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firefighter and his plumet - chromo, 19th century
Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.”” Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Armed man of Lithuania, with mace, sword and shield. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.
N was a Nobleman, gallant and bold - Alphabetical Characters Sheet , c.1890 (chromolithograph)
Wonderful playing the game of blind man's buff. A blindfolded woman runs in a garden as one woman strokes her hand and another grabs her muslin dress. Another woman crouches near a chair and covers her head with a shawl. It can be played inside, or in a defined exterior. The blindfolded person has to guess the name of the person who touches her.” Illustration by Dominique Bosio. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Mr. Fanferluche. Engraving in "ABC Les Images en Alphabet". Epinal imaging. Pellerin and Cie, printer-publisher, Epinal, late 19th century, circa 1890. 10 pages. Dim: 19.5 x 13.5 cm
Art Nouveau style dressing table, by Charles Plumet (1861-1928), France, 20th century
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An organ grinder and a poodle with spinning machine before an audience of fashionable women in bonnets with plumes, shawls and lace dresses. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Geometer moths
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Fashionable woman on a windy day, 1801 (handcoloured copperplate engraving)
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Woman in a muslin dress with frills, fichu wimple, and perkale skirt. The headdress is an accessory, and its height should never equal the length of the face. For many months now, this principle has been ignored.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Marius and Eponine, illustration of novel "Les Miserables" de Victor Hugo (4th part: L'Idylle rue Plumet et l'epopee rue St Denis), 1862, engraving after E. Zier
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The incomparable Ravel, a guitar-playing English tightrope artist from the early 19th century, with two dancers on thick ropes. “Only one theatre is full in Paris, that of the Incomparable Ravel, rival of the Illustrious Forioso.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Gavroche stealing the purse, illustration for novel "Les Miserables" byVictor Hugo (4th part: L'Idylle rue Plumet et l'epopee rue St Denis), 1862, engraving after H. Vogel
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The knight. After escaping the perils of his many conquests, the knight is defeated by death, to whom he tries to resist in vain. He's pierced by his own spear. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The Count. Death, in the character of a peasant in rags, takes revenge against his proud oppressor, the Count, by crushing him with his own armor. On the floor are a helmet, a badge, and a flower. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
Woman in a shop trying to decide which dress matches her new hat. A shopgirl holds a dress trimmed with flowers, and another with gauze frill. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Jean Valjean, illustration of novel "Les Miserables" by Victor Hugo (4th part: L'Idylle rue Plumet et l'epopee rue St Denis), 1862, engraving after Brion
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Eponine at well, illustration of novel "Les Miserables" de Victor Hugo (4th part: L'Idylle rue Plumet et l'epopee rue St Denis), 1862, engraving after Brion
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Sultan Selim III (1761-1808) - Sultan Selim III, Ottoman Emperor, 1807, after Gregorius. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Woman in turban and crossed shawl, 1797 (handcoloured copperplate engraving)
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Navet, Gavroche's friend, illustration for novel "Les Miserables" by Victor Hugo (4th part: L'Idylle rue Plumet et l'epopee rue St Denis), 1862, engraving after Brion
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Not-een-a-akm, the Strong Wind, Ojibwe nation. Alexander Cadotte was interpreter to the nine-strong troupe of Ojibwe dancers who visited England in 1844. Handcoloured lithograph by J. Harris after a cartoon by George Catlin from James Cowles Prichard's Natural History of Man (Balliere, London, 1855).
Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho)
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Sultan Abdulmecit I (1823-1861) - Abdul Medjid-Khan, Sultan of Turkey, 1839-1861. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Circassian princess, sent as ambassador to Catherine the Great of Russia, 18th century. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
German warrior, Sarmatian archer in armour, and Belgian cavalry in chain-mail armour. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).
Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho)
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Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho)
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Fashionable woman in Savoyard-style hat, 1798 (handcoloured copperplate engraving)
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Cartoon of French and English costumes, circa 1815. The small size of English ladies' hats, the excessive length of their bodices and mean cut of their dresses contrast with our Parisian fashions.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Caricature of English military uniforms, Napoleonic era, Hussar with flared trousers worn over calf-high boots. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho)
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Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho)
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Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho)
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Victor Hugo - Les Miserables
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Victor Hugo - the
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Les Misérables - novel by Victor Hugo
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Les Misérables - novel by Victor Hugo
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White-plumed antbird and Guianan cock-of-the-rock., 1839 (engraving)
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