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'Mutevole' Bilder und Clips Suchergebnisse page 1 of 1

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Bilder zu 'Mutevole' gefunden, 88

Changeable velvetberry, Stachytarpheta mutabilis
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1960s: Microscopic organism in front of a changing background.
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The Changing Scene, Forster Square (oil on canvas)
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A changeable rose. Family Malvaceae, 'Hibiscus mutabilis' L
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Broken Weather - Changing to Fine, 1908 (oil on canvas)
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Daoist Immortal Changing Rocks to Goats, 1787 (woodblock print)
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Subject Optical Dynamic no. 1, 1963 (wood, machined aluminum & nylon)
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The Neue Wache in Berlin (b/w photo)
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Linear Variable Transparent (Lineare variabile trasparente), 1960 (wire, magnets and sixteen segments in wood and paint)
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Variable Bright + Q 130, 1964 (quadrionda glass, perspex, neon, wood and electric motor)
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Variable Bright + Q 130, 1964 (quadrionda glass, perspex, neon, wood and electric motor)
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Variable Bright + Q 130, by Grazia Varisco, 1964 (quadrionda glass, perspex, neon, wood and electric motor)
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Profile of head of Changeable Crested Hawk Eagle, with white belly and grey-brown speckled feathers
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Theo Lingen in 'Weather for Tomorrow changeable' in 'Die Tribuene' Theater, 1932 (b/w photo)
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Changeable Hawk Eagle, "Spizaetus cirrhatus" 

 from the Raffles Collection, One hundred and twenty-nine drawings in watercolour of birds from Sumatra, 1820 (w/c on paper)
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Foundations (with wells and arches, and with stilts on shifting soil), chromolithograph from Particolari di costruzioni murali e finimenti di fabbricati, Opere Muratorie
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The Zodiacal sign of Gemini
Surface white, 1971 (acrylic on canvas)
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Six plates, 1971 (Plexiglas)
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Six plates, 1971 (Plexiglas)
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Six plates, 1971 (Plexiglas)
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Six plates, 1971 (Plexiglas)
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Transition 2, 2015, (lenticular print)
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Six plates, 1971 (Plexiglas)
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Six plates, 1971 (Plexiglas)
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Six plates, 1971 (Plexiglas)
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Transition 1, 2015, (lenticular print)
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Transition 4, 2015, (lenticular print)
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Common sollya, Sollya heterophylla, changeable apple-berry, Billardiera mutabilis, and Chinese pictusporum, Pictusporum tobira. Handfinished chromolithograph by Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants, William S. Orr, London, 1849.
The great changing march (Apatura iris), lepidoptere. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Transition 3, 2015, (lenticular print)
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Clinanthe - Clinanthus incarnatus (Changeable Coburg lily, Coburgia versicolor). Handcoloured copperplate engraving by G. Barclay after W. Herbert from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854.
Mutable Hibiscus, c1765. Plant with large pink flowers. Plate 26 from "Exotic Botany illustrated, in thirty-five figures of curious ... plants: explaining the Sexual system, and tending to give some new lights into the vegetable philosophy " by John Hill. (London, 1759).
Apr. 04, 1953 - The Changing Face of Westminster... London Becomes A Steel City... Scaffolding everywhere... Thousands of tons of it.. And still more to go up.. It is the Coronation Year” New Look” in Westminster.. By Coronation Day the scaffolding will have become stands from which thousands will cheer the Queen to and from Westminster Abbey.. This picture was taken in Victoria Street, looking towards Parliament Square. There, towering in the background is Big Ben.
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LOVE/LANGUAGE OF EYES
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Mars surface seen by the rover Curiosity 09/2015 - Martian surface seen from the rover Curiosity 09/2015: Panorama of the surface of Mars on Mount Sharp. Mosaic of images obtained by the rover Curiosity on September 9, 2015. This composite image looking toward the higher regions of Mount Sharp was taken on September 9, 2015, by Nasa's Curiosity rover. In the foreground - about 2 miles (3 kilometers) from the rover - is a long ridge teeming with hematite, an iron oxide. Just beyond is an undulating plain rich in clay minerals. And just beyond that are a multitude of rounded buttes, all high in sulfate minerals. The changing mineralogy in these layers of Mount Sharp suggests a changing environment in early Mars, though all involve exposure to water billions of years ago. Further back in the image are striking, light-toned cliffs in rock that may have formed in drier times and now is heavily eroded by winds. The colors are adjusted so that rocks look approximately as they would if they were on Earth, to help geologists interpret the rocks. This “” white balancing”” to adjust for the lighting on Mars overly compensates for the absence of blue on Mars, making the sky appear light blue and sometimes giving dark, black rocks a blue cast
Study of clouds (Studio di nubi), by Giuseppe De Nittis, 1868-1869, 19th Century, oil on board, 8 x 16 cm
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Astronomical black and white glass slide of diagram of Moon's position on star chart over London (glass negative)
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Astronomical black and white glass slide of diagram of Moon's position on star chart over London (glass negative)
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Moving Parts, 2024 (watercolour on board)
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Saturnian orrery, 1865
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1933 (design)
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US SECRETARY OF DEFENSE RUMSFELD TALKS TO PRESS, 2003-11-25 (photo)
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II. WK, Afrikafeldzug, Kradschützen 1942 (photo)
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II. WK, Western Front, Panzer Division "Hitler Youth", 1944 (photo)
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DESTROYED EUROBANK PICTURED IN LIBERIAN CAPITAL MONROVIA, 2002-06-15 (photo)
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Satellite Sentinel - 1 - Illustration - Artist's view of the European satellite Sentinel - 1 in orbit around the Earth. This satellite has a five-metre resolution radar, is the first of a series of satellites forming the Earth monitoring network of the Copernicus programme (formerly GMES), and together they will study the changes in the Earth's environment. The Sentinel-1 mission consists of two satellites in polar orbit. Sentinel - 1 carries an advanced synthetic aperture radar that works in several specialised modes to provide detailed imagery for Europe's Copernicus programme. These data will be used for applications such as monitoring the oceans, including shipping lanes, sea ice and oil spills. It also provides data to map changing land cover, ground deformation, ice shelves and glaciers, and can be used to help emergency response when disasters such as floods strike and to support humanitarian relief efforts at times of crisis. The SENTINEL - 1 mission comprises a constellation of two polar - orbiting satellites, operating day and night performing C - band synthetic aperture radar imaging, enabling them to acquire imagery regardless of the weather
US SECRETARY OF DEFENSE RUMSFELD SPEAKS TO PRESS AT PENTAGON, 2003-11-25 (photo)
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TO MATCH FEATURE LIBERIA-POVERTY, 2002-06-15 (photo)
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Secret Presence, 2025 (acrylic on canvas)
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ABIZAID AND DI RITA SPEAK AT PENTAGON, 2003-07-16 (photo)
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DI RITA SPEAKS AT PENTAGON BRIEFING, 2003-07-16 (photo)
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Satellite Sentinel - 1 - Illustration - Artist's view of the European satellite Sentinel - 1 in orbit around the Earth. This satellite has a five-metre resolution radar, is the first of a series of satellites forming the Earth monitoring network of the Copernicus programme (formerly GMES), and together they will study the changes in the Earth's environment. The Sentinel-1 mission consists of two satellites in polar orbit. Sentinel - 1a was launched on April 3, 2014. Sentinel - 1 carries an advanced synthetic aperture radar that works in several specialised modes to provide detailed imagery for Europe's Copernicus programme. These data will be used for applications such as monitoring the oceans, including shipping lanes, sea ice and oil spills. It also provides data to map changing land cover, ground deformation, ice shelves and glaciers, and can be used to help emergency response when disasters such as floods strike and to support humanitarian relief efforts at times of crisis. The SENTINEL - 1 mission comprises a constellation of two polar - orbiting satellites, operating day and night performing C - band synthetic aperture radar imaging, enabling them to acquire imagery regardless of the weather
ABIZAID SPEAKS AT PENTAGON, 2003-07-16 (photo)
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SHELLS OF DESTROYED AND UNFINISHED BUILDINGS SEEN IN LIBERIAN CAPITAL
MONROVIA, 2002-06-15 (photo)
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The Planets', c 1860
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Indigo ocean, 2023 (digital illustration from original paper collage)
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The Planets', c 1860
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Changing Role of Women in the UK
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The Bank of England at the beginning of World War I
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West Indian Waitresses, c.1955 (oil on paper)
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The Bank of England at the beginning of World War I
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II. WK, Eastern Front, Belgorod 1943 (photo)
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The Bookmaker, 1894 (dark wax upon inner gypsym support)
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The Bookmaker, 1894 (dark wax upon inner gypsym support)
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The Bookmaker, 1894 (dark wax upon inner gypsym support)
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Kaleidoscopes Brewster's patent kaleidoscope by Philip Carpenter, Birmingham, c 1820
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Kaleidoscopes Brewster's patent kaleidoscope, c 1817
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Thailand: A shadow puppeteer, Chumphon, southern Thailand (1995)
Thailand: A shadow puppeteer, Chumphon, southern Thailand (1995)