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'Formen' images and/or videos results page 1 of 46

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Formen
Spielende Formen
Spielende Formen (painting on canvas)
Floating Form; Schwebende Formen, (oil on canvas)
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Red Shapes, c.1960-65 (oil on canvas)
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'Jagden und Formen (Zustand 2008)', a musical-choreographic project by Ensemble Modern and Sasha Waltz and Guests, Berlin, 24th Novemeber 2008 (photo)
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TV presenter Angelika Feldmann shaping with potter's clay, Germany 1950s
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'Jagden und Formen (Zustand 2008)', a musical-choreographic project by Ensemble Modern and Sasha Waltz and Guests, Berlin, 24th Novemeber 2008 (photo)
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'Jagden und Formen (Zustand 2008)', a musical-choreographic project by Ensemble Modern and Sasha Waltz and Guests, Berlin, 24th Novemeber 2008 (photo)
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'Jagden und Formen (Zustand 2008)', a musical-choreographic project by Ensemble Modern and Sasha Waltz and Guests, Berlin, 24th Novemeber 2008 (photo)
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'Jagden und Formen (Zustand 2008)', a musical-choreographic project by Ensemble Modern and Sasha Waltz and Guests, Berlin, 24th Novemeber 2008 (photo)
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Brasilia
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French President Jacques Chirac (L) is greeted by Spanish Prime Minister upon arriving at the Formen.., 1995-09-22 (photo)
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Inhaca Island - children
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The Pope's Chapel of Sancta Sanctorum The Blessed Sacrament in Rome is one of the remains of the ancient
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prison
Der eigentliche Tempel ist schlichter und in den uns bekannten Formen gehalten. Herrlich ist seine Lage auf der Anhöhe im Angesicht des heiligen und lebensspendenden Nilstromes. Nun aber geht es weiter nach Norden. Wir fahren hoch über Luxor nach Kairo.

 Egypt, Kom Ombo, Africa, Middle East, history, historical, 1910s, 20th century, travel, Upper, Dopple Temple of Kom Ombo, ancient, architecture, religion, belief, art, artwork, building, column, pillar, river, Nile, minimum price: 50,-- licence, hand coloured glass slide
ITALIAN FIRST WOMEN SOCCER COACH CAROLINA MORACE, 1999-07-02 (photo)
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Noch einmal betrachten wir abschiednehmend die hochragende Zitadelle von Kairo, lassen Ÿber die anmutigen Formen der Moschee Mohammed Alis unseren Blick schweifen, aber in unseren Herzen lebt eindringlicher das, was wir an kŸnstlerischen Offenbarungen wŠhrend unserer Reise durch das Wunderland am Nil in uns aufnehmen konnten. Die Kunst der €gypter ist alt und doch noch jung, so jung, dass selbst unsere moderne Kunst davon beeinflusst wurde. Unser Kunstgewerbe hat sogar bei der €gyptischen Ornamentik direkte Anleihen gemacht. €gypten in seiner nŸchternen Strenge ist uns und unserer Zeit viel verwandter geworden als das formenschšne Griechenland. Es ist interessant zu beobachten, unter wie verschiedenen Daseinsbedingungen so Šhnliche Formen der Anschauung und kŸnstlerischen Darstellung entstehen. Mit der Kunst wird das ganze Leben dieses alten Volkes uns wieder lebendig, seine Religion und seine Fragen an das Jenseits. Und damit taucht auch wieder das alte RŠtsel auf, das schon viele verschiedene Lšsungen fand, das RŠtsel der Bedeutung der Sphinx, deren Bild wohl auf Sie alle einen starken Eindruck gemacht hat. Sie hat ihre riesengrossen Augen geradeaus gerichtet, unbarmherzige, wissende Augen, die ohne zu antworten Ÿber den Fragenden hinwegstarrten in Leere oder in eine fremde, unsichtbare, ganz unbekannte Welt. Ein Wesen, das der Mensch schuf, der zitternd seine gršsste Frage stellte und in dieser Gestalt sein Bild des erbarmungslosen, Ÿberweltlichen, unnahbaren Geheimnisses aus dem Granit der WŸstenfelsen schlug.

Mšge deshalb dieser Vortrag Ihnen etwas mehr gewesen sein als eine mŸssige Stunde, mšge er in unserer Zeit der Verflachung anregen, uns den grossen Menschheitsfragen von Leben und Sterben, Gott und Fortleben nach dem Tode zuzuwenden. Egypt, Citadel of Cairo, Archive, Carl Simon, history, historical, Africa, Middle East
Circular shapes, Moon (painting)
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Forms, illustration from the portfolio 'Jazz', 1947 (colour stencil print)
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Three Standing Forms,1964 (black marble)
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Unique Forms of Continuity in Space, 1913
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Unique shapes in the continuity of space, 1913 (bronze)
1940-42 (two forms)
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SHAPING A HORSESHOE
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Forms of bacteria
KLUSKI MOLDS
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Tartlet molds
Zig VIII, 1964 (steel)
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Wood Working - Molding
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Falling Forms
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Spirit of Forms
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Contrast of Forms, 1918 (oil on canvas)
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Hygrophila deformed/Hygrophila has two forms/Synnema has two forms
Work in the Bronze Age
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Contrast of Forms, 1913-14 (oil on burlap)
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Composition of Rotating Forms (oil on canvas)
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Two moulds of Osiris figure, from Abydos
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Synoptic table of forms of the nose, c.1893.
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Forms on a White Ground, 1935 (oil on canvas on board)
Turkish forms with leaf, 1967
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Boredom and Tranquility, 1938 (oil on canvas)
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Untitled (Felt Tangle), 1967 (felt, metal eyes)
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Moulds for casting gun barrels
1978 (black forms)
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Moulds for making fire tubes
Alphabetic human forms
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Forms of carbon, 1869
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Freshly printed coins and a tool for printing and stamping money, southern Thailand (photo)
Small moulds 1899
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MOULDING/JEWITT 55
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Culinary moulds 1887
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MOULDING/JEWITT 58
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Small moulds 1899
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Tortilla molds (wood)
Unique shapes in the continuity of space, 1913 (bronze)
Grey Forms on Grey, 1935 (oil on canvas)
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Ruptures and Reconciliations of Forms, 1959 (oil on panel)
Forms in an Oval, 1987 (acrylic on paper)
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MOULDING/JEWITT 59
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Small moulds 1899
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