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La Ferita installation, Palazzo Strozzi, Florence, Italy (photo)
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La Ferita installation, Palazzo Strozzi, Florence, Italy (photo)
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La Ferita installation, Palazzo Strozzi, Florence, Italy (photo)
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Etruscan art: Chimera of Arezzo injured by Bellerophon (Chimera ferita by Bellerofonte). Bronze sculpture, 400-350 BC. Archaeological Museum of Florence
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Etruscan art: Chimera of Arezzo injured by Bellerophon (Chimera ferita by Bellerofonte). Bronze sculpture, 400-350 BC. Archaeological Museum of Florence
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The Battle of Rimini
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Etruscan Art: Chimere d'Arezzo blessee by Bellerophon (Chimera ferita by Bellerofonte) - Bronze sculpture, 400-350 BC - Archeological Museum of Florence - Chimera of Arezzo - Etruscan bronze sculpture (H. 65 cm), 400-350 BC - Florence, Museo Archeologico
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The Battle of San Romano in 1432: The Unseating of Bernardino della Carda, 1435-55 (tempera on panel)
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Death of Cyrus II of Persia Cyrus The Great
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Etruscan Art: Chimere d'Arezzo blessee by Bellerophon (Chimera ferita by Bellerofonte) Detail - Bronze sculpture, 400-350 BC (Etruscan art, Chimera of Arezzo, slain by Bellerophon, Bronze sculpture, 400-350 BC) Archaeological Museum of Florence Italy
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Etruscan Art: Chimera of Arezzo injured by Bellerophon (Chimera ferita by Bellerofonte) - Bronze sculpture, 400-350 BC - Archaeological Museum of Florence — Chimaera of Arezzo or the Chimaera wounded by Bellerophon (detail of the head) - Bronze sculpture, Etruscan art, 380-360 BC - Museo Archeologico, Florence, Italy
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Ancient Rome: Eruption of Vesuvius, 79 AD, 1866 (engraving)
Persian war carriage during a battle, Ancient Orient, 1866 (coloured engraving)
Guardia de Asalto (Assault Guard) injured during street clash being carried from the field by his comrades, 1936, Barcelona, Spain, Spanish Civil War, 20th century
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Venus injured by rose bush, engraving by Luca Penni (1500-1504 - 1577) from L'Art pour Tous, Encyclopedie de l'Art Industriel et Decoratif, by Emile Reiber, No 51, Paris, 1862
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Aeneas injured, from Pompeii (fresco)
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Psalms of the Passion. The dead Christ, with blood streaming from his wounds, kneels by an open tomb, with instruments of the Passion behind him. Borders with trompe l'oeil decoration of flowers. At foot, inscription in the hand of King Henry VIII: inscription in French 'Si silon mon affection la sufvenance sera en voz prieres ne seray gers oblie car vostre suis Henry R. a jammays' ('If you remember my love in your prayers as strongly as I adore you, I shall hardly be forgotten, for I am yours. Henry R. forever')
The Resurrection of Christ, from the right wing of the Isenheim Altarpiece, c.1512-16 (oil on panel) (detail of 17677)
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Tancred Baptizing Clorinda, c.1586-1600 (oil on canvas)
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Doubting Thomas
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The Incredulity of St. Thomas, 1466-83 (bronze)
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The Doubting Thomas (bronze)
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Pieta (oil on panel)
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Dying Gaul, copy of a Greek original of c.230-220 BC by Epigonos (marble) (b/w photo)
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Wound, 2004 (w/c on handmade Indian paper)
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Roman Soldiers Treating the Wounded, a cast taken from Trajan's Column, AD 113 (marble) (b/w photo)
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The Crucifixion from the Isenheim Altarpiece, detail of Christ's body, c.1512-16 (oil on panel) (detail)
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Caring for the Sick, 1440-41 (fresco)
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Portia and Brutus, c.1486–90 (tempera & gold on panel)
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Dying Gaul, copy of a Greek original of c.230-220 BC by Epigonos (marble) (b/w photo) (back view)
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The Wounded Chimera of Bellerophon (bronze) (for detail see 104199)
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Saint Rocco
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The Dead Christ, c.1500 (oil on panel)
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Saint Sebastian, 1939 (terracotta)
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The Incredulity of St Thomas (photo)
The Dying Gaul, Roman copy of a Greek original in bronze (marble)
The Annunciation, detail of the Angel Gabriel and St. Peter the Martyr, 1442 (fresco) (see 72388)
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