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{"event":"custom_event","event_name":"view_search_result","event_category":"browse_catalog","keyword":"instrumente der leidenschaft","search_type":"standard","search_bridgeman_artists":"false","search_mode":"automatic","search_zero_result":"false","search_results":87,"search_results_page_number":1}

'Instrumente Der Leidenschaft' Bilder und Clips Suchergebnisse page 1 of 1

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Bilder zu 'Instrumente Der Leidenschaft' gefunden, 87

Instruments of the Passion
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The Lamentation of Christ (oil on panel)
The Man of Sorrows, c.1354 (tempera and gold leaf on panel)
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Ms 1560 The Mystery of the Holy Mass, from 'Fleur des Histoires' (vellum)
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Instruments of the Passion of Christ, Ecce Homo, c.1496 (oil on panel)
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Woman kneeling with passion instruments drawing Michel Ange
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Detail of Crucifix, 1500-50 (sculpted, carved, painted, & gilt wood)
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Holy Lance (oil on canvas)
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The Man of Sorrows in the Arms of the Virgin, 1475 (oil on panel)
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Christ Tied to the Column, 1490-99 (oil on board)
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Ms 558 f.45v The Crucifixion depicted in an historiated initial 'N', detail from a Missal, early 1430s (vellum)
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The Dead Christ (oil on canvas)
Archangel Raphael with Tobias, St. Lawrence and the donor Leonardo di Lorenzo Morelli, 1512 (oil on panel)
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A roof angel at St. Peter, Upwell, Norfolk, bearing the scourges of Christ's Passion, c.1410-25? (photo)
A hammer beam angel in the roof at St. Mary's, West Walton, Norfolk, 15th century (photo)
The Man of Sorrows in the Arms of the Virgin, 1475 (oil on panel)
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Hammer beam roof angel at St. Mary's, North Creake, Norfolk, bears the spear of the Crucifixion - one of the Instruments of the Passion, Early 15th century? (photo)
Alternating tie beams and hammer beam angels in the roof at St. Mary's, West Walton, Norfolk, 15th century (photo)
A hammer beam angel at St. Mary's, West Walton, Norfolk bears a shield depicting the Judas Kiss, 15th century (photo)
Hammer beam roof angel at St. Mary's, North Creake, Norfolk, bears the Crown of Thorns of the Crucifixion - one of the Instruments of the Passion, Early 15th century? (photo)
Couple dancing tango
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Roof angel bearing the Crown of Thorns of Christ's Passion, 1495 (photo)
Couple dancing tango
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Roof angel on hammerbeam bears the scourges of Christ's Passion. St. Nicholas, Kings Lynn, Norfolk, c.1400-10 (photo)
Couple dancing tango
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Couple dancing tango
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Angels carrying instruments of passion by Pietro da Cortona (1596-1669), fresco, New Church or Church of Santa Maria in Valicella, ceiling of sacristy, Rome, 1633
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Ecce Homo, 1550-75 (oil on panel)
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The Deposition, 1555 (fresco)
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Ecce Homo, 1493-1505 (tempera on canvas)
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Roof angel bears the hammer and nails of Christ's Crucifixion (Instruments of the Passion); St Nicholas, Kings Lynn, Norfolk, Early 15th century (photo)
Close up of a hammer beam angel in the angel roof at Wymondham Abbey, Norfolk, c.1445 (photo)
Santa Maria Novella: Decoration of the Pope's Chapel, 1515 (fresco)
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Some trumpeters playing at a concert
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Santa Maria Novella: Decoration of the Pope's Chapel, 1515 (fresco)
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The Seilern Triptych - The Entombment, c.1425 (paint, gold leaf on panel)
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Christ teaching
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Altarpiece of Saint Michel. The archangel Saint Michael threatens the demon of his sword on which Christ crucifies appears. He holds with the other hand a balance weighing souls. It is surrounded by Saint John the Baptist and Saint Peter. Above them, angels hold instruments of the Passion: ladder, nails, crown of thorns, column of flogging... Copyright: Hoc opus fecit Antonius Manchelus, a Monaco anno a Nativitate dui 1565 die prima augusti. Painting by Andre Manchello (Antoine Manchello or Manchelo), 1569. St. Michael's Church, Menton.
Cross of missions (mission belief) in 1852 in Villegly (Aude, Occitanie) - this cross bearing the accessories that accompanied the torment of Jesus crucifie (instruments of the Passion), officially designated as the Arms of Christ (Arma Christi: hammer, nails, pincers, crown of thorns, ladder, spear, cup of bitter drink - field- sponge, linen with printed face...) is surmounted by a copper rooster. The Christians see it as a symbol of resurrection or the evocation of the “rooster of St. Peter”, others incline for an addition dating back to 1905 and intended to “republicize” the religious monument by overcoming it with a national and republican symbol during the separation of Church and State in Fance. Photo by Patrice Cartier -
Portable altar (tempera on panel with gold)
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