbow appears in the east. It is very high (the lower the Sun, the higher the bow). Note at the level of the “feet” of the rainbow the difference in luminosite between the interior of the rainbow (under the main arch) and the band between the main arch and the secondary arch (lower and higher). This dark band is called Alexander's Band. It should also be noted that blue is almost absent from the rainbow, because the Sun is setting, therefore orange, betrays a blue light faults that can be seen at the level of the rainbow. May 2, 2005. 23 minutes before the sunset, a contrasted rainbow appear toward the East. It's a tall rainbow, because the Sun is low. Notice the difference of luminosity at the “” feet”” of the rainbow between the inside of the rainbow (under the main arc) and the band located between the main and secondary arcs (fainter and higher). This da

Laurent Laveder

PIX4671117

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
 
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554694

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554694

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
 
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554705

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554705

The Potteries Staffordshire Industrial Landscape
 
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The Potteries Staffordshire Industrial Landscape

EPL6790173

The Potteries Staffordshire Industrial Landscape

EPL6790173

French Cyclist Louison Bobet, Winner of Tour De France, in his Bath After Cycling Race 1953 (b/w photo)
 
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French Cyclist Louison Bobet, Winner of Tour De France, in his Bath After Cycling Race 1953 (b/w photo)

XRA1647852

French Cyclist Louison Bobet, Winner of Tour De France, in his Bath After Cycling Race 1953 (b/w photo)

XRA1647852

American soldiers invited in a French familly : meal taken around the table during first world war
 
American soldiers invited in a French familly : meal taken around the table during first world war

XRH1719572

American soldiers invited in a French familly : meal taken around the table during first world war

XRH1719572

French Cyclist Louison Bobet, Winner of Tour De France, in his Bath After Cycling Race 1953 (b/w photo)
 
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French Cyclist Louison Bobet, Winner of Tour De France, in his Bath After Cycling Race 1953 (b/w photo)

XRA1667509

French Cyclist Louison Bobet, Winner of Tour De France, in his Bath After Cycling Race 1953 (b/w photo)

XRA1667509

Doctors of Ancient Egypt
 
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Doctors of Ancient Egypt

English School, (20th century)

LAL304767

Doctors of Ancient Egypt

English School, (20th century)

LAL304767

Delicacy Eggs For Easter April 9, 1949 (b/w photo)
 
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Delicacy Eggs For Easter April 9, 1949 (b/w photo)

XRA1656551

Delicacy Eggs For Easter April 9, 1949 (b/w photo)

XRA1656551

Ruins of The City After The Earthquake in Agadir March 1960 (b/w photo)
 
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Ruins of The City After The Earthquake in Agadir March 1960 (b/w photo)

XRA1651070

Ruins of The City After The Earthquake in Agadir March 1960 (b/w photo)

XRA1651070

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
 
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554692

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554692

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
 
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554698

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554698

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
 
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554689

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554689

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
 
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554701

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554701

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
 
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554700

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554700

The Sea of Time and Place (The Arlington Court Picture) (pen, ink & w/c on paper)
 
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The Sea of Time and Place (The Arlington Court Picture) (pen, ink & w/c on paper)

Blake, William (1757-1827)

USB132568

The Sea of Time and Place (The Arlington Court Picture) (pen, ink & w/c on paper)

Blake, William (1757-1827)

USB132568

Balmain Fashion, August 1949 : Perals Necklace Between Earrings (b/w photo)
 
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Balmain Fashion, August 1949 : Perals Necklace Between Earrings (b/w photo)

XRA1669495

Balmain Fashion, August 1949 : Perals Necklace Between Earrings (b/w photo)

XRA1669495

building of the subway on saint Michel square in 1905 (photo)
 
building of the subway on saint Michel square in 1905 (photo)

TAD1749865

building of the subway on saint Michel square in 1905 (photo)

TAD1749865

St. Martin Sharing his Cloak (woodcut)
 
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St. Martin Sharing his Cloak (woodcut)

Grien, Hans Baldung (1484/5-1545)

KSL280751

St. Martin Sharing his Cloak (woodcut)

Grien, Hans Baldung (1484/5-1545)

KSL280751

Archery, 1957 (photo)
 
Archery, 1957 (photo)

Kristoffersson

SJB9021536

Archery, 1957 (photo)

Kristoffersson

SJB9021536

WW1 - Brigade of Guards - Depot Cooks - July, 1916
 
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WW1 - Brigade of Guards - Depot Cooks - July, 1916

EPL7053515

WW1 - Brigade of Guards - Depot Cooks - July, 1916

EPL7053515

Jacques Chazot and Francoise Sagan at Premiere of Play Les Paravents in Paris April 22, 1966 (In The Background Is Bob Westhoff) (b/w photo)
 
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Jacques Chazot and Francoise Sagan at Premiere of Play Les Paravents in Paris April 22, 1966 (In The Background Is Bob Westhoff) (b/w photo)

XRA1654618

Jacques Chazot and Francoise Sagan at Premiere of Play Les Paravents in Paris April 22, 1966 (In The Background Is Bob Westhoff) (b/w photo)

XRA1654618

A group of Pekinese women in the court of a wealthy Chinese house, Peking, China c1902
 
A group of Pekinese women in the court of a wealthy Chinese house, Peking, China c1902

UIG2599028

A group of Pekinese women in the court of a wealthy Chinese house, Peking, China c1902

UIG2599028

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