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Images of 'Altezza Di Napoleone' found, 179

I want to be Napoleon, 1914 (colour litho)
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His Imperial Highness Prince Napoleon, 1855  (Salted paper print)
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Napoeon I.
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Napoleon the Third, Eperor of France (Napoléon III, empereur des Français), after Franz Xaver Winterhalter, 19th Century, oil on canvas, 131 x 100 cm
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La Colonne Vendome, Place Vendome in Paris. Today's square dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884).
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Eastern weapon mass from the end of the 18th century reported from the campaign of Egypt by General Desaix, 18th century (object)
Salle des Imprimes de la bibliotheque Richelieu, Bibliotheque nationale, Palais Mazarin, 58 rue de Richelieu, Paris 2nd arrondissement. It was Napoleon III who entrusted Henri Labrouste with the reconstruction of the imperiale library, which the increase in collections made indispensable... We no longer knew where to put the books From 43,000 books in 1688, we had gone up to 800,000 books in 1851. Since 1996, the national bibliotheque de rue Richelieu has merged with the Bibliotheque nationale de France-Tolbiac. Construction between 1859 and 1867
Salle des Imprimes de la bibliotheque Richelieu, Bibliotheque nationale, Palais Mazarin, 58 rue de Richelieu, Paris 2nd arrondissement. It was Napoleon III who entrusted Henri Labrouste with the reconstruction of the imperiale library, which the increase in collections made indispensable... We no longer knew where to put the books From 43,000 books in 1688, we had gone up to 800,000 books in 1851. Since 1996, the national bibliotheque de rue Richelieu has merged with the Bibliotheque nationale de France-Tolbiac. Construction between 1859 and 1867
Salle des Imprimes de la bibliotheque Richelieu, Bibliotheque nationale, Palais Mazarin, 58 rue de Richelieu, Paris 2nd arrondissement. It was Napoleon III who entrusted Henri Labrouste with the reconstruction of the imperiale library, which the increase in collections made indispensable... We no longer knew where to put the books From 43,000 books in 1688, we had gone up to 800,000 books in 1851. Since 1996, the national bibliotheque de rue Richelieu has merged with the Bibliotheque nationale de France-Tolbiac. Construction between 1859 and 1867
Salle des Imprimes de la bibliotheque Richelieu, Bibliotheque nationale, Palais Mazarin, 58 rue de Richelieu, Paris 2nd arrondissement. It was Napoleon III who entrusted Henri Labrouste with the reconstruction of the imperiale library, which the increase in collections made indispensable... We no longer knew where to put the books From 43,000 books in 1688, we had gone up to 800,000 books in 1851. Since 1996, the national bibliotheque de rue Richelieu has merged with the Bibliotheque nationale de France-Tolbiac. Construction between 1859 and 1867
Salle des Imprimes de la bibliotheque Richelieu, Bibliotheque nationale, Palais Mazarin, 58 rue de Richelieu, Paris 2nd arrondissement. It was Napoleon III who entrusted Henri Labrouste with the reconstruction of the imperiale library, which the increase in collections made indispensable... We no longer knew where to put the books From 43,000 books in 1688, we had gone up to 800,000 books in 1851. Since 1996, the national bibliotheque de rue Richelieu has merged with the Bibliotheque nationale de France-Tolbiac. Construction between 1859 and 1867
Salle des Imprimes (Salle des periodiques) de la bibliotheque Richelieu, Bibliotheque nationale, Palais Mazarin, 58 rue de Richelieu, Paris 2nd arrondissement. It was Napoleon III who entrusted Henri Labrouste with the reconstruction of the imperiale library, which the increase in collections made indispensable... We no longer knew where to put the books From 43,000 books in 1688, we had gone up to 800,000 books in 1851. Since 1996, the national bibliotheque de rue Richelieu has merged with the Bibliotheque nationale de France-Tolbiac. Construction between 1859 and 1867
Napoleon I on Lobau Island with André Massena (1809), 1897 (Engraving)
Birth of the Prince Imperial, 16th March 1856 (colour litho)
The Louvre Museum (Grand Louvre), Rue de Rivoli and Quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, between 1983-2001. In 1981, Francois Mitterrand commissioned Ieoh Ming Pei to arrange the Grand Louvre. In particular, it was a matter of altering the spaces that Napoleon III had built for the ministries and which had been occupied by the Ministry of Finance at that time. Here, view of the auditorium.
The Louvre Museum (Grand Louvre), Rue de Rivoli and Quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, between 1983-2001. In 1981, Francois Mitterrand commissioned Ieoh Ming Pei to arrange the Grand Louvre. In particular, it was a matter of altering the spaces that Napoleon III had built for the ministries and which had been occupied by the Ministry of Finance at that time. The bookshop of the museum designed by Jean-Michel Wilmotte
The Louvre Museum (Grand Louvre), Rue de Rivoli and Quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, between 1983-2001. In 1981, Francois Mitterrand commissioned Ieoh Ming Pei to arrange the Grand Louvre. In particular, it was a matter of altering the spaces that Napoleon III had built for the ministries and which had been occupied by the Ministry of Finance at that time. Here is a view of the bookshop designed by Jean-Michel Wilmotte on the reception areas.
Sculptures in the Marly courtyard at the Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. In 1981, Francois Mitterrand commissioned Ieoh Ming Pei to arrange the Grand Louvre. In particular, it was a matter of altering the spaces that Napoleon III had built for the ministries and which had been occupied by the Ministry of Finance at that time. View of Marly Court in Richelieu Wing. It houses the monumental French sculpture that adorned the park of the Chateau de Marly.
The Marly court at the Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. In 1981, Francois Mitterrand commissioned Ieoh Ming Pei to arrange the Grand Louvre. In particular, it was a matter of altering the spaces that Napoleon III had built for the ministries and which had been occupied by the Ministry of Finance at that time. View of sculptures in the Marly courtyard of the Richelieu Wing. This courtyard houses the monumental French sculpture that adorned the park of the Chateau de Marly.
La Cour Marly au Louvre in Paris Grand Louvre, Rue de Rivoli et quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. In 1981, Francois Mitterrand commissioned Ieoh Ming Pei to arrange the Grand Louvre. In particular, it was a matter of altering the spaces that Napoleon III had built for the ministries and which had been occupied by the Ministry of Finance at that time. View of Marly's courtyard from the Richelieu wing which houses the monumental French sculpture that adorned the park of the Chateau de Marly.
The Marly court at the Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. In 1981, Francois Mitterrand commissioned Ieoh Ming Pei to arrange the Grand Louvre. In particular, it was a matter of altering the spaces that Napoleon III had built for the ministries and which had been occupied by the Ministry of Finance at that time. Here, detail taken from Marly's Court in the Richelieu Wing. The Marly Court houses the monumental French sculpture that adorned the park of the castle of Marly.
La Cour Marly au Louvre in Paris Grand Louvre, Rue de Rivoli et quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. In 1981, Francois Mitterrand commissioned Ieoh Ming Pei to arrange the Grand Louvre. In particular, it was a matter of altering the spaces that Napoleon III had built for the ministries and which had been occupied by the Ministry of Finance at that time. Here, Marly's yard of Richelieu Wing has the tomb of the night. It houses the monumental French sculpture that adorned the park of the Chateau de Marly.
Mercury riding Pegase in the Marly courtyard at the Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. In 1981, Francois Mitterrand commissioned Ieoh Ming Pei to arrange the Grand Louvre. In particular, it was a matter of altering the spaces that Napoleon III had built for the ministries and which had been occupied by the Ministry of Finance at that time. View of the sculpture “Mercury riding Pegase” by Antoine de Coysevox, made in Carrara marble.
The Marly court at the Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. In 1981, Francois Mitterrand commissioned Ieoh Ming Pei to arrange the Grand Louvre. In particular, it was a matter of altering the spaces that Napoleon III had built for the ministries and which had been occupied by the Ministry of Finance at that time. View of the sculpture of Guillaume 1er Coustou Horses escapappes held by a palefrenier””” in the courtyard Marly, located in the Richelieu wing.
The Marly court at the Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. In 1981, Francois Mitterrand commissioned Ieoh Ming Pei to arrange the Grand Louvre. In particular, it was a matter of altering the spaces that Napoleon III had built for the ministries and which had been occupied by the Ministry of Finance at that time. This is Marly's yard of Richelieu Wing. It houses the monumental French sculpture that adorned the park of the castle of Marly, with in particular the equestrian groups of Antoine de Coysevox and Guillaume 1er Coustou.
The Marly court at the Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. In 1981, Francois Mitterrand commissioned Ieoh Ming Pei to arrange the Grand Louvre. In particular, it was a matter of altering the spaces that Napoleon III had built for the ministries and which had been occupied by the Ministry of Finance at that time. Saw on the Marly Court of Richelieu Wing. This courtyard houses the monumental French sculpture that adorned the park of the chateau of Marly, with in particular the equestrian groups of Antoine de Coysevox, Mercury riding Pegase””””” and Guillaume 1er Coustou, “” Horses escapappes held by a palefrenier”””
The Marly court at the Louvre in Paris Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. In 1981, Francois Mitterrand commissioned Ieoh Ming Pei to arrange the Grand Louvre. In particular, it was a matter of altering the spaces that Napoleon III had built for the ministries and which had been occupied by the Ministry of Finance at that time. This is the Marly yard of the Richelieu Wing. It houses the monumental French sculpture that adorned the park of the castle of Marly, with in the foreground the sculpture Horses escapappes held by a mansion by Guillaume 1er Coustou ©Collection Artedia/Pei Ieoh Ming Rice Peter/Artedia/Leemage
This geographical plan of the Island of Saint Helena is dedicated by permission to Field Marshal His Royal Highness the Duke of Kent and Strathearn, 1817 (hand coloured engraving)
Parc des Buttes Chaumont, Paris 19th arrondissement. View of the island with at the highest point a reproduction of the temple known as the Sibyl in Tivoli, architect Gabriel Davioud (1824-1881). On the will of Napoleon III (1808-1873) to provide the laborious classes with green lungs, the park was converted to ancient gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschampsæ (1824-1873) planted the park from 1866 onwards.
Parc des Buttes Chaumont, Paris 19th arrondissement. View of the island with at the highest point a reproduction of the temple known as the Sibyl in Tivoli, architect Gabriel Davioud (1824-1881). On the will of Napoleon III (1808-1873) to provide the laborious classes with green lungs, the park was converted to ancient gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschampsæ (1824-1873) planted the park from 1866 onwards.
Parc des Buttes Chaumont, Paris 19th arrondissement. View of the island with at the highest point a reproduction of the temple known as the Sibyl in Tivoli, architect Gabriel Davioud (1824-1881). On the will of Napoleon III (1808-1873) to provide the laborious classes with green lungs, the park was converted to ancient gypsum quarries, which explains its topography. Adolphe Alphand (1817-1891), grand authorizer of Parisian parks with architect engineer Alfred Darcel (1818-1893) drew up the plan of the park. The landscape artist Pierre Barillet Deschampsæ (1824-1873) planted the park from 1866 onwards.