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Japan: Seated courtesan. Kikugawa Eizan (1787-1867)
Japan: A man and a woman about to make love. Kikukawa Eizan (1787-1867), c. 1825
Japan: A courtesan standing on a veranda. Kikugawa Eizan (1787-1867)
Japan: An oiran or courtesan / prostitute painted by Kikugawa Eizan (1787-1867)
Johann Nikolaus von Dreyse 1787-1867 inventor of the needle rifle.
Japan: An oiran of the Maru-Ebiya house. Kikugawa Eizan (1787-1867)
Portrait of Ettore De Sonnaz (1787-1867), Italian general and politician, lithograph, 1850
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Tabletop depicting Days in Rome, by Michelangelo Barberi (1787-1867), Rome, 1839 (mosaic)
Japan: The oiran or courtesan Oyodo of the Tsuruya House, Kikugawa Eizan (1787 - 1867), c. 1810
Portrait of Antonio Barezzi (Busseto, 1787-1867), father-in-law of Giuseppe Verdi and discoverer of his talent
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
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Portrait of generals Enrico Morozzo Della Rocca (1807-1897), Ettore De Sonnaz (1787-1867) and Durando
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Portrait of Ettore Gerbaix de Sonnaz d'Haberes (Thonon, 1787-Turin, 1867), general of the House of Savoy
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English actress Miss Marguerite Georges (1787-1867) as Athalie in the tragedy Athalie by Jean Racine at the Theatre Français. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1820.
Young fashionable man, 18th century, France.
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English actress Miss Margeurite Georges (1787-1867) as Salome in Les Machabees by Houdart de la Motte at the Odeon, 1821. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1823.
Art japan: musician, 18th century (print)
Courtesan Turning Head, 19th century (print)
Portrait of a Fashionable Cherry-blossom Viewing Party (Fûryû hanami sugata-e), 1812 (colour woodblock print)
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'With Many Combs, Edo Style, c.1830, (oban size, colour woodblock print)
Young woman adjusting a brooch in her hair
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The Courtesan Meizan Of The Ch?jiya (colour woodblock print)
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Two Women on Shore, 18th-19th century (woodblock print)
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Yûgao, from the series Twelve Seasons of Genji (Genji jûni kô) c.1814-17 (ink & colour on paper)
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Somekawa of the Matsubaya, from the series Collection of Beauties of the Yoshiwara (Seirô bijin zoroe), c.1814-17 (colour woodblock print)
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Portrait of a Fashionable Cherry-blossom Viewing Party (Fûryû hanami sugata-e), 1812 (colour woodblock print)
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Portrait of a Fashionable Cherry-blossom Viewing Party (Fûryû hanami sugata-e), 1812 (woodblock print (nishiki-e); ink and color on paper)
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The Courtesans Hinaya and Karauta Behind the Barred Window of Chojiya House by Sumida River in the Cherry Blossom Season, 1813
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Young Beauty Under Wisteria Vines, 18th-19th century (woodblock print)
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Returning Sails of Akashi (Akashi kihan): Koimurasaki of the Tamaya, kamuro Chidori and Momiji, from the series Eight Views of Genji (Genji hakkei), c.1814-17 (colour woodblock print)
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Masaji of the Tsuruya in Kyô-machi Itchôme, kamuro Hamano and Chitose, 1809-13 (colour woodblock print)
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Azuma of the Tamaya, kamuro Tsumaba and Tsumai, from an untitled series of five courtesans, c.1809-13 (colour woodblock print)
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Hanazome of the Ôgiya, kamuro Midori and Yukari, from an untitled series of five courtesans, c.1809-13 (colour woodblock print)
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Portrait of a Fashionable Cherry-blossom Viewing Party (Fûryû hanami sugata-e), 1812 (woodblock print (nishiki-e); ink and color on paper)
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Mademoiselle George, 19th century (engraving)
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Bust Portrait of Courtesan, 19th century (woodblock print)
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The Courtesan Yosooi of Matsubaya with child attendants., c.1812 (Woodblock print)
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Married couple with child underfoot and observant cat (woodblock print)
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Geisha with Letter (woodblock on paper)
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Women in an Iris Garden, c. 1801-1808 (woodblock print (nishiki-e); ink and colour on paper)
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Table with 'Twenty-four hours in Rome', 1839, 19th Century, mosaic of colored enamels
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