'Wasserwiese' Bilder und Clips Suchergebnisse page 1 of 1

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Bilder zu 'Wasserwiese' gefunden, 23

Water Meadow, 1865

Water Meadow, 1865

Scott, William Bell (1811-90)

MAI46520

Through the Water Meadow (watercolour)

Through the Water Meadow (watercolour)

Murray, David (1849-1933)

LYT6952140

Cattle Watering, 1888 (oil on canvas)

Cattle Watering, 1888 (oil on canvas)

Moran, Thomas (1837-1926)

SSI82145

A Water Meadow, 1859 (etching)

A Water Meadow, 1859 (etching)

Haden, Francis Seymour (1818-1910)

HST2908373

Off Fishing, 1887

Off Fishing, 1887

Farquharson, David (1840-1907)

PHE79648

Haymaking, 1884 (w/c)

Haymaking, 1884 (w/c)

Bradley, William (1757-1833)

BON76809

A Water Meadow (etching & drypoint)

A Water Meadow (etching & drypoint)

Haden, Francis Seymour (1818-1910)

XDM1068424

Water Meadow (oil on canvas)

premium — Water Meadow (oil on canvas)

Water Meadow (oil on canvas)

Balmer, Derek (b.1934)

DBM1762695

Water Meadow, 2010 (acrylic on canvas)

premium — Water Meadow, 2010 (acrylic on canvas)

Water Meadow, 2010 (acrylic on canvas)

Piperger, Justin

ARU6313721

Cattle in a Water Meadow (oil on paper)

Cattle in a Water Meadow (oil on paper)

Lewis, Charles James (1830-92)

BOU2601808

Feeding the Ducks, 1897 (w/c)

Feeding the Ducks, 1897 (w/c)

Glendening, Alfred, Jr. (1861-1907)

PHE79995

View of Potsdam, c. 1796 (hand coloured engraving)

View of Potsdam, c. 1796 (hand coloured engraving)

Nagel, Johann Friedrich (1765-1825)

XPH330435

One of the 'Three Landscape Sketches' (w/c on paper) (see also 258630 & 258631)

One of the 'Three Landscape Sketches' (w/c on paper) (see also 258630 & 258631)

Herkomer, Hubert von (1849-1914)

SOU258629

Harnham Water Meadows with the Cathedral in the distance (w/c on paper)

Harnham Water Meadows with the Cathedral in the distance (w/c on paper)

Coleridge, F.G. (1840-1925)

SSW347007

The Ornithologist, 1980 (gouache)

premium — The Ornithologist, 1980 (gouache)

The Ornithologist, 1980 (gouache)

Wright, Liz (b.1950)

LWR84961

River Usk, Wales, 2006 (oil on canvas)

premium — River Usk, Wales, 2006 (oil on canvas)

River Usk, Wales, 2006 (oil on canvas)

Trotter, Josephine (b.1940)

JTR321632

The pond at Ville d'Avray, 1868 (oil on canvas)

The pond at Ville d'Avray, 1868 (oil on canvas)

Corot, Jean Baptiste Camille (1796-1875)

Peter Willi

PWI83613

View to the South West over the Water Meadows from the Tower of Salisbury Cathedral (photo)

View to the South West over the Water Meadows from the Tower of Salisbury Cathedral (photo)

SLC878045

Trees in a Marshy Landscape, c.1855-60 (oil on canvas)

Trees in a Marshy Landscape, c.1855-60 (oil on canvas)

Corot, Jean Baptiste Camille (1796-1875)

BOO226893

St. Cross Hospital in the water meadow, Winchester, Hampshire, England, UK (photo)

St. Cross Hospital in the water meadow, Winchester, Hampshire, England, UK (photo)

Chris Caldicott

DPS3592928

Cottage at Burghfield, near Reading, with Pond

Cottage at Burghfield, near Reading, with Pond

Hughes, Arthur (1832-1915)

USB1159792

At Runnymede, at Runnymede / What moves the reeds at Runnymede?' So begins this poem by Rudyard Kipling (d. 1936), first published in 1911. 'The Reeds of Runnymede' was commissioned to accompany a children's history
of England, written by the Oxford academic, C. R. L. Fletcher (d. 1934), to which Kipling contributed twenty-three poems. The book
itself received a mixed reaction, on account of Fletcher's racial prejudices. For instance, Fletcher denigrated the native people of Australia as 'a
few miserable blacks, who could hardly use even bows and arrows', and he lamented the impact of the abolition of slavery on the prosperity
of the West Indies. A History of England was venerated by some, but it was condemned by the Manchester Guardian as a pernicious influence
on the minds of children, and the volume was banned in parts of the British Empire. Kipling's poem, seen here in the author's draft, is uncontentious. The author imagines that the reeds in the Runnymede water meadow
are witnesses to the meeting between King John and the barons, and he suggests that their rustling provides a warning to monarchs
who dare to disregard their subjects. Kipling's handwriting is crabbed, and some of his original words were altered when the poem was
being prepared for publication. For example, the opening lines of the manuscript version read, 'What moves the reeds at Runnymede',
reproduced in print as 'What say the reeds'. The penultimate stanza of the poem is rewritten extensively in the manuscript, with this being
Kipling's final draft:
At Runnymede, at Runnymede,
Your rights were won at Runnymede!
No freeman shall be fined or bound,
Or dispossessed of freehold ground,
Except by lawful judgement found
And passed upon him by his peers!
Forget not, after all these years,
The charter signed at Runnymede. — At Runnymede, at Runnymede / What moves the reeds at Runnymede?' So begins this poem by Rudyard Kipling (d. 1936), first published in 1911. 'The Reeds of Runnymede' was commissioned to accompany a children's history of England, written by the Oxford academic, C. R. L. Fletcher (d. 1934), to which Kipling contributed twenty-three poems. The book itself received a mixed reaction, on account of Fletcher's racial prejudices. For instance, Fletcher denigrated the native people of Australia as 'a few miserable blacks, who could hardly use even bows and arrows', and he lamented the impact of the abolition of slavery on the prosperity of the West Indies. A History of England was venerated by some, but it was condemned by the Manchester Guardian as a pernicious influence on the minds of children, and the volume was banned in parts of the British Empire. Kipling's poem, seen here in the author's draft, is uncontentious. The author imagines that the reeds in the Runnymede water meadow are w

At Runnymede, at Runnymede / What moves the reeds at Runnymede?' So begins this poem by Rudyard Kipling (d. 1936), first published in 1911. 'The Reeds of Runnymede' was commissioned to accompany a children's history of England, written by the Oxford academic, C. R. L. Fletcher (d. 1934), to which Kipling contributed twenty-three poems. The book itself received a mixed reaction, on account of Fletcher's racial prejudices. For instance, Fletcher denigrated the native people of Australia as 'a few miserable blacks, who could hardly use even bows and arrows', and he lamented the impact of the abolition of slavery on the prosperity of the West Indies. A History of England was venerated by some, but it was condemned by the Manchester Guardian as a pernicious influence on the minds of children, and the volume was banned in parts of the British Empire. Kipling's poem, seen here in the author's draft, is uncontentious. The author imagines that the reeds in the Runnymede water meadow are w

BL3305448

View near Windsor, with Cows and Fishermen

View near Windsor, with Cows and Fishermen

Ingalton, William (1794-1866)

USB1160132

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