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'Lavato A Terra' Bilder und Clips Suchergebnisse page 1 of 1

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Bilder zu 'Lavato A Terra' gefunden, 40

Destroyed Battleship, 1942 (b/w photo)
 
Destroyed Battleship, 1942 (b/w photo)

UIG3527951

Destroyed Battleship, 1942 (b/w photo)

UIG3527951

Destroyed Battleship, 1942 (b/w photo)
 
Destroyed Battleship, 1942 (b/w photo)

UIG3527963

Destroyed Battleship, 1942 (b/w photo)

UIG3527963

Destroyed Battleship, 1942 (b/w photo)
 
Destroyed Battleship, 1942 (b/w photo)

UIG3527950

Destroyed Battleship, 1942 (b/w photo)

UIG3527950

The Saturn, 2003 (oil on board)
 
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The Saturn, 2003 (oil on board)

Henriques, Ben

UES236406

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The Saturn, 2003 (oil on board)

Henriques, Ben

UES236406

Beach near Bastia in Corsica (b/w photo)
 
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Beach near Bastia in Corsica (b/w photo)

Kurt Schraudenbach

SZT716898

Beach near Bastia in Corsica (b/w photo)

Kurt Schraudenbach

SZT716898

Beach near Bastia in Corsica (b/w photo)
 
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Beach near Bastia in Corsica (b/w photo)

Kurt Schraudenbach

SZT716896

Beach near Bastia in Corsica (b/w photo)

Kurt Schraudenbach

SZT716896

Beach near Bastia in Corsica (b/w photo)
 
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Beach near Bastia in Corsica (b/w photo)

Kurt Schraudenbach

SZT716899

Beach near Bastia in Corsica (b/w photo)

Kurt Schraudenbach

SZT716899

Washed ashore Russian sea mine during the First World War, 1915 (photo)
 
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Washed ashore Russian sea mine during the First World War, 1915 (photo)

SZT3023161

Washed ashore Russian sea mine during the First World War, 1915 (photo)

SZT3023161

Carrots on Venetian Plaster, 2008 (oil and tempera on venetian plaster)
 
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Carrots on Venetian Plaster, 2008 (oil and tempera on venetian plaster)

Patrick, Emily (b.1959)

EMI742271

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Carrots on Venetian Plaster, 2008 (oil and tempera on venetian plaster)

Patrick, Emily (b.1959)

EMI742271

SIDEWALK OUTSIDE OF OLYMPIC STADIUM WASHED, 2000-09-05 (photo)
 
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SIDEWALK OUTSIDE OF OLYMPIC STADIUM WASHED, 2000-09-05 (photo)

Gary Hershorn

REU8014159

SIDEWALK OUTSIDE OF OLYMPIC STADIUM WASHED, 2000-09-05 (photo)

Gary Hershorn

REU8014159

The launch of an English ship, probably the 'James Galley', c.1676 (graphite & wash, grey)
 
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The launch of an English ship, probably the 'James Galley', c.1676 (graphite & wash, grey)

Velde, Willem van de, the Younger (1633-1707)

MMM7342596

The launch of an English ship, probably the 'James Galley', c.1676 (graphite & wash, grey)

Velde, Willem van de, the Younger (1633-1707)

MMM7342596

KENTUCKY DERBY MAYAKOVSKY WASHED DOWN AFTER WORKING OUT ON TRACK AT CHURCHILL DOWNS, 2002-04-30 (photo)
 
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KENTUCKY DERBY MAYAKOVSKY WASHED DOWN AFTER WORKING OUT ON TRACK AT CHURCHILL DOWNS, 2002-04-30 (photo)

John Sommers II

REU8003000

KENTUCKY DERBY MAYAKOVSKY WASHED DOWN AFTER WORKING OUT ON TRACK AT CHURCHILL DOWNS, 2002-04-30 (photo)

John Sommers II

REU8003000

WAR EMBLEM WASHED AFTER FINAL WORKOUT BEFORE BELMONT STAKES, 2002-06-07 (photo)
 
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WAR EMBLEM WASHED AFTER FINAL WORKOUT BEFORE BELMONT STAKES, 2002-06-07 (photo)

Peter Morgan

REU8069735

WAR EMBLEM WASHED AFTER FINAL WORKOUT BEFORE BELMONT STAKES, 2002-06-07 (photo)

Peter Morgan

REU8069735

Kentucky Derby hopeful Mayakovsky is washed down and dried by groom Victor Guzman (L) as hotwalker I..., 2002 (photo)
 
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Kentucky Derby hopeful Mayakovsky is washed down and dried by groom Victor Guzman (L) as hotwalker I..., 2002 (photo)

John Sommers II

REU7455082

Kentucky Derby hopeful Mayakovsky is washed down and dried by groom Victor Guzman (L) as hotwalker I..., 2002 (photo)

John Sommers II

REU7455082

Kentucky Derby hopeful Private Emblem gets a face full of water as he is washed by groom Pedro Troji ..., 2002 (photo)
 
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Kentucky Derby hopeful Private Emblem gets a face full of water as he is washed by groom Pedro Troji ..., 2002 (photo)

John Sommers II

REU7455017

Kentucky Derby hopeful Private Emblem gets a face full of water as he is washed by groom Pedro Troji ..., 2002 (photo)

John Sommers II

REU7455017

KENTUCKY DERBY HOPEFUL PRIVATE EMBLEM WASHED DOWN AFTER GALLOPING ON TRACK AT CHURCHILL DOWNS, 2002-05-01 (photo)
 
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KENTUCKY DERBY HOPEFUL PRIVATE EMBLEM WASHED DOWN AFTER GALLOPING ON TRACK AT CHURCHILL DOWNS, 2002-05-01 (photo)

John Sommers II

REU7951324

KENTUCKY DERBY HOPEFUL PRIVATE EMBLEM WASHED DOWN AFTER GALLOPING ON TRACK AT CHURCHILL DOWNS, 2002-05-01 (photo)

John Sommers II

REU7951324

Dead soldiers on the beach of Pearl Harbor
 
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Dead soldiers on the beach of Pearl Harbor

BEG752384

Dead soldiers on the beach of Pearl Harbor

BEG752384

BALLOON CRASH ON BEACH
 
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BALLOON CRASH ON BEACH

EPL6910471

BALLOON CRASH ON BEACH

EPL6910471

Men's clothing anglo saxon: the shirt (50), worn directly on the skin, it also served as a nightgown. The Shroud (51), after being washed, the dead man is once again clothed in a shirt similar to his rank, then wrapped in a shroud until the ground, at that time the face is covered with a handkerchief or sudarium, usually white, but sometimes blue, red or pink. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
 
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Men's clothing anglo saxon: the shirt (50), worn directly on the skin, it also served as a nightgown. The Shroud (51), after being washed, the dead man is once again clothed in a shirt similar to his rank, then wrapped in a shroud until the ground, at that time the face is covered with a handkerchief or sudarium, usually white, but sometimes blue, red or pink. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707409

Men's clothing anglo saxon: the shirt (50), worn directly on the skin, it also served as a nightgown. The Shroud (51), after being washed, the dead man is once again clothed in a shirt similar to his rank, then wrapped in a shroud until the ground, at that time the face is covered with a handkerchief or sudarium, usually white, but sometimes blue, red or pink. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707409

United States, 1970s: man tests air flow around ventilation pipe in mine shaft
 
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United States, 1970s: man tests air flow around ventilation pipe in mine shaft

AVE6327638

United States, 1970s: man tests air flow around ventilation pipe in mine shaft

AVE6327638

DERBY HORSE DANTHEBLUEGRASSMAN GALLOPS AT CHURCHILL DOWNS, 2002-05-03 (photo)
 
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DERBY HORSE DANTHEBLUEGRASSMAN GALLOPS AT CHURCHILL DOWNS, 2002-05-03 (photo)

Tami Chappell

REU8012682

DERBY HORSE DANTHEBLUEGRASSMAN GALLOPS AT CHURCHILL DOWNS, 2002-05-03 (photo)

Tami Chappell

REU8012682

BREEDERS CUP SPRINT HOPEFUL SHADOW CASTER GIVES A BIG YAWN FOR THE CROWD, 2000-11-02 (photo)
 
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BREEDERS CUP SPRINT HOPEFUL SHADOW CASTER GIVES A BIG YAWN FOR THE CROWD, 2000-11-02 (photo)

John Sommers II

REU8005570

BREEDERS CUP SPRINT HOPEFUL SHADOW CASTER GIVES A BIG YAWN FOR THE CROWD, 2000-11-02 (photo)

John Sommers II

REU8005570

TV IMAGE SHOWS POPE INSIDE JESUS' TOMB INSIDE CHURCH OF HOLY SEPULCHRE, 2000-03-26 (photo)
 
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TV IMAGE SHOWS POPE INSIDE JESUS' TOMB INSIDE CHURCH OF HOLY SEPULCHRE, 2000-03-26 (photo)

POOL Old

REU7683599

TV IMAGE SHOWS POPE INSIDE JESUS' TOMB INSIDE CHURCH OF HOLY SEPULCHRE, 2000-03-26 (photo)

POOL Old

REU7683599

KENTUCKY DERBY FAVORITE HARLANS HOLIDAY WASHED DOWN AFTER WORKING OUT ON TRACK AT CHURCHILL DOWNS, 2002-04-29 (photo)
 
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KENTUCKY DERBY FAVORITE HARLANS HOLIDAY WASHED DOWN AFTER WORKING OUT ON TRACK AT CHURCHILL DOWNS, 2002-04-29 (photo)

John Sommers II

REU8005744

KENTUCKY DERBY FAVORITE HARLANS HOLIDAY WASHED DOWN AFTER WORKING OUT ON TRACK AT CHURCHILL DOWNS, 2002-04-29 (photo)

John Sommers II

REU8005744

KENTUCKY DERBY HOPEFUL PERFECT DRIFT WASHED DOWN AFTER GALLOPING ON TRACK AT TRACKSIDE, 2002-05-02 (photo)
 
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KENTUCKY DERBY HOPEFUL PERFECT DRIFT WASHED DOWN AFTER GALLOPING ON TRACK AT TRACKSIDE, 2002-05-02 (photo)

John Sommers II

REU7952477

KENTUCKY DERBY HOPEFUL PERFECT DRIFT WASHED DOWN AFTER GALLOPING ON TRACK AT TRACKSIDE, 2002-05-02 (photo)

John Sommers II

REU7952477

TV IMAGE SHOWS POPE INSIDE JESUS' TOMB INSIDE CHURCH OF HOLY SEPULCHRE, 2000-03-26 (photo)
 
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TV IMAGE SHOWS POPE INSIDE JESUS' TOMB INSIDE CHURCH OF HOLY SEPULCHRE, 2000-03-26 (photo)

POOL Old

REU7557590

TV IMAGE SHOWS POPE INSIDE JESUS' TOMB INSIDE CHURCH OF HOLY SEPULCHRE, 2000-03-26 (photo)

POOL Old

REU7557590

KENTUCKY DERBY FAVORITE HARLANS HOLIDAY WASHED DOWN AFTER WORKING OUT ON TRACK AT CHURCHILL DOWNS, 2002-04-30 (photo)
 
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KENTUCKY DERBY FAVORITE HARLANS HOLIDAY WASHED DOWN AFTER WORKING OUT ON TRACK AT CHURCHILL DOWNS, 2002-04-30 (photo)

John Sommers II

REU8003789

KENTUCKY DERBY FAVORITE HARLANS HOLIDAY WASHED DOWN AFTER WORKING OUT ON TRACK AT CHURCHILL DOWNS, 2002-04-30 (photo)

John Sommers II

REU8003789

Stars - The Southern Cross - Alpha and Beta of Centaur - Southern Cross and pointers - Star trails - Because of the Earth's rotation, leaving the camera open, the stars advance towards the background of the sky. During the installation, gradually changing the focal length of the lens, the stars spread out and reveal their true color. Here, the constellation of the Southern Cross and the Alpha and Beta stars of the Centaurus, on the left, are photographed this way during a 40mn pose. Star images are point sources of light of widely varying intensity. Normally, no single photographic exposure on colour film can capture their subtle colours. Those stars whose intensity is just right for their colour to be recorded appear insignificant on the photograph, while anything brighter is overexposed and washed out. By changing the focus of the lens during a star trail exposure, star images are spread out over the film surface. This effectively changes the amount of light in each star image as well as making it bigger. If this is done in a series of steps, as here, sooner or later all the star images will be recorded with an exposure that will reveal the star colours. Here we see the stars of the Southern Cross and pointers (alpha and beta Cen) recorded in an exposure of about 40 minutes, during which the lens focus was moved from infinity to about 2m in six steps five minutes apart
 
Stars - The Southern Cross - Alpha and Beta of Centaur - Southern Cross and pointers - Star trails - Because of the Earth's rotation, leaving the camera open, the stars advance towards the background of the sky. During the installation, gradually changing the focal length of the lens, the stars spread out and reveal their true color. Here, the constellation of the Southern Cross and the Alpha and Beta stars of the Centaurus, on the left, are photographed this way during a 40mn pose. Star images are point sources of light of widely varying intensity. Normally, no single photographic exposure on colour film can capture their subtle colours. Those stars whose intensity is just right for their colour to be recorded appear insignificant on the photograph, while anything brighter is overexposed and washed out. By changing the focus of the lens during a star trail exposure, star images are spread out over the film surface. This effectively changes the amount of light in each star image as wel

PIX4581409

Stars - The Southern Cross - Alpha and Beta of Centaur - Southern Cross and pointers - Star trails - Because of the Earth's rotation, leaving the camera open, the stars advance towards the background of the sky. During the installation, gradually changing the focal length of the lens, the stars spread out and reveal their true color. Here, the constellation of the Southern Cross and the Alpha and Beta stars of the Centaurus, on the left, are photographed this way during a 40mn pose. Star images are point sources of light of widely varying intensity. Normally, no single photographic exposure on colour film can capture their subtle colours. Those stars whose intensity is just right for their colour to be recorded appear insignificant on the photograph, while anything brighter is overexposed and washed out. By changing the focus of the lens during a star trail exposure, star images are spread out over the film surface. This effectively changes the amount of light in each star image as wel

PIX4581409

Stars - The Southern Cross - Alpha and Beta of Centaur - Southern Cross and pointers - Star trails - Because of the Earth's rotation, leaving the camera open, the stars advance towards the background of the sky. During the installation, gradually changing the focal length of the lens, the stars spread out and reveal their true color. Here it is the constellation of the Southern Cross (center right) and the Centaurus Alpha and Beta stars, in the center below, that are photographed in this way during a 30-minute pose. Star images are point sources of light of widely varying intensity. Normally, no single photographic exposure on colour film can capture their subtle colours. Those stars whose intensity is just right for their colour to be recorded appear insignificant on the photograph, while anything brighter is overexposed and washed out. By changing the focus of the lens during a star trail exposure, star images are spread out over the film surface. This effectively changes the amount of light in each star image as well as making it bigger. If this is done in a series of steps, as here, sooner or later all the star images will be recorded with an exposure that will reveal the star colours. Here we see the stars of the Southern Cross and pointers (alpha and beta Cen) recorded in an exposure of about 30 minutes, during which the lens focus was moved from infinity to about 1m in about 15 equally spaced steps
 
Stars - The Southern Cross - Alpha and Beta of Centaur - Southern Cross and pointers - Star trails - Because of the Earth's rotation, leaving the camera open, the stars advance towards the background of the sky. During the installation, gradually changing the focal length of the lens, the stars spread out and reveal their true color. Here it is the constellation of the Southern Cross (center right) and the Centaurus Alpha and Beta stars, in the center below, that are photographed in this way during a 30-minute pose. Star images are point sources of light of widely varying intensity. Normally, no single photographic exposure on colour film can capture their subtle colours. Those stars whose intensity is just right for their colour to be recorded appear insignificant on the photograph, while anything brighter is overexposed and washed out. By changing the focus of the lens during a star trail exposure, star images are spread out over the film surface. This effectively changes the amount

PIX4581418

Stars - The Southern Cross - Alpha and Beta of Centaur - Southern Cross and pointers - Star trails - Because of the Earth's rotation, leaving the camera open, the stars advance towards the background of the sky. During the installation, gradually changing the focal length of the lens, the stars spread out and reveal their true color. Here it is the constellation of the Southern Cross (center right) and the Centaurus Alpha and Beta stars, in the center below, that are photographed in this way during a 30-minute pose. Star images are point sources of light of widely varying intensity. Normally, no single photographic exposure on colour film can capture their subtle colours. Those stars whose intensity is just right for their colour to be recorded appear insignificant on the photograph, while anything brighter is overexposed and washed out. By changing the focus of the lens during a star trail exposure, star images are spread out over the film surface. This effectively changes the amount

PIX4581418

WAR EMBLEM AFTER FINAL WORKOUT BEFORE BELMONT STAKES, 2002-06-07 (photo)
 
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WAR EMBLEM AFTER FINAL WORKOUT BEFORE BELMONT STAKES, 2002-06-07 (photo)

Peter Morgan

REU7958279

WAR EMBLEM AFTER FINAL WORKOUT BEFORE BELMONT STAKES, 2002-06-07 (photo)

Peter Morgan

REU7958279

WAR EMBLEM AFTER FINAL WORKOUT BEFORE BELMONT STAKES, 2002-06-07 (photo)
 
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WAR EMBLEM AFTER FINAL WORKOUT BEFORE BELMONT STAKES, 2002-06-07 (photo)

Mike Segar

REU7992668

WAR EMBLEM AFTER FINAL WORKOUT BEFORE BELMONT STAKES, 2002-06-07 (photo)

Mike Segar

REU7992668

Mauthausen and Auschwitz, c.1940s
 
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Mauthausen and Auschwitz, c.1940s

IMW11952801

Mauthausen and Auschwitz, c.1940s

IMW11952801

Genetic Research, Bleadon Man Bleadon Man's skull, 1999
 
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Genetic Research, Bleadon Man Bleadon Man's skull, 1999

UIS5068150

Genetic Research, Bleadon Man Bleadon Man's skull, 1999

UIS5068150

Genetic Research, Bleadon Man Skeleton of Bleadon Man, 1997
 
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Genetic Research, Bleadon Man Skeleton of Bleadon Man, 1997

UIS5068164

Genetic Research, Bleadon Man Skeleton of Bleadon Man, 1997

UIS5068164

Genetic Research, Bleadon Man Bleadon Man's skull, 1999
 
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Genetic Research, Bleadon Man Bleadon Man's skull, 1999

UIS5068170

Genetic Research, Bleadon Man Bleadon Man's skull, 1999

UIS5068170

The German High Seas Fleet caged in Scapa, c.1918 (wash, grey, heightened with white)
 
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The German High Seas Fleet caged in Scapa, c.1918 (wash, grey, heightened with white)

Wyllie, William Lionel (1851-1931)

MMM7341748

The German High Seas Fleet caged in Scapa, c.1918 (wash, grey, heightened with white)

Wyllie, William Lionel (1851-1931)

MMM7341748

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