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'Hour Hand' Bilder und Clips Suchergebnisse page 1 of 3

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The Hour of Victory is Advancing', 1st World War poster (lithograph)
Portrait of a businessman in front of a clock smiling
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Oval brass clock with silver face and lid, rocker arm mechanism, alarm and stackfreed spring adjustment, First half 17th century
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Low angle view of a clock on a wall, Brussels, Belgium
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Close-up of a watch
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Pedestal clock with single hour hand, German, probably late 18th century
Close-up of a pocket watch
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Close-up of a pocket watch, Switzerland
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Close-up of a pocket watch, London
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Close-up of a pocket watch
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Mid adult man and a mid adult woman working in a clock factory
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Louis XV style Cartel clock, France, 18th century
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Close-up of a wall clock hanging on a wall
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Close-up of a table clock, France
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Clock in the Berlin Railway Station, Germany (photo)
Oval brass clock with lid, sundial housed in lid but missing compass though you can still see its original slot, End of 16th century-beginning 17th century
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Dial of small gilt bronze drum clock, signed B Bouchas in Valence and dated 1558, France, 16th century
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Cylindrical brass clock with silver dial decorated with polychrome enamels, watch has alarm, rocker arm mechanism and pig bristle regulation, spring was added at later date, Mid 16th century
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Dial of small gilt bronze drum clock, signed B Bouchas in Valence and dated 1558, France, 16th century
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Idol Hour, 2013 (Oil on canvas)
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Self-winding clock with on hour and quarter hourly chimes, 1795-1800, gold, signed Meuron et Compagnie, Paris, France, 18th century
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The image shows a painting representing an alpinist, collocated on the top of a mountain and flanked by the allegory of the death. Death is represented by a skeleton with a clepsydra, on the right hand, and an axe, on the left one.
Close-up of a pocket watch, Paris, France
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Breviary shaped brass clock, dial with day time hours in Roman numerals night time ones in Arabic numerals, raised dimples around dial to facilitate reading time in dark, First half 16th century
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Sad Hour (Ora triste), by Giuseppe De Nittis, 1882-1883, 19th Century, oil on canvas, 100 x 61 cm
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1960s: Clock.
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Dinner hour on the rifle range, Kowloon,, 1901 (Gelatine dry plate)
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Hand in hand, the multiple world champion and Olympic champion in figure skating, Katarina Witt (l.) glides hand in hand , with Kristi Yamaguchi (right) during the ice skating gala “Worldstars on Ice” on April 5, 1997 in Oberhausen. When she shot her last pirouette one hour before midnight, she shone relaxed, and 8500 ice skating fans lay at her feet. With a colourful finale of all 14 ice skating stars, the Germany premiere of the two-hour US showin of the almost crowded Oberhausen Arena came to an atmospheric conclusion. (photo)
INDONESIAN PRESIDENT WAHID WALKS HAND IN HAND WITH PRESIDENT CARDOSO, 2000-09-29 (photo)
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Volvelle to show how to find the time, in hours and minutes, in which the Moon reaches one of its aspects. The disc is fixed and is read by a wire in the centre, 1504 (hand-coloured engraving)
Pendulum clock face, 'Robert, horloger du Roi de Prusse' signature on back, golden carved wood lacquered, 1750, interior decoration of reception hall, apartment of the Duke of Chablais (or East apartment), Hunting residence
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The Noble. The Noble, the high sword, tries in vain to free himself from the embrace of death. The hourglass is on his coffin. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
Allegorical Scene: In Temerarios (Scena allegorica: in temerarios), by Jacopo Negretti known as Palma il Giovane, 1590-1595, 16th Century, oil on canvas, 134 x 185 cm
Labor movement's newspaper (Maizeitung), 1900 (b/w photo)
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The queen. The Queen has just come out of her palace, when death appears unexpectedly and the drains of force to keep her away. His jester, whose death put on the same clothes to appear ridiculous, tries in vain to protect his mistress. A female agent screams violently. Death holds hourglass to indicate the arrival of the fateful hour. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The judge. The judge has to decide a dispute between a rich man and a poor man. From the first, he's about to receive a bribe. Death behind him tears off his bureaucrat dress. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
Church Bell Tower, Venterol, France (photo)
Melenconia I, 1514 (Burin engraving)
South African President P.W. Botha raises the hand of Esau Mahlatsi, mayor of the Vaal Triangle black townships at the end of a 3-hour visit to Sharpeville and Sebokeng; centres of black unrest, 1987-06-04 (photo)
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The canon. Death holds his hourglass before him when he enters the cathedral. They are followed by a nobleman with a falcon on his fist, his jester or crazy, and a little boy. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
U.S. special envoy to the Philippines Philip Habib shakes hand with Cardinal Jaime Sin, the influential archbishop of Manila, before they plunged into a one-hour meeting Monday at Sin's place in a suburban town, 1986-02-17 (photo)
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U.S. special envoy to the Philippines Philip Habib shakes hand with Cardinal Jaime Sin, the influential archbishop of Manila, before they plunged into a one-hour meeting Monday at Sin's place in a suburban town, 1986-02-17 (photo)
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Street Clock, London (photo)
French actor Gerard Depardieu (R) walks hand-in-hand with actress Carole Bouquet (L) as they arrive .., 2001-05-11 (photo)
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The Child. A cottage owner's wife prepares a family meal when death arrives and takes away the youngest of her children. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The lawyer. The wealthy client puts a tax in the hands of the dishonest lawyer. Death also contributes, but reminds him that the hourglass has passed away, but the lawyer seems to care little about this warning. Behind the rich waits for a poor man, joining his hands, and ploring that poverty no longer allows him to face his rich adversary. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
Leonard Rieser chairman of the board of the bulletin of the atomic scientists the publication that created and maintains the doomsday clock announces that the minute hand of the clock has been moved to 17 minutes before midnight, the hour that represents n, 1991-11-26 (photo)
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Watches, Wrist, Analogue Detail from a portrait of a man holding a watch, c 1558
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JORDANIAN VIEWS SOLAR ECLIPSE ON HIS HAND, 1999-08-11 (photo)
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The nun. This is a mixture of galantry and religion. The nun admitted her lover to her apartment. She is on her knees before an altar, and hesitates between persisting in her devotions or listening to the love music of the young man, who, sitting on a bed, plays the lute. Death turns out the candles on the altar, by which the intimate designer probably the punishment of unlawful love. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
HAND TRANSPLANT PATIENT MATTHEW SCOTT, 1999-01-28 (photo)
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London Street Clock (photo)