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The Pope and a Preparatory sketch for the Door of the Death (Il Papa con un disegno preparatorio per la Porta della morte), by Giacomo Manzù, 1960, 20th Century, pencil and guache on paper, 56 x 44 cm
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A knight rescuing a fallen rider, possibly a preparatory drawing by Bernardo Castello (1557-1629), to illustrate the poem Amedeide, by Gabriello Chiabrera (1552-1638)
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Preparatory drawing for Guernica, 1937 (pencil)
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Preparatory Drawing for Guernica, 1937 (pencil)
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Preparatory Drawing for Guernica, 1937 (pencil)
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Preparatory drawing for Guernica, 1937 (pencil on paper)
The oath of the Tennis Court (preparatory drawing, 1789)
Preparatory Drawing for Guernica, 1937 (coloured pencil)
Preparatory drawing for the Last Supper (sepia ink on linen paper)
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Preparatory Drawing for Guernica, 1937 (coloured pencil)
Preparatory drawing for the Last Supper (sepia ink on linen paper)
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Head of a Saint (pen & ink with gouache on paper)
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Preparatory drawing of cargo ships (Drawing)
Sistine Chapel Ceiling (1508-12): Two sketches of the right leg of Eve from the scene of The Original Sin (charcoal on paper)
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Sistine Chapel Ceiling (1508-12): sketch for one of the prophets (pen and brown ink)
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St. John the Evangelist, attributed to either Giovanni Bellini (c.1430-1516) or Andrea Mantegna (1430-1516) (pen and ink on paper)
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Sistine Chapel Ceiling (1508-12): sketch of an apostle (pen and brown ink)
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Preparatory sketch for the 'Battle of the Cascina' and two additional sketches (charcoal on paper) (see also 18057 & 49880)
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View of the preparatory study of 'Guernica', Paris, 1937 (b/w photo)
Pieta, attributed to either Giovanni Bellini (c.1430-1516) or Andrea Mantegna (1430-1516) (pen and ink on paper)
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Sistine Chapel Ceiling (1508-12): sketches of the figure of Eve from the scene of The Original Sin (charcoal on paper)
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Preparatory sketch for the Last Judgment in the Sistine Chapel; drawing by Michelangelo. Casa Buonarroti, Florence
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Action Psyché, 1973-74  (preparatory drawing)
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Action Psyché, 1973-74 (preparatory drawing)
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Preparatory drawing for pendant made by Pierre Woerlot.
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Design for Carved Frieze - 'Vision of Genius directing the Labours of The People of the Commonwealth towards Security', 1932 (pencil, pen & ink on paper)
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Study for a War Memorial, c.1922 (pencil & red chalk on paper)
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