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{"event":"custom_event","event_name":"view_search_result","event_category":"browse_catalog","keyword":"kapitals\u00fcnden","search_type":"standard","search_bridgeman_artists":"false","search_mode":"automatic","search_zero_result":"false","search_results":99,"search_results_page_number":1}

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The doctrine of the 4 elements (water, air, earth, fire) influencing the four temperaments, a sort of classification of men in blood (warm and kind), phlegmatic (slow and apathetic), melancholic (sad and deprime) and colerical (quick and quick to react). From the studies of the antiquite doctor Claude Galien (Klaudios Galenos or Claudio Galeno or Claudius Galenus or Galen, v. 131 - v. 201). xylography of the beginning of the 16th century. Milan, Biblioteca del presidio militare.
Letter U: loan shark. Alphabet of the Eastern Tale, c.1890 (Epinal print)
Proverb illustrating greed: “Living poor to die rich”.
The Temptation of Christ. 15th century manuscript.
A sorbet dealer in Florence. Lithography around 1820
The table of the seven capital fishing(oil on panel, 1475-1480)
The doctrine of the 4 elements (water, air, earth, fire) influencing the four temperaments, a sort of classification of men in blood (warm and kind), phlegmatic (slow and apathetic), melancholic (sad and deprime) and colerical (quick and quick to react). From the studies of the antiquity doctor Claude Galien (Klaudios Galenos or Claudio Galeno or Claudius Galenus or Galen, v. 131 - v. 201), from a xylography of the “Great Calendar and Compost of the Shepherds”. Milano Biblioteca del presidio militare.
Souillac, Abbey Sainte Marie, the trumeau, entralacs of characters and various monsters. (Fishing and its consequences. There is the sacrifice of Abraham)
The Romans of the Decadence, 1847 (oil on canvas)
Firm sinners in the flesh (Mixed media, 1963)
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The original sin - Painting, 1550-1553
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Love Of Gold, 1844 (oil on canvas)
The lazy kings (670 - 752).
The Great Babylon, 1877 (print)
Jesus Christ and the woman taken in adultery (oil on canvas, 1593-1594)
Image Restrictions
  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Adam (oil on wood, 1507)
Chapters of the Church of Santa Fauste in Bozouls. On the left Lust, in the center the angel of the Annunciation and on the right the Virgin has the bird
Saphira's death, 17th century (oil on canvas)
Punishment of the miser and the slander (carved capital)
A woman accused of venality by her disappointed lover is judged by Queen Eleanor of Aquitaine (Alienor d'Aquitaine or Eleonore de Guyenne, ca. 1122-1204). Handcoloured copperplate engraving by Verico after Francesco Hayez from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844
Letter G: Gourmandise
Illustration for the poem "Furious Roland" by Ludovico Ariosto, 1885 (engraving)
Letter O: Pride, Mr. Marinier's artistic alphabet, late 19th century (chromolithograph)
The Divine Comedy, Inferno, Canto 5: The soul of Francesca speaks to Dante - by Dante Alighieri, 1885
Loire Atlantique N* 153 - Nantes - Musee d'Archeologie - Quadrangular brick (late 6th century) - representing Adam and Eve framing the tree - where the serpent wraps
The temptation of Saint Anthony, 1875 (oil on canvas)
A musician and a demon symbolising lechery (carved capital)
The Divine Comedy, Inferno, Canto 8 - by Dante Alighieri - 1885 (engraving)