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{"event":"custom_event","event_name":"view_search_result","event_category":"browse_catalog","keyword":"kurze \u00e4rmel","search_type":"standard","search_bridgeman_artists":"false","search_mode":"automatic","search_zero_result":"false","search_results":113,"search_results_page_number":1}

'Kurze ärmel' Bilder und Clips Suchergebnisse page 1 of 2

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Bilder zu 'Kurze ärmel' gefunden, 113

Aaron Copland (1900-90), At Tanglewood Music Festival, 1942.
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A model wears a pair of slacks designed by Claire Potter, c.1947. Photo:
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1970s: man in collar short sleeve shirt leans against counter and talks to guy in suit jacket at desk in office near clock, bulletin board and door
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Robe à la polonaise, c.1785, altered at a later date (cotton plain weave, block-printed)
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Cocktail dress of purple velvet and fuchsia pink satin, Christian Lacroix, 1980s (photo)
Woman in semi-Peasant style hat with solid veil, 1800 (handcoloured copperplate engraving)
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Tunic dress, Coco Chanel, c.1960 (photo)
Women wearing embroidered dresses with puffed sleeves, shoes with bow, short pants, Magasins du Louvre design, engraving from La Mode Illustree, No 43, October 24, 1897
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Evening dress in two parts, c.1893 (silk plain weave patterned with weft floats, trimmed with silk plain weave satin ribbons, jet beads, & machine net)
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Fashionable woman or Merveilleuse in ancient Greek hairstyle, 18 (handcoloured copperplate engraving)
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Woman's dress in five parts, c.1870 (silk plain weave & lace) (see also 712098 and 712100)
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Woman wearing a Drap walking dress, short jacket with puffed sleeves and a hat with feathers, creation by Martial and Armand, colored engraving from La Mode Illustree, No 41, October 14, 1906
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Printed silk crepe dress, Ossie Clark, print by Celia Birtwell, 1974 (photo)
"Morning Dresses." Figure 16 is in "Plain night gown of chintz with long sleeves, the train bound with yellow riband." Figure 17 is in "Round gown of lawn, with a narrow border embroidered in lilac. Long sleeves; a plaiting of lace around the neck." Figure 18 is in "Round gown of muslin, flounced at the bottom. Short sleeves."
Figure 350: The hair dressed in ringlets, ...; bandeau of black velvet; white and crimson-coloured crape; short crimson-coloured sarcenet, trimmed with black lace; short sleeves; pearl necklace and ear-rings; white gloves and shoes.
Woman in the fashions of 1798 with short hair under a garland (handcoloured copperplate engraving)
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Tartan dress, 1835-37 (silk velvet, silk & lace)
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Woman wearing a blue Serge dress, short-sleeved bolero, lace blouse and a hat with feather, creation by Bechoff-David, colored engraving from La Mode Illustree, No 27, July 8, 1906
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Woman wearing afternoon dress in plain Voile and polka-dot scarf, straight skirt with pleats, V-shaped corset, short sleeves, hat and umbrella, colored engraving from La Mode Illustree, No 27, July 7, 1918
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Scarlet organza evening gown, Valentino Garavani, c.1990 (photo)
Day dress of black silk devore velvet, Eisa, c.1950 (photo)
Day dress of charcoal grey facetted wool, Hattie Carnegie, c.1949-50 (photo)
Woman Wearing Pedal Pushers, 1958 (b/w photo)
Woman in victim-style criss-cross ribbon dress, 1798 (handcoloured copperplate engraving)
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Tartan dress, 1835-37 (silk velvet, silk & lace)
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Woman in tunic dress of the fashion of 1798 (handcoloured copperplate engraving)
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Woman with Victim haircut at Tivoli Gardens, 1798 (handcoloured copperplate engraving)
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The fool or jester, le Fou, 15th century. In hat with bells, short jacket with long sleeves, two-colour hose, holding a marotte. Chromolithograph by Louis Rene Letronne after an illustration by Th. Fragonard et Dufey from Le Keepsake Francais with 12 plates from A. Mazuy’s Types et Caracteres Anciens, d’apres des Documents Peints ou Ecrits, chez Delloye, Paris, 1841.
Afternoon dress. 'The hair in large loose curls. Cap of blue satin. trimmed with a row of pearls and embroidered in gold. Robe of blue satin, full epaulettes embroidered in gold, short full sleeves of cambrick: gold cord round the waist and tassel in front. Pearl necklace and ear-rings. White gloves and shoes. White muff'.
Disputation with Simon Magus and Crucifixion of Peter, 1482-1500 (fresco)
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Young Jewish woman of Algiers, Algeria
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Ball and evening dresses'. 
Figure 253: 'Front hair cropped ...; double bandeau of sliver band, ornamented with artificial flowers; white ostrich feather, fixed with a diamind pin. White crape petticoat, spotted with silver. Body and train of green satin; short sleeves of satin-strped muslin. Gold bracelets. Four rows of pearls round the neck. Pearl ear-rings. White gloves and shoes.
Figure 254: Hair cropped. Turban cap of white crape, trimmed with broad white lace, and a silver band on the left side. White muslin petticoat. Robe of white muslin, the train trimmed with a broad lace; short sleeves; epaulettes a la polonoise, trimmed with lace, and tied with a string of pearls. Diamond hoop ear-rings. White gloves and shoes.
Figure 255: Hair cropped, ornamented with pearls, behind with a muslin handkerchief, formed into a bow. Jacket and petticoat of white muslin; short sleeves trimmed with lace; high ruff round the neck. Gold hoop ear-rings. White gloves and shoes.
Figure: 256: Front hair in curls. Garland of flowers across the crown. Jacket and petticoat of yellow muslin; Vandyke scollops of silver tissue round the waist of the jacket, and round the neck, fixed with small silver tassels. Diamond earings. White gloves and shoes.
Fashionable woman or Merveilleuse at an escritoire, 1801 (handcoloured copperplate engraving)
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Pierre de Giac, Chamberlain to King Charles VII from 1377-1426. Executed by drowning at Dun-Le-Roi. He wears a short cassock with mahoitres sleeves, pink pantalons and boots with spurs. Handcoloured lithograph after a miniature in a manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 91 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Disputation with Simon Magus and Crucifixion of Peter, 1482-1513 (fresco)
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Opera dresses'. Three ladies in a box at a theatre. Mermaids and mermen.
Figure 101: Dress á l' Espagnole. The front hair combed straight on the forehead; the side hair in ringlets, and the hind hair in three loops, the ends returned in ringlets. Fancy-hat of white and lilac-coloured taffeta. White muslin gown; short sleeves, puffs, and Vandyke scollops of lilac silk. Small handkerchief trimmed with broad blonde. Pearl necklace. Diamond ear-rings. 
Figure 102: The front hair combed straight on the forehead; the side hair in ringlets: the hind hair turned up plain, and the ends returned in ringlets. Turban of silver net, looped at the right side with a silver band. One light-blue, two white brush feathers, and a large diamond pin, with a diamond aigrette, on the left side. Robe of yellow stained muslin; short sleeves. White satin girdle with small roses, and shoulder clasps. Small handkerchief trimmed with blonde. 
Figure 103: The toupee dressed large, and in small curls; plain chignon, falling very low on the back; two wreaths of green foil round the toupee; and a bouquet of white roses on the left side. Robe of silver tissue, embroidered in the shell pattern; short sleeves trimmed with lace; full épaulettes of Italian gauze. Tucker of broad lace. Wreath of green foil round the neck, fastened in the front and upon the shoulders with diamond rosettes. Sash of white satin riband, tied on the right side into a bow. Festoon pearl necklace, with a medallion. Large pearl ear- rings.
Figure 170: Royal dress. As worn at the late procession to St. Paul's.Chiffenet of gold net, ornamented with gold chain, cords and tassels; five ostrich feathers placed at the top of the head, and a diamond anchor in the front. Petticoat of rich point lace, bordered with white satin and scarlet velvet, and trimmed with a deep gold fringe. Robe of purple satin, short close sleeves, trimmed with narrow point ruffles; the whole bordered with scarlet velvet and a rich gold fringe. Tucker of point lace. Belt of solid gold. Diamond ear-rings and necklace, with a medallion. White gloves and shoes, embroidered in gold.
A Peep at Christies or Tally Ho, and  His Nimeney-Pimmeney Taking the Morning Lounge, Gillray, James, 1756-1815, Engraving 1796, Miss Farren and Lord Derby Walk Together Inspecting Pictures. She, Very Thin and Tall, Looks Over His Head Through a Glass at a Picture in the Second Row of Zenocrates Andphryne. He Looks at the Picture Immediately below, the Death, a Huntsman Holding Up a Fox to the Hounds. Lord Derby, Much Caricatured, Very Short and Obese, Wears Riding-Dress with Spurred Boots and Holds a Whip. Miss Farren Wears No Hat, a Dress Hanging from the Shoulders and Trailing Her, Short Sleeves and Gloves. Both Hold an Open Catalogue.
"New Dress, in the Roman Style, introduced at the Opera by a foreign Lady of distinction". The hair dressed, without power, into a variety of natural curls; two bands of gold in the hair. Body and petticoat of puce-coloured satin; the body richly embroidered and clasped together over the shoulders. Very short sleeves of fine cambric, the end embroidered in gold. Roman mantle of scarlet kerseymere richly embroidered, all round, in gold, and one end fastened on the right shoulder. large gold ear-rings and bracelets. Broad fancy festoon gold chain round the neck. White satin sandals lace with a gold cord.
Day Dress, Fall 1919 (pencil & watercolour on paper)
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NANNY & CHARGES C.1880
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Evening Dress, 1919 (pencil & watercolour on paper)
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Evening Dress - Photo 1890
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Day Dress, Lanvin, Spring 1919 (pencil & watercolour on paper)
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Dressing Gowns 1841
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Dress, Jenny, Spring 1919 (pencil & watercolour on paper)
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Dress, Fall 1919 (pencil & watercolour on paper)
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COSTUME/GIRL/PHOTO C1860
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Evening dress, Callot, 'Bacchate', 1913 (pencil & watercolour on paper)
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Men, women, and children enjoying the surf at Atlantic City, New Jersey, c. 1890-1900. Most women wear a middy style swimming dress with fill long sleeves and stockings. The men wear short sleeves t-shirts with long shorts
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Day dress, Spring 1920 (pencil & watercolour on paper)
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Frances Woodley, Mrs Henry Bankes the younger (1760-1823) (oil on canvas)
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GIRL ON CHAIR C.1870
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Myra's Models 1875
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Day Dress, 'Etta', Fall 1919 (pencil & watercolour on paper)
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Evening dress, 1914 (pencil & watercolour on paper)
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Englishman of 1415
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Dress, Spring 1920 (pencil & watercolour on paper)
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Autumn or Figure of a Young Woman or Portrait of Isa in Black Dress (Autunno o Figura di giovane donna o Ritratto di Isa in abito nero), by Giorgio de Chirico, 1935, 20th Century, oil on cardboard on canvas, 72,8 x 59,8 cm
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Day Dress, Callot Soeurs, Spring 1920 (pencil & watercolour on paper)
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Day dress, Spring 1916 (pencil & watercolour on paper)
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COSTUME/LACOURRIERE 1890S
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Huntsman Costume 1820s
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English Costume 15th century
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Man - Boys Fashions 1844
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Riding Habits 1834
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Costume - June 1814
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