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So the Treasure was Divided, 1905 (oil on canvas)
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The Flying Dutchman, published in Collier's Weekly, December 8, 1900 (oil on canvas)
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Why Seek Ye the Living Among the Dead?, 1905 (oil on canvas)
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Which Shall Be Captain?, 1908 (oil on canvas)
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Dead men tell no tales, 1899 (oil on canvas en grisaille)
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Headpiece, The Flying Dutchman, from 'North Folk Legends of the Sea', published in Harper's Monthly Magazine, January 1902 (w/c on board)
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Kidd on the Deck of the 'Adventure Galley', from 'The True Captain Kidd' by John D. Champlin, published in Harper's Monthly Magazine, December 1902 (crayon on paper)
The Buccaneer Was a Picturesque Fellow, from 'The Fate of Treasure Town' by Howard Pyle, published in Harper's Monthly Magazine, December 1905 (oil on canvas)
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Extorting tribute from the citizens, or The sack of Carthagena, from 'The Fate of a Treasure Town' by Howard Pyle, published in Harper's Monthly Magazine, December 1905 (oil on canvas)
Howard Pyle (1853-1911) in his late twenties, c.1880s (b/w photo)
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Truth in the Temple, from 'The Pilgrimage of Truth' by Howard Pyle, 1900 (oil on wood)
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Fast Flew the Black Winged Horse, from 'The Garden Behind the Moon' by Howard Pyle, 1895 (oil on canvas)
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Frontispiece for 'The Ghost of Captain Brand', by Howard Pyle, published 1896 (litho) (b/w photo)
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He Put the Glass to his Lips and Drank at one Gulp, from 'Dr. Jekyll and Mr. Hyde' by Robert Louis Stevenson (1850-94), American edition, published 1895 (oil on canvas)
Truth Leaves Her Heavenly Home and Truth before the King for "The Pilgrimage of Truth" by Eric Bogh in Harper's Monthly Magazine, December 1900 (oil on wood panel)
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The Dancer, from 'Lola' by Perceval Gibbon (1879-1926), published in Harper's Monthly Magazine, January 1909 (oil on canvas)
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Sir Jack of Diamonds (oil on panel)
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Poster for 'To Have and To Hold' by Mary Johnston, published 1900 (pen & ink on paper)
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I Began to Play, from 'Sinbad in Burrator' by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
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The Little Gentleman with One Eye, from 'The Ruby of Kishmoor' by Howard Pyle, published in Harper's Monthly Magazine, August 1907 (oil on canvas)
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Vignette from 'A Puppet of Fate', 1899 (oil on paper)
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I Saw him Pass his Sword through the Mate's Body, from 'Kidnapped', published in 'The Novels and Tales of Robert Louis Stevenson', 1895 (oil on canvas)
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Untitled (Woman by a Window), 1911 (oil on canvas)
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Frontispiece for 'Sinbad on Burrator' by Arthur Quiller-Couch (1863-1944), 1902 (oil on paper)
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The Mermaid, 1910 (oil on canvas)
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I am the daughter of that unfortunate Captain Keitt!, from 'The Ruby of Kishmoor' by Howard Pyle, published in Harper's Monthly Magazine, August 1907 (oil on canvas)
Who are we that Heaven should make of the Old Sea a Fowling Net?, from 'The Second Chance' by James Branch Cabell (1879-1958), published in Harper's Monthly Magazine, October 1909 (oil on canvas)
Island of Enchantment (oil on canvas)
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Tailpiece for 'The Mysterious Chest' by Howard Pyle, published in Harper's Monthly Magazine, December 1908 (pen & ink & w/c on paper)
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Interior of Howard Pyle's Studio (oil on canvas)
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Untitled, from 'Old Captain' by Myles Hemenway, published in Harper's New Monthly Magazine, December 1898 (oil on canvas)
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'If I Catch you Here Again You'll Need Someone to Sew You Up', from 'Sinbad in Burrator' by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
David Looked Up Into Hans Krout's Face, from 'The Garden Behind the Moon' by Howard Pyle, published 1895 (b/w photo)
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Caxton at His Press, 1902 (oil on canvas) (b/w photo)
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Brandywine Battlefield, 1867 (oil on canvas)
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So for a heart-beat she saw him, from 'The Fox Brush' by James Branch Cabell (1879-1958), published in Harper's Monthly Magazine, August 1905 (oil on canvas)
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He Lost his Hold and Fell, Taking Me with him, from 'The Grain Ship' by Morgan Robertson, published in Harper's Monthly Magazine, March 1909 (oil on canvas)
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Our Young Gentleman of the Law, from 'The Mysterious Chest' by Howard Pyle, published in Harper's Monthly Magazine, December 1908 (oil on canvas)
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Breton Peasants at a Wayside Cross, from 'The Pardon of St. Anne d'Auray' by William Perry Northrup, published in Scribner's Magazine, September 1901 (oil on canvas)
Bringing Fire and Terror to the Rooftree and Bed, from 'The Birds of Cirencester' by Bret Harte (1836-1902), published in Scribner's Magazine, January 1898 (ink and gouache on paper)
We Started to Run Back to the Raft for our Lives, from 'Sinbad on Burrator' by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
A Wolf Had Not Been Seen in Salem for Thirty Years, 1909 (oil on canvas)
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I Sat at her Feet While she Drilled the Island Language into Me, from 'Sinbad in Burrator', by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
Her Captain was a Cuban, from 'The Cruise of the Caribee' by Thomas V. Briggs, published in Harper's Monthly Magazine, December 1907 (oil on paper)
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He Watched Me as a Cat Watches a Mouse, from 'The Grain Ship', by Morgan Robertson (oil on canvas)
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The Fishing of Thor and Hymir, from 'North Folk Legends of the Sea' by Howard Pyle, published in Harper's Monthly Magazine, January 1902 (w/c on paper)
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The Boat and I Went by him with a Rush, from 'Sinbad on Burrator', by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
The Rush from the New York Stock Exchange on September 18, 1873, from 'A History of the Last Quarter Century' by E. Benjamin Andrews, published in Scribner's Magazine, July 1895 (oil on canvas)
I Clutched at his Ankle, from 'Sinbad in Burrator' by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
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The Forest Madman saveth ye Life of King Arthur, from 'Sir Kay and the Forest Madman', 1905 (pen & ink on paper)
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