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The Politecnico
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Block of flats Milano in Rovereto (Condominio Milano a Rovereto), 1960 (Indian ink on tracing paper)
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Project for a monument to general Julio A. Roca in Buenos Aires (Progetto per un Monumento al generale Julio A. Roca a Buenos Aires), 1936 (Indian ink on tracing paper)
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Project for a monument to general Julio A. Roca in Buenos Aires (Progetto per un Monumento al generale Julio A. Roca a Buenos Aires), 1936 (Indian ink on tracing paper)
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Breda Pavillion - 31st International Exibition of Milan (Padiglione Breda - XXXI Fiera Internazionale di Milano), 1953, (Indian ink on tracing paper)
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Candlestick and details of Maison Pompeienne, illustration taken from Guida per le Arti e Mestieri, about 1870, France, 19th century
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English walnut sideboard, designed by Bruce Talbert (1838-1881), illustration taken from Guida per le Arti e Mestieri, 19th century
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Bredat Pavillion - 32nd International Exibition of Milan (Padiglione Bredat - XXXII Fiera Internazionale di Milano), 1954 (Indian ink on tracing paper)
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Politecnico di Milano, School of Industrial Engineering, headquartered in Milan Bovisa (20th century), Lombardy, Italy Detail
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Decorations on side door, drawing by Karl Alexander von Heideloff (1789-1865)
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Liturgical furnishings, design by Karl Alexander von Heideloff (1789-1865)
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Politecnico di Milano, School of Industrial Engineering, headquartered in Milan Bovisa (20th century), Lombardy, Italy Detail
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Doctor Hector Zepeda, a teacher at Mexico's Instituto Politecnico Nacional, looks at a monitor displ.., 2001-10-23 (photo)
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Gothic decorations, design by Karl Alexander von Heideloff (1789-1865)
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Renaissance style cabinet, by Paul Mazaroz, illustration from L'art et l'industrie, 1883, publisher Ulrico Hoepli, Italy, 19th century
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Title page of Grammar of Ornament, by Owen Jones (1809-1874), London, 1856, United Kingdom, 19th century
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Several types of chairs, design by H Duhring and execution by C Tschirner and A German, illustration from L'art et l'industrie, 1883, publisher Ulrico Hoepli, Vienna, Austria, 19th century
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Persian style decoration, Plate XLV from Grammar of Ornament, by Owen Jones (1809-1874), London, 1856, United Kingdom, 19th century
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White horse (farm cart), by Lionello Balestrieri (1872-1958), oil on canvas, 51x65 cm. Italy.
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Gothic style stained glass and rose windows, from The Ornamental art of the Middle Ages by Carl Alexander von Heideloff (1789-1865), Venice, 1859, Plate LI, Germany, 19th century
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Italy, Milan, Polytechnic University of Milan, 1910-20 (b/w photo)
Pompeian style decoration, Plate XXV from Grammar of Ornament, by Owen Jones (1809-1874), London, 1856, United Kingdom, 19th century
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Renaissance style decoration, Plate LXXV from Grammar of Ornament, by Owen Jones (1809-1874), London, 1856, United Kingdom, 19th century
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Medieval style decoration, Plate LXVII from Grammar of Ornament, by Owen Jones (1809-1874), London, 1856, United Kingdom, 19th century
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Pompeian style decoration, Plate XXV from Grammar of Ornament, by Owen Jones (1809-1874), London, 1856, United Kingdom, 19th century
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Turkish style decoration, Plate XXXVIII from Grammar of Ornament, by Owen Jones (1809-1874), London, 1856, United Kingdom, 19th century
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Italian style decoration, Plate LXXXVI from Grammar of Ornament, by Owen Jones (1809-1874), London, 1856, United Kingdom, 19th century
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Decorative detail from illuminated manuscript, Plate LXXI from Grammar of Ornament, by Owen Jones (1809-1874), London, 1856, United Kingdom, 19th century
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Chinese style decoration, Plate LXI from Grammar of Ornament, by Owen Jones (1809-1874), London, 1856, United Kingdom, 19th century
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Gothic decorations, Plate XLIV from Collection of architectural ornaments of middle-ages in Byzantine and Gothic styles, 1859, by Carl Alexander Heideloff (1789-1865), published by Giovanni Brizeghel, Venice, Italy, 19th century
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Window decoration, Plate LXXX from Collection of architectural ornaments of middle-ages in Byzantine and Gothic styles, 1859, by Carl Alexander Heideloff (1789-1865), published by Giovanni Brizeghel, Venice, Italy, 19th century
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Decorations for Gothic throne, Table XCIII from Collection of architectural ornaments of middle-ages in Byzantine and Gothic styles, 1859, by Carl Alexander Heideloff (1789-1865), published by Giovanni Brizeghel, Venice, Italy, 19th century
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An edifice of the faculty of Aerospatial Engineering of Politecnico in the branch of Bovisa; on the opposite grass, an Aermacchi MB-326, an old military airplane, with the emblem of the 3rd flight formation. Milan, Italy, 2015 (photo)
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Interior of neo-Renaissance style bedroom by Possenbacher, Monaco, illustration from L' art et l'industrie, 1883, Ulrico Hoepli, Milan, Italy, 19th century
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Lateral view of the new Politecnico of Milan, also called Milan Bovisa from the zone in which the university is placed, that is, the seat of the gasometers in the district of Bovisa, in the north of the city. Milan, Italy, 2015 (photo)
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Canopy bed, by Mercier Freres, Paris, illustration from L'art et l'industrie, 1883, Ulrico Hoepli, Milan, Italy, 19th century
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Oak sideboard designed in Stuttgart, illustration from L' art et l'industrie, 1883, Ulrico Hoepli, Milan, Italy, 19th century
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Ebony furniture by Hunsinger and Wagner, Paris, illustration from L' art et l'industrie, 1883, Ulrico Hoepli, Milan, Italy, 19th century
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Edifice B12 of the Politecnico Faculty of Engineering, typified by a yellow structure made of a steel wire fence and glazed walls; the Milano Bovisa University was born at the end of the Eighties in the north-western zone of the city, in an industrial area no longer in use, and has been the cornerstone of a restyling and enlargement project in 1998. Milan, Italy, 2015 (photo)
Headquarters of the Milano Bovisa University: on the right, the red wall of a Politecnico edifice and the iron structure of an old gasometer, in the middle; in the requalification works which lead to the birth of the new universitary headquarters, in the north-western suburbs of the city, the priority has been, to preserve the structures which testify for the industrial history of the area. Milan, Italy, 2015 (photo)
Headquarters of the Milano Bovisa University: a crossover circumscribed on the left by the posterior side of the edifices of the Politecnico, on the right by a grass on which is an old gasometer; the Università Statale Bovisa was born in the end of the Eighties in the north-western suburbs of the city, an industrial area no longer used, and has been the subject of restyling and enlargement project in 1998. Milan, Italy, 2015 (photo)
Edifice B12 of the Politecnico Faculty of Engineering, typified by a yellow structure made of a steel wire fence and glazed walls; the Milano Bovisa University was born at the end of the Eighties in the north-western zone of the city, in an industrial area no longer in use, and has been the cornerstone of a restyling and enlargement project in 1998. Milan, Italy, 2015 (photo)
Edifice B16 of the Politecnico, which hosts the laboratories of Mechanic Engineering; the building is an adaptation of a disused, industrial hangar; the requalification works which has leaded to the birth of the new universitary campus, in the north-western zone of the city, has tried to make adaptations of the pre-existing structures for the new destination, so that the original exterior aspect could have been respected. Milan, Italy, 2015 (photo)
Headquarters of the Milano Bovisa University: a crossover crossed by two people, with a warehouse rearranged as a laboratory and the Edifice BL25 of the Engineering Faculty the Politecnico; on the background, the iron structure of an old gasometer; the Università Statale Bovisa was born in the end of the Eighties in the north-western suburbs of the city, an industrial area no longer used, and has been the subject of restyling and enlargement project in 1998. Milan, Italy, 2015 (photo)
Emilio Gatti smiling in his lab
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Emilio Gatti working in his lab
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Emilio Gatti showing an electronical instrument in his lab
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Emilio Gatti speaking with some colleagues
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Emilio Gatti in his lab
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Study for the Polytechnic at Bovisa, 1995 (watercolor and ink on paper)
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Study for the Polytechnic at Bovisa, 1995 (watercolor and pen on paper)
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Emilio Gatti writing on a blackboard in his lab
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Emilio Gatti watching a laser in his lab
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Gio Ponti with the maquette of a piece of furniture
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Paolo Portoghesi in Piazza dei Miracoli in Pisa
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Paolo Portoghesi seated in the living-room of his house during an interview
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The designer Ernesto Gismondi seated on a sofa
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Petri dishes containing cultivated Anthrax bacteria lie on the laboratory counter at Mexico's Instit.., 2001-10-23 (photo)
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[Student Jorge Alberto Rodriguez Martinez], 21, holds up an open petri dish cultivating the anthrax .., 2001-10-23 (photo)
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Paolo Portoghesi seated at a desk during an interview
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Masters student Ana Lilia Sandoval Sanchez, 24, holds up a petri dish containing the Anthrax bacteri.., 2001-10-23 (photo)
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TEACHER LOOKS AT ANTHRAX BACTERIA UNDER MICROSCOPE ON MONITOR, 2001-10-23 (photo)
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PETRI DISHES CONTAINING ANTHRAX ON LABORATORY COUNTER, 2001-10-25 (photo)
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Paolo Portoghesi holding a red gilly flower in his hand
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STUDENT HOLDS UP OPEN PETRI DISHES WITH ANTHRAX, 2001-10-23 (photo)
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Paolo Portoghesi is posing next to his wife Giovanna Massobrio during a meeting of the Italian Socialist Party
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TEACHER SHOWS STUDENTS HOW TO CULTIVATE ANTHRAX, 2001-10-23 (photo)
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STUDENT HOLDS UP OPEN PETRI DISHES WITH ANTHRAX, 2001-10-23 (photo)
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Paolo Portoghesi seated at a desk in front of the book Dieci posters del Partito Socialista Italiano 1905-1925
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Collegio degli Artigianelli (Young Artisans College), now Polytechnic, Vercelli, Piedmont, Italy, woodcut from Le cento citta d'Italia (Hundred Italian towns), illustrated monthly supplement of Il Secolo, Milan, 1889
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the university of Barcelona, c. 1898 (b/w photo)
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Regent Street Polytechnic
Regent Street Polytechnic
T30860 Portrait of Leslie Marr (b.1922) c.1953
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