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Pope Francois
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Father Matt, 1760 (pencil, watercolour & gouache on paper)
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Father Anselme de Montalte, 1768 (pencil, watercolour & gouache on paper)
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Claude Henri de Fusee (1708-55) Abbot of Voisenon, 1760 (pencil, watercolour & gouache on paper)
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Portrait of an unknown prelate, probabely Philippe, bishop of Limoges, c.1550 (pencil on paper)
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First Communion of Charles de Gaulle (1890-1970) at the Immaculee Conception School, rue de Vaugirard, Paris, 16th May 1901 (b/w photo)
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Pierre de Mareuil, said Montmoreau (1510?-?), c.1540 (pencil on paper)
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Charles de Gaulle (2nd row, 2nd R) Second form (1900-01) at the Immaculee Conception School, rue de Vaugirard, Paris, 1901 (b/w photo)
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Charles de Gaulle (2nd row, 2nd L) Third form (1901-02) at the Immaculee Conception School, rue de Vaugirard, Paris, 1902 (b/w photo)
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Portrait of Giovanni Umberto Colombo, 1979 (oil on canvas)
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Catholic priest in the Spanish Civil War, 1936-1939
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Spanish national troops on their way to the northern front, 1936
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St. Jerome in a landscape (oil on panel)
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The Abbé François Gaultier, 1712-15 (oil on canvas)
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Photo cassock cure
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CASSOCK OF ASSASINATED PRIEST, 2003-07-16 (photo)
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A man in a cassock aims the lens of his camera at a man dressed like a pope
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France: a religious school with students with a cuff and their teacher in castane, 1900
Switzerland Catholic Minister, 1954 (b/w photo)
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France, Rhone-Alpes, Loire (42), Saint Etienne: An outdoor treatment in cassock, 1890
Switzerland Catholic Minister, 1930 (b/w photo)
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Portrait of Andrea Carlo Ferrari, 1900-50 (oil on canvas)
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Switzerland Catholicism Nuns, 1950 (b/w photo)
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Cardinal Leon Potier de Gesvres, Bishop of Bourges b.1656. Handcoloured lithograph after a contemporary engraving from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Group of children of choir around a priest in cassock photography in July 1925 in the Corbieres (Aude) by a photographer from Lezignan (undeciphered signature: Pampinaud?)
Religion and bourgeoisie: bourgeois family and priest in cassock (cure) playing the game of the frog in the garden of a large house - photographic print at the beginning of the 20th century -
Group of first communicants boys with a priest, Caunes Minervois,1948 (photo)
The Parisian Clergyman Will Be Permission To Wear Black or Dark Grey Clergyman Dress With The Roman Collar As Distinguishing Sign According to The Communiqué Of The “Religious Week” Sign Of Cardinalfeltin. Here is a “Model” from a department store specialises in posing with this new suit, an Abbe with the traditional cassock is trove face to face with this new outfit that he will be able to adopt instead of the Cassock. June 28, 1962. Neg 1346118 (b/w photo)
Costume of a Spanish nobleman, 15th century - Costume of a Spanish nobleman, 15th century - From a manuscript “” Office of Our Lady,”” in the Spanish court - He wears a large hat, a sleeveless simar (cassock) over a pink doublet, brown leather belt and purse, and red shoes - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Pierre de Giac, Chamberlain to King Charles VII from 1377-1426. Executed by drowning at Dun-Le-Roi. He wears a short cassock with mahoitres sleeves, pink pantalons and boots with spurs. Handcoloured lithograph after a miniature in a manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 91 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Ulger or Ulgerius (Ulgerus), Bishop of Angers, died 1149. He wears vestments, dalmatic, cassock, hat and veil richly decorated with gold and gemstones. He holds a crosier in his left hand and gives a blessing with his right hand. After an enamel plaque on his tomb in the church of Saint-Maurice. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Georges, Brassens, 1973 (photo)
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The baptism of the line, a sailor wore an old cassock and haranges the other sailors of the crew, each weapon of a bucket of water, which they pour on the moss or the young sailor who passes for the first time the imaginary line of Ecuador, drawing by E.Riou, to illustrate the voyage to equinoxial America (Colombia, Ecuador, Peru), in 1875-1875-1876, by Edouard Andre (1833-1894), traveller in charge of a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Pope Sixtus IV (Francesco della Rovere, 1414-1484), crown 1471 - Pope Sixtus IV, (1414-1484), seated on a throne - He wears a bonnet and almuce in red wool trimmed with ermine, linen rochet, and a cassock of white wool - From a painting by Piero della Francesca in the Vatican - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Don Abbondio
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Urheberrecht
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Fernandel in 'The Little World of Don Camillo'
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Fernandel having a break on the set of the film Don Camillo's Last Round (b/w photo)
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Georges, Brassens, 1973 (photo)
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Costume d'une jeune femme de Florence (Italy), 14th century - Costume of a young woman of Florence, 14th century - She wears a small bonnet over loose hair, a white veil embroidered with gold, a red simar (cassock) bordered with ermine, and a blue dress with gold sleeves - From a painting by Taddeo Gaddi in the Basilica di Santa Croce, Florence - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Bordighera, Italy - Sottana Gate
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Costume d'un podestat, magistrate de ville or representative of the Holy Roman Empire, 15th century - Podesta, 15th century chief magistrate of a city state, or representative of the Holy Roman Emperor - He wears a brocade simar (cassock), bonnet, gloves, gold chain and holds a baton - The page wears a scarlet hat, doublet, odd stockings, and a large sword - From a fresco by Pinturicchio in the church of Sant Maria d'Aracoeli, Rome - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Armenian quarter in the
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Armenian quarter in the
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Fernandel on the film set of Don Camillo: Monsignor (b/w photo)
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Armenian quarter in the
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Fernandel having a break on the set of the film Don Camillo's Last Round (b/w photo)
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Armenian quarter in the
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Trappist monk (cistercian) praying, engraving, 19th century
Fernandel and Gino Cervi on the set of the film 'Don Camillo Meets Hell's Angels', Brescello, Italy, 1970
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Tonio Kröger, 1964 (photo)
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Maurice Chevalier and Guiseppe Runci on Set of Film "La Sage-Femme, Le Cure Et Le Bon Dieu" March 31, 1961 (b/w photo)
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Tonio Kröger, 1964 (photo)
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Tonio Kröger, 1964 (photo)
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Fernandel having a break on the set of the film Don Camillo's Last Round (b/w photo)
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Cardinal - Italian male costume of 15th century
Pope John Paul II greets Christian believers wearing traditional clothing
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Virgin Mary and Child with St. Joseph and St. Vincent de' Paoli, 1751 (oil on canvas)
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San John of Capestrano During the Battle of Belgrade, 1737 (canvas)
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