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'Musical Composition' Bilder und Clips Suchergebnisse page 1 of 6

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Cover of the Messiah by George Frederick Handel (1685-1759) (red leather with embossed gold decoration)
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Original score of the Last Folio from the Opera 'Susanna', 1748
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'Sumer is icumen in', a vocal composition for several voices; it is probably the most celebrated piece of English medieval music. The melody is one of the earliest known examples of what is now the major mode, and the earliest example of ground-bass. Besides the English secular text 'Sumer is icumen in', the melody is provided with a Latin sacred one 'Perspice Christicola', and it is the earliest known manuscript in which both secular and sacred words are written to the same piece of music
Motet
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R.M.20.h.5 f1 Original score for the Coronation Anthem for George II and Queen Caroline, 1727 (see also 65431)
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Double Bass composition of
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Motet
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Instrument composition on score
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[Detail] A man juggling, illustrating the Third Mode, from a tonary in Aquitanian notation
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Additional MS 4900, f.63r, Composition (parchment)
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Abstract composition of a
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A composition of bridges
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Original Score for Handel's Last Oratorio, Jephtha
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Double bass composition leaning
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Anton Rubinstein composition Melody
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Double bass composition leaning
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Kronos Quartet playing a composition
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R.M.20.h.5 f18 Original Score for the Coronation Anthem for George II and Queen Caroline, 1727 (see also 34784)
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Alban Berg in his study, Hietzing, Vienna (b/w photo)
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Title page of 'Quinta impressione, con l'Aurora ingannata'
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Abstract composition of Louis
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Handwritten composition by Claude Debussy
Abstract composition of Colin
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Abstract composition of Louis
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Composition by Camille Saint-Saens
Abstract composition of Colin
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, c.1820 (print)
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Original Score for Handel's Birthday Ode for Queen Anne, 1713
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Symphony no. 3 in E flat, op. 55, 'Eroica'. Copy by John Sterland; 1807
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, page 1, c.1820 (print)
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Music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, c.1820 (print)
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First page of Handel’s manuscript score of ‘Eternal Source of Light Divine’, 1713 (pen & ink on paper)
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Composition (gouache on paper)
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K.2.d.20 plate 5 An Easy Introduction to Dancing: or, the Movements in the Minuet fully explained: Letting Hands Go
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Title page of the music score for 'Sweet the Merry Bells Ring Round' John Clare & F.W. Crouch, c.1820 (print)
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Banjo, 1943 (gouache and w/c on paper)
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RM 20 E7 f.51v One of two pages of Handel's Manuscript of the Oratorio 'Esther' "Ye Sons of Jacob Sing a Cheer..."
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The Bride's Farewell, page 1, words by Miss M.L. Beevor and music by T. Williams (litho)
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The Conductor, c.1940 (oil on composition board)
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Add MS 35021, f.8r, F major prelude, Das Wohltemperierte Clavier, book 2, by Johann Sebastian Bach, 1739-42 (pen & ink on paper)
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'L'Art de Composer de la musique
The song of Pan that Rat hears whispered by the reeds arranged in verse form
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Composition (oil on canvas)
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The title page of 'Il Virtuoso Ritrovo Academico del Dissonante'
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Lyrics and a music score
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St. George's Opera House, Langham Place, Oxford Circus. A Scene from the "Contrabadista" in a landscape, c. 1868.
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Ffrangcon Davies (composer)
Title page of 'Trois quatuors pour deux violons'
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A list of performers of 'the Gondoliers or, the King of Barataria'
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Three Sonatas for the harpsichord or pianoforte
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The Influenza Blues. Illustrated cover for a songbook.
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Six sonatas for the piano forte
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'The Celebrated Song of the All Souls Mallard'
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Work by Paganini (photo)
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A programme for a performance of 'The Gondoliers'
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Mstislav Leopoldovich Rostropovich playing Shostakovich composition on 'cello at Aldeburgh,1984
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Notice of a performance by the Savoy Theatre Company at Windsor Castle, 6th March 1891
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A music score. Below, illustrations of various birds
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Title page showing a soldier in chains in a prison cell.
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Title page of 'A Garland of Newcastle Songs' showing a man holding a walking stick
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Cover of a vocal composition printed in Madrid
R.M.20.h.8 f.56r  Autograph manuscript of anthems, welcome songs and solo songs, c.1680-90 (ink on paper)
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